2023-10-13 15:40:28
Adèle Charvet. Marco Borggreve
PORTRAIT – Revealed to the general public four years ago when she replaced an ailing countertenor on stage at short notice, the singer has since continued to progress and dazzle. His line of conduct: to promote French melody.
This article comes from Figaro Magazine
That a young mezzo-soprano replaces as she did in October 2019 for The Messiah by Handel, at short notice, a countertenor suffering while extricating himself from the ranks of the public to decipher in the sole favor of an intermission extended by a few too short minutes and then holding the score brilliantly, is not a trivial thing. But Adèle Charvet’s great talent goes far beyond mere brilliance and is reflected in the intense activity she has displayed since, on stage and on record.
In The Trojans of Berlioz with the Monteverdi Choir, the Grisélidis by Massenet recently put back in the spotlight by the Palazzetto Bru Zane and especially soon in the Romeo and Juliet de Zingarelli staged at Versailles by the Opéra Royal and the highly anticipated Diary of Hélène Berr by Bernard Foccroulle at the Opéra du Rhin where she plays the leading roles, without forgetting this Sant’Angelo Theatre, his second and magnificent program published by the Alpha label. She brings it back to life with Le Consort – an orchestra where… particularly shine.
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