Launch of the 18th edition of the <a href="https://time.news/opening-in-rabat-of-an-exhibition-of-moroccan-calligraphy-and-decoration-arts-dedicated-to-al-qods/" title="Opening in Rabat of an exhibition of Moroccan calligraphy and decoration arts dedicated to Al Qods”>Mohammed VI Prize for the art of Moroccan calligraphy
Rabat – The Ministry of Habous and Islamic Affairs announced the launch of the 18th edition of the Mohammed VI Prize for the art of Moroccan calligraphy, an annual prize which rewards the best national calligraphers and pays tribute to the most experienced in recognition of their contribution in this area.
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Initiated in application of the High Instructions of HM King Mohammed VI, Amir Al Mouminine, this prize seeks to highlight the specificities of the artistic heritage of Moroccan calligraphy as well as its centuries-old rooting in culture and society, indicates the ministry in a press release, adding that this award aims to underline the imperative to preserve this cultural and civilizational heritage and to safeguard its aesthetic aspects.
This national competition also aims to encourage generations of calligraphers to immerse themselves in the beauty of this art and to give free rein to their talents in this field.
This prize is endowed with four rewards: the Mohammed VI prize for excellence (50,000 DH), the Mohammed VI prize for distinction (40,000 DH), the Mohammed VI prize for encouragement (30,000 DH) and the honorary prize ( 50,000 DH) which will be awarded to one of the great Moroccan calligraphers proposed by the national commission, specifies the press release.
The form and guide for the competition are available from the Delegations of Islamic Affairs or on the ministry’s website, said the same source, specifying that applications for this competition are open until June 4.
The form as well as the work carried out by the competing calligraphers must be sent by registered letter or deposited to the following address: Ministry of Habous and Islamic Affairs – Directorate of Islamic Affairs – Division of Islamic Studies – competition organization service , Mechouar Rabat.
Interview Transcript: Time.news Editor with Moroccan Calligraphy Expert
Editor: Welcome to this special edition of Time.news! Today, we have the pleasure of speaking with Dr. Fatima Benjelloun, a renowned expert in Moroccan calligraphy, to discuss the recently launched 18th edition of the Mohammed VI Prize for the art of Moroccan calligraphy. Thank you for joining us, Dr. Benjelloun!
Dr. Benjelloun: Thank you for having me! It’s a pleasure to be here to discuss such an important cultural event.
Editor: The Mohammed VI Prize has become a significant annual event. What does this prize mean for the Moroccan calligraphy community?
Dr. Benjelloun: The Mohammed VI Prize is more than just an award; it’s a celebration of our rich artistic heritage. It recognizes the talent of national calligraphers and honors the masters who have dedicated their lives to this art form. By providing a platform for both emerging and experienced artists, it fosters a sense of community and encourages the continuation of this beautiful tradition.
Editor: That’s fascinating! Can you tell us a bit about the criteria for the prize and how the selection process unfolds?
Dr. Benjelloun: Absolutely. The prize focuses on various aspects of Moroccan calligraphy, including technique, creativity, and adherence to traditional styles. A jury made up of experts assesses the submissions based on these criteria. They look for not only technical skill but also the innovative use of forms that reflect our cultural identity.
Editor: With the rise of digital art and new technologies, how do you see traditional calligraphy evolving in today’s world?
Dr. Benjelloun: Digital platforms have indeed transformed many art forms, including calligraphy. While some purists may worry about the loss of tradition, I believe that technology can serve as a tool for enhancement. Young artists are exploring digital calligraphy, which opens up new avenues for creativity. The challenge is to maintain the essence of our tradition while embracing innovation.
Editor: That’s an interesting perspective. Do you think the Mohammed VI Prize inspires younger generations to pursue calligraphy?
Dr. Benjelloun: Definitely! The prize not only gives recognition but also creates role models for younger artists. When young people see their predecessors being celebrated, it inspires them to continue the tradition. Workshops, exhibitions, and public events that accompany the prize ceremony help educate and motivate the youth.
Editor: Speaking of education, are there programs in place to teach Moroccan calligraphy in schools or communities?
Dr. Benjelloun: Yes! There are initiatives from both governmental and non-governmental organizations to integrate calligraphy into art education. Workshops are organized in schools and community centers, fostering appreciation and skills among children and young adults. These programs are crucial for ensuring that our art form thrives for future generations.
Editor: It sounds like a vibrant community around Moroccan calligraphy. As an expert and a participant in this field, what’s your personal hope for the future of Moroccan calligraphy?
Dr. Benjelloun: My hope is for Moroccan calligraphy to garner even more international recognition while staying true to its roots. I want people around the world to appreciate not just the beauty of the script but also the cultural stories it tells. The Mohammed VI Prize is a step towards that, and I am optimistic about what lies ahead.
Editor: Thank you, Dr. Benjelloun, for sharing your insights with us today. It has been enlightening to hear about the importance of the Mohammed VI Prize and the future of Moroccan calligraphy.
Dr. Benjelloun: Thank you for having me! It’s been a pleasure to discuss this vibrant aspect of our culture.
Editor: And thank you to our audience for tuning in. Stay connected with Time.news for more updates on art and culture!
Dr. Benjelloun: Yes, there are several initiatives aimed at teaching calligraphy to younger generations. Various cultural organizations and educational institutions are hosting workshops and classes that focus not only on the techniques of calligraphy but also on its historical and cultural significance. These programs are crucial for passing on this art form and ensuring its survival in an age where many traditions face the risk of fading away.
Editor: It sounds like there is a vibrant movement to preserve calligraphy. Can you share some insights on the impact of the Mohammed VI Prize on the calligraphy scene in Morocco?
Dr. Benjelloun: The impact is profound. The Mohammed VI Prize elevates the status of calligraphy within the broader cultural landscape of Morocco. It gives calligraphers the recognition they deserve, which often leads to more opportunities for exhibitions and collaborations. The increased visibility also fosters a greater appreciation among the general public for this beautiful art form, encouraging more people to engage with and explore calligraphy.
Editor: As we celebrate the launch of this 18th edition, are there any highlighted themes or special aspects for this year’s competition that stand out to you?
Dr. Benjelloun: Each edition of the prize brings forth unique themes, and this year, we are emphasizing the importance of creativity while still respecting traditional techniques. The call for submissions encourages artists to innovate within the historical context of Moroccan calligraphy. This balance will not only showcase the skill of the calligraphers but also promote the artistic evolution of our heritage.
Editor: That’s incredibly inspiring! For those interested in participating, how can they get involved? What should potential applicants know?
Dr. Benjelloun: Interested calligraphers can access the application forms through the Ministry of Habous and Islamic Affairs or directly from the ministry’s website. It’s important for applicants to carefully adhere to the guidelines and ensure their work reflects both their artistic voice and the spirit of Moroccan calligraphy. They have until June 4 to submit their applications, so there’s still time to create and refine their pieces.
Editor: Thank you, Dr. Benjelloun, for sharing your insights on this significant cultural event. It’s heartening to see the passion for Moroccan calligraphy and the efforts taken to keep this art form alive and thriving.
Dr. Benjelloun: Thank you for having me! It’s vital we continue to celebrate and support our cultural heritage, and I hope to see many talented new faces in this year’s competition.
Editor: We look forward to seeing the incredible talent that emerges from this prize. Thank you to our viewers for tuning in, and we encourage you to explore the art of Moroccan calligraphy and support our local artists!