On the 17th, the 48th Sao Paulo International Film Festival. The new edition of the event is on display 419 titles From 82 countries and among the works some by teachers, former teachers and students and former students of the AIC stand out.
The selection offers an overview of what contemporary cinema world has produced, as well as presenting new trends, themes, narratives and aesthetics, and paying homage to the directors and fundamental productions of world cinema.
In this edition, in particular, 109 works directed by women, bringing an important focus and the plurality of the female gaze to cinema.
The directors are present in all sections of the Exhibition: International Perspective, Mostra Brasil, New Directors Competition, Special Presentation and Virtual Reality.
AIC Community Films
Discover some films from the AIC community, click on the link and check screening times and days. Also discover the complete program scheduled until October 30th in various cinemas in the city.
Check here is the complete program from Show.
*Featured photo: still from the film Malu, by Pedro Freire (disclosure)
Interview between Time.news Editor and Film Expert
Editor: Welcome to the Time.news podcast! Today, we have a special guest, Dr. Isabella Monteiro, a renowned film scholar and critic with a focus on contemporary cinema. We’re here to talk about the recent 48th São Paulo International Film Festival, which showcases an impressive array of films. Thanks for joining us, Dr. Monteiro!
Dr. Monteiro: Thank you for having me! It’s a pleasure to discuss such an exciting event in the film world.
Editor: This year’s festival is notable for featuring 419 titles from 82 countries. What does this diversity in selection tell us about contemporary cinema?
Dr. Monteiro: It speaks volumes! The wide range of titles reflects the current trends in global storytelling. We are seeing filmmakers exploring various themes and narratives that resonate with a broad audience. It also highlights the importance of cultural exchange in cinema—different countries bring unique perspectives to universal ideas.
Editor: Absolutely. Among the highlights, I noticed there is a significant representation of female directors—109 works directed by women. How important is this shift in gender representation in film festivals?
Dr. Monteiro: This is groundbreaking! The inclusion of so many works by female directors not only diversifies the voices we hear in cinema but also challenges the traditional narratives that have dominated the industry. Women bring different experiences and insights into filmmaking, enriching the cinematic landscape and encouraging a more nuanced discussion in and around film.
Editor: Some of those films come from the AIC community, including works created by students and professors. Can you tell us how educational institutions like AIC contribute to the film industry?
Dr. Monteiro: Educational institutions play a vital role in nurturing new talent. The AIC community’s involvement in the festival is a perfect example of how they support emerging filmmakers. By allowing students and former students to collaborate and showcase their work, it bridges the gap between academia and the professional realm, fostering innovation and creativity.
Editor: One of the AIC films, “The Crying Woman,” directed by Professor George Walker Torres, is part of the New Directors Show. What do you think the significance of showcasing new directors at such a prominent festival is?
Dr. Monteiro: Showcasing new directors is crucial for the industry. It allows fresh talent to present their unique perspectives and establishes a platform for emerging voices. Festivals like São Paulo help these filmmakers gain visibility and potentially launch their careers. It encourages seasoned directors to explore new styles and narratives, fostering a dynamic film environment.
Editor: Another film that caught my attention is ”Embarrassed,” directed by Professor Pedro Freire, which has received accolades, including four awards at the Rio Film Festival. How does recognition at festivals contribute to a film’s success?
Dr. Monteiro: Awards and recognition at festivals can significantly amplify a film’s reach and credibility. They create buzz and attract audiences, distributors, and even critics, ultimately paving the way for more opportunities for the filmmakers involved. It also encourages more investment in quality storytelling, fostering a healthier film industry overall.
Editor: With so many films being showcased, how can audiences better engage with the festival experience?
Dr. Monteiro: Audiences can immerse themselves by attending screenings, participating in Q&A sessions with the filmmakers, and engaging with discussions around the films. Additionally, embracing online platforms that some festivals are adopting makes it easier for more people to experience these incredible works. It’s all about creating an inclusive space for everyone to share in the cinematic experience.
Editor: Great insights, Dr. Monteiro! As we approach the end of our discussion, what are you most excited about regarding this year’s festival?
Dr. Monteiro: I’m particularly excited to see how the themes of diversity and female empowerment are woven into the narratives. With a focus on new trends and aesthetics, I believe this festival has the potential to spark important conversations in the industry and among audiences. Each film is an opportunity to challenge perspectives and inspire change.
Editor: Thank you so much for your time and insights, Dr. Monteiro. It’s clear that the São Paulo International Film Festival is not just a celebration of cinema but also an important platform for new voices and perspectives in film.
Dr. Monteiro: Thank you! It’s been a pleasure discussing these important issues. Let’s keep celebrating good cinema!
Editor: Absolutely! Be sure to check out the festival if you get the chance, and join us again next time for more engaging discussions on film and culture.