It took Ly Hai almost a decade and seven movies to succeed in the above achievement, whereas Tran Thanh wanted 4 years.
At this level, discovering a 3rd leg of Vietnamese cinema has turn out to be tough. As a result of, the hole in income between Ly Hai, Tran Thanh and the remaining administrators are fairly giant.
If there isn’t any breakthrough, within the subsequent 3-5 years, Vietnamese cinema will nonetheless not be capable of discover a third trillion dong director.
Vietnamese cinema is clearly polarized
Vietnamese cinema is a fierce market with more and more robust rejection. The financial image, viewers tastes, and the emergence of a brand new class of administrators make the above elimination velocity sooner than ever. The “piece of cake” market share and income are subsequently continuously altering and turning into “tough to eat”.
5 years in the past, the truth that a Vietnamese film had a field workplace income of 300 billion VND was solely a fantasy. The most effective achievement stops on the determine of about 200 billion VND of Hai Phuong (directed by Le Van Kiet) launched in 2019.
Ly Hai and Tran Thanh are two trillion dong administrators of Vietnamese cinema.
Since Tran Thanh Leaping into the movie market, the scenario on the Vietnamese field workplace modified. Not solely the Godfather’s almost 400 billion VND, the next two movies by the male director each had big revenues: Mrs. Nu’s Home (459 billion VND – 2023) and Mai (551 billion VND – 2024).
Along with Tran Thanh, the 2 most up-to-date movies of the Face Off franchise additionally helped Ly Hai conquer the trillion-dollar directorial milestone.
2023, two Movie by Tran Thanh and Ly Hai respectively, Mrs. Nu’s Home, Flip 6: The Ticket of Future had income of almost 760 billion VND, accounting for 21% of whole Vietnamese field workplace income.
Within the first 4 months of this yr, Mai and Face 7: One Want earned 871 billion VND, accounting for about 43% of whole home field workplace income.
Mai is the preferred film in Vietnamese cinema, as much as the current time.
The income contribution of Ly Hai and Tran Thanh to the home movie market is big. However daily, the polarization of Vietnamese cinema turns into larger and extra apparent.
Many movie writers and audiences who love Vietnamese cinema additionally evaluate: “The Vietnamese field workplace now solely has two seasons: Ly Hai film season and Tran Thanh film season” or “Ly Hai, Tran Thanh and the remainder of the filmmakers.” ”…
That analogy shouldn’t be unreasonable.
When monitoring the entire field workplace income desk for 4 years (from 2021 to current), in addition to Ly Hai and Tran Thanh, there may be not a single film from one other director with income from 150 billion VND. The latest film with a excessive income of 140 billion VND is Southern Forest Land by director Nguyen Quang Dung. However the above work additionally has the “arms” of Tran Thanh as a producer.
Who’s able to succeeding Ly Hai and Tran Thanh?
Based on preliminary statistics, the listing of home administrators with two or 300 billion dong films in hand contains Vo Thanh Hoa, Vu Ngoc Dang, Nguyen Quang Dung, Victor Vu…
On this listing, Vu Ngoc Dang is the director with the best whole movie income. Particularly, Vu Ngoc Dang’s two most up-to-date movies, Sisters and Brothers 2 and Godfather, had income of 121 billion VND and 395 billion VND, respectively. As well as, the male director’s The Little Lady Who Obtained Her Husband additionally had constructive outcomes on the field workplace, with 76 billion VND.
Lately, Vu Ngoc Dang has additionally launched movies fairly repeatedly. At this level, his film Proud Bride with the participation of Uyen An and Samuel An can be about to be launched. The whole income of movies directed by Vu Ngoc Dang is about 600 billion VND.
After Vu Ngoc Dang, there are a selection of different administrators resembling Victor Vu (The Final Spouse – 100 billion VND; Blue Eyes – 180 billion VND); Nguyen Quang Dung (Southern forest land – 140 billion VND; Blood moon get together – 175 billion VND; Sensible Might – 85 billion VND); Vo Thanh Hoa (Tremendous donkey meets tremendous swamp – 122 billion VND; Sister Muoi Ba: 3 days of life and loss of life – 108 billion VND; Hundred billion key – 68 billion VND; Tremendous straightforward job – 70 billion VND); Nhat Trung (Revisit your pregnant spouse – 191 billion VND; Meet your pregnant spouse once more – 92 billion VND)…
Vu Ngoc Dang is the director of The Godfather (395 billion VND), Sister Sister 2 (121 billion VND)…
Based on director Nguyen Ngoc Lam, the best way Ly Hai and Tran Thanh create high-grossing movies can be a “case-study” for him and lots of filmmakers to find out about how one can consider and monitor the market and viewers tastes. pretend. Nonetheless, not each director can do it like Ly Hai and Tran Thanh, even when they’ve the “components” of their arms.
“For instance, it is also the film Face Off but when it was a special director, it would not have had such excessive income. The viewers loves Ly Hai extra due to who he’s than his films. Many followers take into account Ly Hai as a member of the family. I feel so. And never each director can try this. And Tran Thanh is aware of how one can inform tales and perceive the lifestyle and speech of employees,” the director shared with Tri Thuc – Znews.
Assessing the way forward for Vietnamese movies within the subsequent 5 years, Dr. Mai Anh Tuan, lecturer at Hanoi College of Tradition, mentioned that home cinema will develop diversely and vibrantly, within the path of the movie trade.
“Specifically, the movie style that tends to serve the plenty and targets field workplace income will nonetheless dominate and there’ll at all times be competitors. This movie style, on the one hand, continues to pamper the viewers’s tastes, then again, it tries to Attempt to exploit extra real-life and human points. Producers and administrators of this movie style will even lead the pattern of creating widespread movies, shaping the acceptability of the language. artwork, senses and outlook on life and other people,” mentioned Dr. Mai Anh Tuan.
Based on the physician, artwork movies will nonetheless be launched to audiences however in small numbers and with low probabilities of competing on the field workplace. Most significantly, Vietnamese audiences more and more assist home movies and have extra “energy” in evaluating and criticizing.