The most deluxe and most spectacular movie. The collaboration between director Yorgos Lanthimos and Emma Stone, “The Wrongfuls,” is sure to be passed down as one of their masterpieces. Based on the original story by Alastor Gray, this is Yorgos Lanthimos’ best work and the most accessible film in his filmography. Overwhelming production design, acting, direction, and camera work. Every passion is poured into this at an almost insane level.
In my opinion, you can’t go wrong with any movie starring Emma Stone. Emma Stone started her own production company, Flute Tree, and recently produced Jesse Eisenberg’s directorial debut, “Until Our Worlds Intersected.” “Barbie”makeKeep an eye on Emma Stone’s actions in the current American film industry, along with Margot Robbie of Lucky Chap Entertainment.
frankengirl goes to yellow brick road
Frankengirl is implanted with the brain of a giant infant or infant. Yorgos Lanthimos’s “La Pitiful” begins with a scene in which a woman in a gorgeous dress attempts to commit suicide by jumping. A blue dress that shines in an ominous way. Rough, swirling waves. The body of a woman who falls from the railing of a bridge is picked up by Godwin Baxter (William Dafoe), also known as “God,” a mad scientist with a pathetic face full of patches. Godwin replaces the brain of the baby in the woman’s womb with the brain of her corpse, and successfully revives her. It is the birth of Vera Baxter (Emma Stone), a toddler with the body of an adult in her 20s. This film begins with the end of one woman’s life, but it also begins with the birth of a new life. Her mother’s life, deprived of her chance to live and her dignity, is relived by Vera. Her mother’s life and scars are etched like tattoos on her body.
The first scene shows Bella as a child playing the piano with both feet on the keyboard. It is symbolic that Bella’s childhood begins with “sounds” rather than words. Bella, created by Godwin, is still unable to speak properly. This movie depicts the process of Bella, who has an adult body, from childhood to adulthood. Like Godwin’s face, the mansion looks like it was made of antique patchwork. Bella innocently destroys things while saying less than words. Bella doesn’t know about the outside world yet. He doesn’t know the order of the world. Godwin’s education is similar to “confinement,” but it’s not that simple. Godwin has no selfish will to mold Bella into his ideal woman. Godwin continues to be close to Bella as her “father”. There is a sense of generous kindness, but of course there are also contradictions. This is because the experiment itself of reviving humans by replacing their brains is an extremely selfish act to begin with. Godwin has been experimenting with his own body. Godwin’s patchworked face is probably an experiment, a history of scars. This is similar to the scars left on Bella’s body by her mother. And Godwin seems to be conscious of living in contradiction. Locking Bella up in her mansion to keep her away from people’s desires is also keeping her under Godwin’s control. But control is not what Godwin wants. Here, the theme of “imprisonment” that characterizes Yorgos Lanthimos’ filmography emerges like a disturbing watermark.
This is the hotel used in “The Caged Maiden” (2009), which depicts a family and children who are forbidden from contact with the outside world, and “The Lobster” (2015), in which a single person is turned into an animal. Yorgos Lanthimos has created unique works that cannot be described as either ironic or apocalyptic, with the theme of confinement. The Wrongfuls, in which Bella travels the world, is more open to the world and to a wider audience than any of Yorgos Lanthimos’s films. In fact, it’s so fun and liberating that it seems like it’s exceptional. The acts of vandalism at her mansion and Bella playing with fruit in her vagina are full of innocence (the camera zooms in and out to capture the confused reactions of her assistant Max). The work is truly amazing!)
Bella’s childhood, before she embarks on a journey with a liberal man named Duncan (Mark Ruffalo), follows the theme of Yorgos Lanthimos’s “Captivity.” The first episode before departure is shot in black and white, and the process of Bella discovering color in the world has the same composition as The Wizard of Oz (1939). Bella discovers the Yellow Brick Road, which leads to Emerald Town. However, when Bella escapes from the mansion, she ends up experiencing a new kind of “confinement” called “The Common Sense of the World.” Bella, who is honest about his desires, is nothing but a nightmare and a monster to the world. Duncan is attracted to Bella’s anarchy and tries to teach her the pleasures of the outside world. However, Duncan, who pretends to be a free man of the new era, cannot hide that he is, after all, an old-fashioned, patriarchal control freak. The speed with which Bella learns things like a sponge, despite her lack of track, gradually becomes too much for Duncan to handle. Looking back, there was a foreshadowing of Bella’s superiority over Duncan from the beginning. Bella wants to pleasure her over and over again, and Duncan keeps telling her that she can’t have sex with him over and over again (her reference to Bella’s “enthusiastic jumps” is funny). A prologue to the defeat of men. Wonderful Bella freedom! And oh, poor Duncan!
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