2024-06-21 18:00:06
“I am nonetheless having hassle attending to the top of the video as a result of it is so violent! » Dancer Koharu Yamamoto, 20, from the Paris Nationwide Opera, offers this confidence from the underside of her coronary heart. However what’s she speaking about? Off Bluebeard, a horror masterpiece created by the German choreographer Pina Bausch (1940-2009) in 1977, entered the Paris establishment’s repertoire. Then again, in the course of the rehearsal on Wednesday 12 June, the younger lady traces a really sturdy path on this shifting story of affection and curiosity. “Watching my friends helps me quite a bit”, does she slip. And she or he rushes ahead with a loud ribbon cry that makes the hair stand on finish.
Koharu Yamamoto didn’t think about the latter representing the central a part of the up to date scene. She thought, not with out satisfaction, of the completion of the season i Swan Lake. Aside from that probability it was determined in any other case. A yr in the past, within the corridors of the Palais Garnier, she met José Martinez, a dance director, who instructed that she take the take a look at organized by the Pina Bausch Basis. “I went there peacefully, I had numerous enjoyable with my pals doing the unusual issues we have been requested to do like snicker, cry…”she continues. And never solely was she chosen among the many forty-five performers, however she was chosen for the position of Judith alongside star Léonore Baulac and Charlotte Ranson. Goodbye Lakewelcome to the fort, with its seven doorways and its key filled with indestructible blood!
The phobia, the worry, created by Perrault’s story is elevated right here by the music of the opera composed by Bela Bartok (1881-1945) in 1911 and by the unimaginable scene of Pina Bausch. As quickly as we arrive on the studio, the voices in German are scratched by howls, hysterical meows, panting. Relaxation in peace, Beatrice Libonati, determine of the corporate Pina Bausch, who danced Bluebeard together with her husband, the unforgettable Jan Minarik (1945-2022), who oversees the transmission. In addition to trying on the recordings, it exhibits the intentions of the actions. His recommendation: “We’ve to not play, now we have to be and reside with what everybody has gone by of their lives. »
Hanging on to a tape recorder, the dancer Takeru Coste (Blue), hypnotizing in his overcoat, begins the music, stops it immediately, furiously rewinds and begins once more. Ladies round him and rub, caressing his face. As one enters right into a conflicted need, he turns to the sound and reaches out to Léonore Baulac (Judith), who right here reveals the facet of a fantastic tragedy.
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