2024-06-30 16:29:53
WHow do you are feeling about pickle? For 3 days, 14 writers from the German literary scene met in Klagenfurt to learn literary texts in entrance of a seven-member panel of critics and rolling tv cameras. And eventually, “The Gurkerl” has been mentioned many times. As a result of Johanna Sebauer’s media satire of the identical title was “of such crispness”, of such a full of life freshness, stated the Austrian lady who learn it. a sizzling pot on the desk in entrance of him has ranked itself, an viewers prize price 7,000 euros is assured.
The jury additionally honored Sebauer’s speech and – after the fateful vote that was complicated for everybody and the imprecise guidelines supplied sufficient materials for the next satirical speech Bachmann – additionally awarded the writer a 3sat prize price euros 7,500. Choose Klaus Kastberger, who was learn by Sebauer, has been the chairman of the seven-member jury since this 12 months, to which the actress Laura de Weck has been added.
The remaining critics are, as standard, Thomas Strässle, Brigitte Schwens-Harrant, Mithu Sanyal, Philipp Tingler and Mara Delius (feuilleton chief of WELT and “Literarische Welt” editor). Kastberger wore a T-shirt with a print of cucumbers and was positive that after the speech individuals would have a eternally completely different angle to pickles than earlier than. “And that is the perfect a speech can obtain.” However “The Gurkerl” achieved way more: it ran as a leitmotif via the judges’ discussions. Simply as final 12 months a speech about cleanliness inspired the judges to speak about their very own cleansing habits, now we all know which judges are consuming their pickles and the way. “Sickness or extreme hypnosis” that Kastberger mentions in his closing remarks, which impacts all the literary world 12 months after 12 months within the Bachmann competitors, is due no much less to this matter.
However, Kastberger stated in his eulogy, the comedian phrases weren’t at all times straightforward in Bachmann’s competitors. A have a look at the opposite three prize-winning texts exhibits what it means: Yugoslavian author Tijan Sila received the Ingeborg Bachmann Prize price 25,000 euros for his textual content “The Day My Mom Went Loopy”. It is not the one story about Yugoslavian moms being honored this 12 months. Tamara Štajner’s hurtful speech to her mom additionally received the KELAG Prize of 10,000 euros. Each eulogies speak about ache that can be handed on “from era to era”. Transgenerationally inherited trauma and the implications of the previous within the current, battle, warfare, damaged households up each three counting days.
As a listener, you’re actually glad about each phrase that opens as much as different topics, in regards to the clever footballers interview of Olivia Wenzel, the sci-fi atmospheric idyll of Sophie Stein or the intelligent controversial caricature of Sebauer. It can be crucial that Sebauer’s speech, which was praised intimately, shortly adopted the want of the jury that it might have elevated extra forcefully ultimately. Folks must die in Klagenfurt.
Even past the cucumber, the writing means of meals transport, starvation and satiety ran via the competitors: Olivia Wenzel was about breast milk, Sophie Stein was about breakfast eggs, Tamara Štajner was about gnocchi and Miedya Mahmod was in regards to the fridge empty. That is constant in Carinthia, the place the textual content that received the Bachmann Prize in 2016 was about breakfast eggs, and the place yearly after studying, delicacies similar to cheese noodles, pancakes and pumpkin pies will be found via the realm of he gathers.
Sadly, the 2 contributions that almost all boldly experimented with language had been left empty-handed. Miedya Mahmod’s lyrically playful, polyphonic and multilingual poetry Slam efficiency fascinated the viewers, who gave by far the loud applause, however then misplaced in a runner-up vote towards Sebauer and Štajner when the prize was given.
The story of Henrik Szántó from the attitude of a home that confronts its inhabitants within the first individual would have been extra worthy of the second place (Deutschlandfunk Prize price 12,500 euros) than the story of Denis Pfabe who received, which happened in a ironmongery store, a “metaphysical place that incorporates all the fun and horrors of human life,” as choose Philipp Tingler summed it up. Different phrases are inclined to challenge the great thing about indifference towards the unreal turquoise background of Lake Wörthersee. In Tamara Štajner, the primary narrator asks her mom to attach her birthmarks with traces till a brand new sample seems.
All awards: Tamara Stajner, Johanna Sebauer, Tijan Sila and Denis Pfabe (from left)
Supply: dpa
Mahmod’s purposeful language check is named “Eager to Present Dangerous” and is related by the choose Klaus Kastberger with Ilse Aichinger and delightful writing after 1945 – the academic silence of the viewers, which is in any other case gradual to make spontaneous assessments, be grateful for Clapping acknowledge.
What’s the simplest strategy to end a participant and the way do you do probably the most lasting injury to him? Specialists to reply this query are usually not solid stars like Heidi Klum and Dieter Bohlen. The Bachmann Competitors additionally has one thing of a casting present and has been thought of for 50 years as a spot the place unborn artistic endeavors are destroyed and established profitable writers are established of their place. Due to this fact, increasingly more publishers are considering twice or thrice whether or not they wish to expose their managers to aggressive hell. This 12 months, devastating judgments had been made similar to “The language feels prefer it fell off a truck” or “Is the phrase AI written?” “Adjetivitis”, “aestheticization over-extension” and “conservatism” had been criticized. One customer even stated one thing he did not like a lot that he blocked the poles from swimming in Lake Wörthersee.
Solely two authors took benefit of the chance given to all individuals to answer the dialogue of the jury about their works. Olivia Wenzel rigorously adopted together with the reason of her personal phrases, as if she herself had been a part of the jury. And Christine Koschmieder identified why the occasion was now not known as the “Ingeborg Bachmann Contest” however was renamed the “Days of German Literature” by Bachmann’s heirs in 2000 towards the then FPÖ state authorities of Carinthia. The remaining individuals withdrew with “Thanks” or “I would slightly not”.
The advantage of the three-day view: Necessary questions on what makes literature fascinating are repeatedly touched upon: When does a textual content break taboos? Is a phrase to be touched or can or not it’s good though it’s boring? And for a very long time it has been a part of this to judge critically not solely the authors, but in addition the judges. However a very powerful a part of the occasions to date has been disregarded of the scores insanity: the viewers. Right now, nonetheless, this – a mix of writers, publishers, editors, brokers, press spokesmen, journalists, faculty courses and Carinthian students – itself grew to become the topic of criticism: Tingler didn’t like the reality that the viewers applauded, all of it. sound, Kastberger’s concept to elucidate and likewise need euphoric this Do not settle for viewers response as a top quality signal. In Klagenfurt nobody stopped.
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