2024-05-31 18:05:00
Christian Schmidt talks concerning the first play “The Goldberg Variations”, the challenges of on a regular basis theater life and his experiences as a director in Chemnitz.
Typically fiction and actuality will not be that far aside. Within the recreation “The Goldberg Variations,” there is just one stage assembly in seven days till the efficiency. And the check time within the spinning home was additionally shortened as a result of sickness. However one can suppose and hope that the rehearsals on the primary stage of the Chemnitz Spinnbau are a minimum of within the George Tabori play organized by Malte Kreuzfeldt, by which Christian Ruth and Christian Schmidt duel with phrases. The latter is aware of each views, he’s additionally a frontrunner, now he makes one.
On the Chemnitz Theater, for instance, he carried out in “Nice Hanussen” and “Wine Tasting for Learners”. The disenchanted Leipzig theater viewers additionally rejoiced on the just lately concluded Theater Days. The Halle native additionally impressed because the director of “Farewell Judas”, “Presidents” and “The Damaged Pitcher”.
Tabori stated precisely
The director in “Goldberg Variations” is a whole stranger to him: “Jay is skilled, reserved, anti-Semitic anyway and stuffed with complexes,” stated Christian Schmidt in an interview with “Freie Presse”. “George Tabori describes precisely the disgrace that you just face as a frontrunner, however you could additionally really feel in case you do not perceive and even be taught as a frontrunner. That additionally occurs in actuality,” stated Schmidt. “As a director, I believe it’s fully flawed to be embarrassed and I attempt to right it. However I’ve additionally labored beneath administrators like Dieter Wedel who get pleasure from being embarrassed.” Regardless of this, as a frontrunner you expertise tensions that it’s important to endure. Tabori additionally explains this exactly as a result of he himself is a superb theater maker and author.
Whether or not actor or director: Schmidt likes to alter views. “If you find yourself on stage, you might be critical about your character and, along with your fellow actors, you’re a sort of most cancers amongst actors. As an actor, even with the expertise of directing, I work in the way in which I’ve stated. all the time work, ” Emphasizes Schmidt. “I all the time attempt to give one hundred pc and discover the boundaries. That is the query I’ve for myself.”
An excellent ardour
The 54-year-old has been directing since 2016. At the moment he directed “The Maid of Orleans” for the primary time on the Gera-Altenburg Theater. “For me, directing is a superb ardour and pleasure as a result of it offers you a unique feeling of freedom as a result of as an actor you set your self within the worlds that others have created for you.” As a director, teamwork is required, “and I really like working with dramaturgs, musicians and set designers.” He was in search of that within the theater, however he did not discover it as an actor. “In the long run you are all the time by yourself and a fighter.”
On Saturday he can be extra of a fighter than a staff official. Schmidt sees “The Goldberg Variations” not as a joke or a tabloid piece, however as satire. It has superb melodies. “It’s the story of a theater group that desires to retell the creation of the world in Jerusalem inside seven days, however most every part that may go flawed goes flawed. Tabori performs rather a lot with love and fact,” reveals Schmidt . “It is also one thing about anti-Semitism as a result of Jay is an anti-Semite and he has to know {that a} man with out humanity is a poor pig.” After all, given the conflict within the Center East, there are nonetheless considerations about doing one thing like this. He does not share this as a result of “The Goldberg Variations” finally take care of archetypal themes corresponding to exploitation, abuse and self-abuse. “It is about love, affection, respect in coping with one another and forgiveness.” From his perspective, it is usually one thing concerning the undesirable developments on the stage. “The actor has been an insecure job previously and really a lot on the mercy of the theater as an business and likewise of the administrators. However one thing is altering. The worst factor is that the appearing job requires a better degree of dedication -self. , with on the similar time the good hazard of humility “Since ‘Metoo’ is the most recent, this has develop into extra seen to everybody,” defined the stage artist.
The place we predict rather a lot
In 2021, Schmidt grew to become a member of the ensemble on the Theater Chemnitz. He has beforehand labored in theaters in Potsdam, Stuttgart and Bremen, however he additionally works independently. “I do not actually really feel at dwelling in Bremen or Stuttgart, however Chemnitz is acquainted to me. I really feel protected and comfy right here,” he stated about his host metropolis. Though he likes to get up loudly at night time. Later, he cried to the night time in his voice, “Please be quiet, the kids are sleeping right here.” A bit trick with the youngsters. He lives on the sting of York, the place issues are louder and extra violent than in different elements of town. And I am excited to see what is going to occur in 2025.” He was just lately approached after the promoting posts for “Nice Hanussen”, and folks additionally got here to him after the crime scene “The Secret Lifetime of Our Kids” (2023), by which he performed one of many important roles. Director Kai Wessel strongly emphasised his participation. 2021/2022 is the yr that It is actually good for films and sequence due to the streaming noise. However that is over.
The stage must be gained
He nonetheless lives in Berlin, the place his spouse lives. Since he was working as a contract artist, the 2 noticed one another usually – usually in Chemnitz. He not solely lives within the metropolis, but in addition enjoys working right here. Additionally it is used to troublesome situations of rotation. He thought again with horror to the primary efficiency of “Wine Tasting for Learners” on the Spinnbau stage. “That is a combat!” Within the play, which was additionally very profitable, he performed the poor wine service provider Jaques. “It is superb how we beat this troublesome stage,” he stated.
Though working as a conductor is a really troublesome and aggravating expertise at instances, he considers it a privilege to have the ability to work as a conductor in Chemnitz beneath coach Carsten Knödler. “This isn’t a given method in each nation.” Nonetheless, it was not solely joyful in Chemnitz. He can think about a home that’s political or political. “However, in fact, I do know that we’re a metropolis theater and we additionally must take note of the viewing habits of the viewers.” In any other case, it would not have performed out like “The Damaged Pitcher” in Berlin in a different way. “And once I noticed our efficiency, what we did right here was not so dangerous,” stated the actor, who performed the director on Saturday.
Exhibit of the article “Goldberg Variations” is on Saturday at 7.30 pm on the principle stage of the Chemnitzer Spinnbau. There can be one other service on Sunday, 6 pm, then once more after the summer time break. » www.theatre-chemnitz.de
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