In these turbulent times, amid protests and unrest, a pre-planned broadcast of “The Comeback” is airing. The film, created and directed by Itay Asher, follows Binyamin Netanyahu’s campaign for the 25th Knesset, shedding light on the Prime Minister’s real story and giving insight into the workings of his government. Asher, known for creating Israel’s most-watched series, “Dokutime”, is fascinated by the everyday people of Israel and documents their stories. For “The Comeback”, he sought to document the sweat and determination of a man returning from political exile. He faced challenges in gaining access to Netanyahu’s election campaign, but his persistence paid off. The film showcases the Prime Minister’s tireless work ethic, boundless energy, and his ability to connect with his supporters. While not an easy watch for those who are not supporters of Netanyahu, “The Comeback” highlights his unwavering determination and ambition to reclaim power. Overall, it is a must-see for those interested in the Prime Minister’s re-election campaign.
“The comeback”, here digital, here BOX
Luck played here, and precisely in these days when the streets of the country are burning, the corporation, according to a pre-prepared broadcast program, is showing the film of the creator and director with me asher“The Comeback”, which follows the last months of Binyamin Netanyahu’s election campaign for the 25th Knesset. That part of the country that is scratching its head these days and asking what is going on with Prime Minister Netanyahu, what is his real story, receives another filmed look in the film that gives another perspective on the head The government and its surroundings. This will be called good timing.
Itay Asher is known as the creator of “Dokutime”, the most watched network series in Israel and already has many millions of hits. Asher is the man of the street. He does not look for the physicists and astronomers with his camera. Your people Israel fascinates him. He walks with them on the sidewalks, joins them for a walk The garbage truck, and in the last seven years has already brought hundreds of them to the screen to tell their story.
In the “comeback” he wanted to join Netanyahu. Being devoid of political status, he sought to closely document the sweat of the man trying to return from the loss and political exile to the front of the stage. In the system they laughed. You have no chance to get close to a man. In the end he convinced, and turned to Bibi’s beehive, the Topaz Locks and the Orichs with a request to join “Bibiba” – Netanyahu’s starting aquarium throughout the country. The hive giggled. They held the campaign in an iron grip. Not a word or image got out without their permission or care.
Even the “Bibiba” track was not ready to be handed over to Asher, who had to spend a lot of energy trying to locate the elusive aquarium’s location. Sometimes he captured him. Sometimes he followed him for two, three or even more stops in the evening. Netanyahu was amazing. A tireless workhorse, plowing the country stubbornly, time and time again repeating his messages in the ears of his captive audience, urging them to bring more and more Likud voters to the polls, inflaming them against his political competitors, and Haida, to the next stop.
And even before reaching the next station, the porters and porters upload to social networks the videos of the station they left behind, which were taken at an angle that would create the impression that there was a larger crowd – in case there wasn’t enough of a crowd, polls are read, messages are updated, and voila, for the rest of the race. and Netanyahu from Lahab. He shouts, he prods, he is full of love for his voters, uses half-truths as usual, but who knows or notices, and they are devastated by him, and they will do as he says – they will bring more and more Likud voters to the polling stations.
“The Comeback” is not an easy film to digest for those who are not Bibi fans. A whole hour in the middle of the man, his methods, his antics, his enthusiastic/hollow sentences said with a shout to influence his voters may cause a critical viewer a very unpleasant feeling. On the other hand, the film testifies once again and perhaps more strongly About the man’s stubborn character, about his strong will, that it is hard to imagine that there is a politician with a similar will in Israel, and about his enormous ambition to obtain, once again, power. Perhaps we could add another chapter to “The Comeback”: photos from the streets of the country these days, to give more An example of the man’s enormous abilities.
To see or to give up: to see