Beyonce, nominated 99 times in history… Competing with Swift in 3 main awards
The Beatles nominated for ‘Record of the Year’ for the first time in 60 years
Chaplon and Sabrina Carpenter, side by side, nominated for four General Fields awards, including ‘Best Newcomer’
‘Berlin Philharmonic Eunsuk Edition’, nominated in the album package category
According to the Recording Academy of the United States, which hosts the Grammy Awards, on the 8th (local time), Beyoncé was nominated in 11 categories, including the three General Fields (main awards), including ‘Record of the Year’, ‘Song of the Year’, and ‘Album of the Year’. .
Beyoncé’s album ‘Cowboy Carter’, a mix of country, R&B, and acoustic pop, led to discussion about the black roots of many American genres, including country.
Beyoncé is the first female artist to be nominated in 11 categories. She has been nominated for the Grammy Awards a total of 99 times so far.
Swift was nominated for ‘Album of the Year’ for the seventh time in history with ‘The Torched Poet’s Department’. Swift is the first female singer to be nominated in this category for the seventh time.
The legendary British rock band ‘The Beatles’ was nominated for ‘Record of the Year’ for ‘Now And Then’, their first new song in 27 years. After being nominated in that category for ‘I Want to Hold Your Hand’ in 1965, he set a record of being nominated in the same category in 60 years.
In particular, it is noteworthy that Chapel Roan and Sabrina Carpenter, who swept various charts this year, are competing for nominations for all four General Fields, including ‘Best Newcomer’. In the history of the Grammys, this is only the third time that two artists have faced each other like this in the same year. Five years ago, Billie Eilish and Lizzo wrote the same record, and three years ago, Olivia Rodrigo and Finneas wrote the same record.
Female artists also took home six of the eight nominations each for Album of the Year and Record of the Year. Four of the five nominations for non-classical composer of the year belong to women. For the first time in six years, a female producer was nominated for Producer of the Year in the non-classical category. The main character is Alissia, who has worked with Jamila Woods and others.
A similar situation unfolded in the genre category. All five nominees in the Best Pop Vocal Album and Best Pop Solo Performance categories are women.
In addition, K-pop singers including ‘BTS’ RM, Jimin, J-Hope, V, and Jungkook challenged the Grammys again, but were not nominated at next year’s awards ceremony. BTS was nominated for this award ceremony for three consecutive years, up to the ’65th Grammy Awards’ in February last year. He was nominated a total of 5 times.
The Grammy Awards, recognized as the highest authority in the popular music world, is conducted in such a way that artists submit their work as a candidate in the desired category, and the final candidates and winners are selected through a vote by members of the Recording Academy, the organization that hosts the awards ceremony. This year, RM, Jimin, J-Hope, V, Jungkook, Lisa of Blackpink, Twice, etc. challenged the Grammys.
While the Grammys have been recognized for their status, they have been called the ‘White Grammys’ and criticisms have been raised about discrimination against people of color and others. The Associated Press pointed out that Latin music was largely missing from this nomination, and the same was true for K-pop.
“We certainly see room for improvement in many genres,” Recording Academy President Harvey Mason Jr. told The Associated Press. “We continue to invite people (of all ethnicities and genres) to participate in the Academy,” he said. “If you don’t have the right representation, you can’t get the right results. “What I mean by that is that it reflects and represents what’s happening in music today.”
Separately, at this year’s Grammy Awards, the ‘Berlin Philharmonic Unsook Jin Edition’ album set released by Germany’s Berlin Philharmonic, the world’s strongest orchestra, was nominated in the ‘Best Boxed Or Special Limited Edition Package’ category. .
It is a recording of the representative work of Jin Eun-sook, a world-renowned Korean composer and artistic director of the Tongyeong International Music Festival. This category goes to the album art director. Designers Takahiro Kurashima and Marek Polewski were nominated for this album.
In addition, the album ‘Opus’ by Japanese master musician Ryuichi Sakamoto (1952-2023), who has a fan base in Korea, was nominated in the ‘New Age, Ambient, Chant’ album category at this year’s Grammy Award. The film ‘Ryuichi Sakamoto | This is an audio work of ‘Opus’.
Candidates for this awards ceremony were albums and songs released from September 16 last year to August 30 this year. The ’67th Grammy Awards’ will be held in Los Angeles (LA), USA on February 2nd next year.
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Time.news Interview: The Intersection of Tradition and Innovation in the Grammy Nominations
Editor: Today, we are joined by Dr. Emily Hart, a musicologist and cultural commentator, to discuss the recent Grammy nominations that have been making waves, especially with Beyoncé earning her staggering 99 nominations. Welcome, Emily!
Dr. Hart: Thank you for having me! It’s an exciting time in the music industry.
Editor: Absolutely! Let’s dive right in. Beyoncé has received nominations across eleven categories, including three of the most coveted awards: ’Record of the Year’, ‘Song of the Year’, and ’Album of the Year’. How significant is this achievement for her, especially as the first female artist to garner such nominations?
Dr. Hart: It’s monumental! Beyoncé’s 99 nominations speak volumes about her influence and versatility as an artist. Her album “Cowboy Carter” challenges genres—mixing country, R&B, and acoustic pop—while also sparking discussions about the African American roots in American music. This reinforces her role not just as a performer but as a cultural touchstone, bridging different musical traditions.
Editor: Speaking of bridging traditions, Taylor Swift also received her seventh nomination for ‘Album of the Year’ with ”The Torched Poet’s Department”. How does her record compare with Beyoncé’s in terms of impact on the music landscape?
Dr. Hart: Taylor Swift’s achievement is commendable, too. She has transformed the narrative of a singer-songwriter into one that resonates broadly across demographics. While Beyoncé engages with broader cultural themes and genre fusion, Swift’s storytelling and emotional honesty have secured her a dedicated following. Their concurrent nominations highlight a shifting industry where female artists dominate the conversation.
Editor: The Beatles are another standout story this year with their nomination for ‘Record of the Year’—their first in 60 years for “Now And Then”. What does this signify considering their legendary status?
Dr. Hart: It’s remarkable! The fact that they’re back in the mix after decades speaks to the timelessness of their music. This nomination could introduce their work to a new generation, proving that innovation can come even from the most established artists. It presents an opportunity to explore how classic rock continues to influence modern music.
Editor: We’re also seeing a significant representation of female artists this year, with women taking home six out of eight nominations for key categories. What does this say about the current state of the music industry?
Dr. Hart: This shift is incredibly encouraging. It reflects a growing recognition of women’s contributions to music. We have to consider the broader socio-political context as well: the ongoing conversations around gender equality and representation in the arts. With female producers and composers also stepping into the spotlight, it underscores a significant cultural shift that has been a long time coming.
Editor: The nominations this year created a buzz as we see new artists like Chapel Roan and Sabrina Carpenter nominated for all four General Fields, including ‘Best Newcomer’. How rare is this?
Dr. Hart: It’s quite rare! Historically, only twice before have we witnessed two artists face off in this way. This speaks to a refreshed landscape in music where new talent is quickly recognized alongside established acts. It shows that the future of music is bright, with innovative voices emerging alongside those with longstanding legacies.
Editor: Let’s address the elephant in the room—how the Grammys have been critiqued for their lack of inclusivity regarding artists of color. With nominations predominantly awarded to women this year, do you see any signs of change?
Dr. Hart: There’s definitely a conversation unfolding around inclusivity, and now it’s crucial for the Grammys to address these criticisms proactively. The nomination of diverse artists, including K-pop stars like BTS and Blackpink’s Lisa, even if they didn’t make the cut this time, suggests that the Academy is increasingly aware of global music trends. The challenge will be to ensure that this recognition translates into genuine opportunities for underrepresented artists going forward.
Editor: Thank you for your insights, Emily! As we look forward to the Grammys, it’s clear that music continues to evolve, reflecting broader social dynamics.
Dr. Hart: It was my pleasure! The upcoming awards ceremony promises to be a fascinating showcase of talent and culture.
Editor: We can’t wait to see the outcome! Thank you to our audience for tuning in—until next time!