2023-04-17 22:15:57
Catalonia had a leading role in the 26th Max Awards ceremony held this Monday at the Gran Teatro Falla in Cádiz during the gala organized by the SGAE Foundation where there was no shortage of olés and palmas, with the awards widely distributed. The award for best show has gone to ‘The will to believe’, a text created and directed by Pablo Messiez performed by Marina Fantini, Carlota Gavino, Rebecca Hernando, Jose Juan Rodriguez, Inigo Rodriguez-Claro and Mikele Urroz. But the of better direction has been for the youngster Iñaki Rikarte by ‘Supernormales’ a powerful montage that talks about pleasure and sexuality with ten actors with and without functional diversity. “It has been an absolute adventure working with you,” the director acknowledged.
The Basque playwright Maria Goiricelayawhich opted for five nominations, won only the best adaptation for ‘barren’ that it had the spirit of García Lorca but no words of his text. When she picked it up, she called to “make infertility visible”, something that the company La dramatica errante does with this work that questions “what is she and how can one be a mother today”. ‘Cockroach with background landscape’a creation of Woman in Works It also touched on the issue of infertility. The production starring women who could not have children who were in a spa won the two revelation prizes, for best show and authorship for javier ballesteros. “Thanks to the alternative rooms because without you we wouldn’t be here”, they recognized excited with the award.
Among the prizes for Catalan artists, it stands out ‘The Lost Cat’, Liceu community opera organized with the residents of Raval, won the Best Musical or Lyrical Show category, beating ‘El sobre verde’, from the Zarzuela theater and ‘Villa y Marte’, from Teatros del Canal. “The prize goes to the Raval, a diverse neighborhood with 56,000 people because this plural and collective work speaks of it,” he said. Valentine Oviedo, general director of the Gran Teatre del Liceu when collecting the masked apple, the award designed by Joan Brossa. “It’s not easy to put on shows with 1,000 people in front of and behind the scenes, but opera houses have to be useful to society.”
tribute to humor
Nor is it easy to make gestural humor and fill theaters over 40 years as it has done tricycle. The Catalan trio formed by Joan Gràcia, Carles Sans and Paco Mir he was received with the entire theater on its feet. Paco Mir was the one who spoke the most of the three. “Humor is the poor brother of art. It is so difficult to do and it receives so few awards!” lamented Mir, who seemed very loose and funny. The same is that something of Carles Sans has rubbed off on him, who now works as a monologist and is the only one who is still active on the stage. “I share the award with the public that has never failed us”, said Sans, who suggested the possibility of creating “a ministry of humor that would guarantee a daily dose of laughter, but a good one”. Joan Gràcia, the most sparing in words, put the public in his pocket by acknowledging: “Thanks to them -he said referring to his colleagues- and to the SGAE I have grown… up to 103 kilos. I must confess that I don’t like the theater What I like is eating and thanks to the tours I have enjoyed the best delicacies”.
Pere Arquillue won Best Actor for ‘L’ adversari’, which was recently at the Teatre Romea, and the actresses Marta Nieto and Marina Salas they shared ex aequo the award for best actress for ‘The Infamy’a bold work inspired by the book ‘Memories of an infamy’, by the Mexican journalist Lydia Cacho who recounts the kidnapping she suffered in Mexico in 2005.
Danza
In dance, the Catalan choreographer and dancer triumphed Lali Ayguadewon the award for best female dance performer and best choreography for ‘speech’ The first time she went on stage alone and the second time with Lisard Tranis, the dancer with whom she stars in ‘Runa’ who could not win the award for Best Male Dance Performer which went to Mario Bermudez Gil by ‘The forest’. In the Best Dance Show category, ‘Queen of metal’of Vanessa Aibar that fuses contemporary flamenco, electronics and percussion.
Singing, dancing, music, theater, puppets from La Tía Norica and humor. There has been a bit of everything in this ceremony, more festive than vindictive, although some of the winners took advantage of their moment of glory to make a claim. The ‘El Petit Príncep’ team won the Audience Applause award, which is awarded for the first time and was collected by Manu Guix, the show’s musical manager, and Beth Orfila, from La Perla 29. Also the set designer Laura Clos ‘Closca’ he left with an award for ‘Rojos’, a dance show by Cia Miquel Barcelona. “My job is my passion,” she admitted.
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