2024-10-31 02:22:00
Time.news – Rai Teche remembers the great Eduardo De Filippo on the fortieth anniversary of his deathpublishing one of the last television interviews given by the artist on RaiPlay. “Eduardo – The art of growing old” is the revival of the meeting between Leandro Castellani and Claudio Donat-Cattin with the elderly stage master, broadcast as part of the “First floor” column on 19 October 1984, a few days before his death. It’s a sort of conversation-testament nin which Eduardo talks about himself and his work, but in relation to the themes of old age and the passing of the baton between generations.
What emerges is a moving and unexpected portrait of a giant who he lived his old age “rejuvenating”without ever stopping working with passion, creativity and energy. Between a memory of the past and a project for the future, the Edwardian heart and wisdom emerge above all in the words dedicated to young people, to whom the Neapolitan artist pays constant attention: this is demonstrated, in his last years, by the activity of teaching at the Centro Teatro Ateneo of the “La Sapienza” University of Rome and, in particular after his appointment as senator for life in 1981, his concrete commitment to minors detained in penal institutions.
Eduardo’s human and artistic path is that of a central figure in Italian culture of the 20th century, but always immersed in the living reality of her era and her land, capable of starting from Neapolitan theatrical roots to reach the heights of a universal and at the same time popular art. De Filippo’s masterpieces are not only among the texts of contemporary Italian theatrical production most represented in the worldbut also those that the vast television audience learned to love in the various cycles of adaptations for the small screen made by the same author between the 1950s and 1970s. The emotion that Eduardo’s theater still arouses today is indisputable.
A further testimony to his extraordinary personality and his presence in society is the short film recently restored as part of the digital recovery action of Rai news film services promoted by the Teche Management. Proposed here as a precious “extra” that accompanies the long interview from 1984, the contribution dates back to June 1958 and shows Eduardo on the occasion of the staging of a show in the after-work room of the Cornigliano steelworks in Genoa, with the maestro who in presenting it underlines the importance of bringing theater to an audience of male and female workers.
Rai Teche’s homage to Eduardo De Filippo does not end here, however, because the offer also includes, alongside the new “Eduardo – The art of aging“, two other archive products that have already been available for some time in the catalog on the platform RaiPlay: “Pulcinella yesterday and today”, Christmas 1973 broadcast in which Franco Zeffirelli interviewed De Filippo on the traditional Neapolitan mask, and the drama “Cuore”, the latest interpretation of the actor and playwright in the role, probably not by chance, of an old school teacher.
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Interviewer: Good afternoon and welcome to Time.news. Today, we have the pleasure of speaking with renowned cultural historian and expert in Italian theatre, Dr. Isabella Romano. We’re here to discuss the recent commemoration of the extraordinary Eduardo De Filippo, who continues to influence and inspire generations even forty years after his passing. Dr. Romano, thank you for joining us.
Dr. Romano: Thank you for having me! It’s a pleasure to discuss a figure as monumental as Eduardo De Filippo.
Interviewer: Let’s start with the recent revival of his interview on RaiPlay, titled “Eduardo – The Art of Growing Old.” What struck you about this conversation?
Dr. Romano: Eduardo’s perspective on aging is profoundly inspiring. In that interview, he shares his thoughts about life, creativity, and the importance of passing knowledge to younger generations. His approach to old age was almost rejuvenating; he didn’t see it as a decline but rather as an opportunity to continue growing and contributing.
Interviewer: That’s a fascinating outlook. You mentioned the emphasis he placed on younger generations. How did Eduardo engage with youth during his later years?
Dr. Romano: Eduardo was deeply committed to mentorship and education. His role as a teacher at Centro Teatro Ateneo at La Sapienza University, combined with his work with minors in penal institutions, showcased his dedication to shaping the future of theatre in Italy. He believed in the importance of nurturing talent and providing a platform for young voices.
Interviewer: It’s clear he had an impact beyond the stage. In your opinion, what made Eduardo such a central figure in 20th-century Italian culture?
Dr. Romano: Eduardo De Filippo was remarkable for his ability to blend local Neapolitan theatrical roots with universal themes. This combination made his work relatable on many levels while also celebrating his cultural heritage. His plays have been performed worldwide, and they resonate because they address fundamental human experiences, making them timeless.
Interviewer: You mentioned his Neapolitan roots. How did these influence his artistic expression?
Dr. Romano: His experiences in Naples deeply influenced his storytelling style, infusing it with humor, tragedy, and a genuine reflection of life in Southern Italy. His characters often grappled with everyday struggles, love, and aspiration, which allowed audiences to see themselves in his work. Eduardo’s ability to evoke a wide range of emotions made his art both popular and profound.
Interviewer: It sounds like he was a master of both comedy and drama. How do you think his legacy will continue to impact future generations of artists?
Dr. Romano: His legacy is enduring. Eduardo’s commitment to artistic integrity and social responsibility will inspire future playwrights and actors. His works encourage artistic exploration, societal reflection, and the celebration of cultural identities. As long as his plays are produced and his teachings are passed down, his influence will persist.
Interviewer: As we reflect on his contribution to Italian culture, what do you hope audiences take away from commemorations like this?
Dr. Romano: I hope audiences recognize the power of art to transcend time and age. Eduardo’s life is a testament to the idea that creativity knows no bounds. His wisdom on the importance of mentorship, engagement with youth, and unwavering passion for one’s craft remains relevant today. In an ever-changing world, his insights can guide us toward a more compassionate and connected society.
Interviewer: Thank you, Dr. Romano, for sharing your valuable insights on Eduardo De Filippo. His legacy, as you’ve articulated, is one that will continue to resonate through the ages.
Dr. Romano: Thank you for the opportunity to discuss such an inspirational figure. It’s essential to remember and celebrate icons like Eduardo, who have shaped our cultural landscape.