Targeted by a sexual harassment complaint, Slimane wins an NRJ Music Award

by time news

2024-11-02 05:57:00

<img src="https://img.lemde.fr/2024/11/01/0/0/2858/1906/664/0/75/0/5ae8b1a_5136915-01-06.jpg" alt="Singer Slimane ⁢during the NRJ Music Awards ceremony at the Palais des Festivals, in⁢ Cannes, November⁣ 1, 2024. ” sizes=”(min-width: 1024px) 556px, 100vw” width=”664″ height=”443″/> ⁢ Singer Slimane during the NRJ Music Awards ceremony at the Palais des​ Festivals, in Cannes, ⁣November 1, 2024. ‌

Singer ‌Slimane, targeted by a sexual harassment complaint filed by⁣ a technician during one of his tours, won the French-speaking artist trophy at the NRJ Music Awards on Friday evening, November 1.

This price “It has ‌a special ⁤taste”Slimane said after winning the award. “Daughter,‌ when you grow up, I really hope you will be proud of​ your father. (…) To ⁢my audience, sorry,‍ from one human being to many other human beings, thank you from the bottom of my ⁣heart.”he added emotionally.

This was his first public appearance since then the revelation by ⁣the Parisian of a⁢ complaint ⁤from a lawyer representing a complaining technician “having been the victim of ⁤sexual harassment ‌ (…) in December 2023,⁤ during a ​concert at the Zénith ⁢de Saint-Etienne »according to the Saint-Etienne prosecutor’s office.

The accusation “awaiting evidence”

The prosecution told Agence France-Presse on⁤ Tuesday that it was “waiting for evidence, in the form of various recordings, which this lawyer ‌has announced‌ he has and needs [lui] Send “to decide on the possible opening of a ⁤preliminary investigation.

Slimane, 35, is on tour for his ‍“Cupid tour.” In May he took fourth place at Eurovision with his ‌song My love. Revealed in “The Voice”, on‍ TF1, won⁤ in ‌2016, he was in first place, during his duet with the singer Vitaa, in the album ‍sales chart ‌in France in 2020 with Against.

Read also | Article reserved for our ​subscribers ​ ⁣ Eurovision 2024: Slimane and his song “Mon ‌amour” give France fourth place

The⁢ prize for the French-speaking artist went to Vitaa, the best group from Indochina, and Pierre‍ Garnier, revealed at the Star Academy, won two titles (French-speaking​ revelation and best song for Who ⁣we wereat the end of this ceremony in ​Cannes, broadcast⁢ on TF1.

The world with AFP

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Time.news Editor (T.E.): Good morning, and welcome to Time.news! Today, we’re diving into a topic that’s gripping the music industry. Joining us is Dr. Claire Moreau, a sociologist and expert in entertainment law. Claire, thank you for being⁣ here.

Dr. Claire Moreau (C.M.): Thank ‍you for ​having me. It’s⁤ a pleasure to be here.

T.E.: Let’s start with the headlines. Slimane, a⁢ well-known French singer, recently won the‍ French-speaking artist trophy at the NRJ Music Awards amid serious allegations ⁣of sexual ⁤harassment. This dichotomy must impact ⁢not ⁤only him but the industry ⁤as ​a whole. What are‌ your initial thoughts on this situation?

C.M.: It’s a complex and multi-layered issue. On one hand, you⁢ have‍ Slimane’s ​talent ‌that‍ deserves recognition, but on ⁤the other hand, the allegations of harassment cannot be ‍ignored. It raises crucial questions about the cultural dynamics in the music ⁢industry, especially concerning‌ how ‍we respond to accusations against prominent figures.

T.E.: Slimane expressed‍ his mixed emotions about the award, mentioning how ‍it has a “special taste” for him, especially referencing his daughter. Do you think personal ⁤anecdotes like⁣ this can shift public perception during a controversy?

C.M.: ‍Absolutely. Personal ‍narratives‍ can humanize public figures‌ and create emotional connections with the audience. By expressing⁤ vulnerability, Slimane may be⁣ trying to remind audiences that he’s not just⁣ an artist but also a father. However, it can also be perceived as an attempt to deflect attention from the ⁤serious accusations. The⁣ public response is⁤ unpredictable and often polarized.

T.E.: The allegations surfaced⁢ just before the awards, and the prosecutor mentioned they’re ⁤“waiting for evidence.” How does the timing of the allegations affect the investigation, especially in ‍the public sphere?

C.M.: Timing is critical. When allegations are‍ made public during a significant event like an awards ceremony, it can influence public opinion and media coverage. In this case, it cast a shadow over Slimane’s achievement. Legally, however, the investigation must follow due process. The focus should​ be on‌ evidence rather than public sentiment.

T.E.: It seems there’s a larger⁤ conversation emerging about the treatment of harassment complaints ‌within the entertainment‍ industry. What changes do you believe are necessary to ​support victims and ensure accountability?

C.M.: There’s definitely a growing movement advocating for transparency and support for victims. Entertainment companies need to create safe reporting channels and take allegations seriously, promoting a culture where victims feel⁢ empowered to ‍speak out without fear of backlash. This could⁤ involve training and clearer policies regarding harassment.

T.E.: Slimane’s situation highlights the ongoing struggle in balancing ⁢public admiration for‌ artists while holding them accountable for their actions. What‍ do you‌ think‌ the future holds for‌ artists and ‌their accountability in the wake of such allegations?

C.M.: We are at a pivotal moment. ⁤The industry is increasingly aware of its influence and the need for accountability. Public figures, like‍ Slimane, will face long-term ⁢scrutiny, and audiences⁣ are more⁤ willing to ⁢question and reassess their relationships with artists. This could⁣ lead to healthier dynamics where respect and integrity are prioritized.

T.E.: Thank you,‌ Dr.‍ Moreau, for‍ your valuable insights. This ⁣is certainly a challenging yet crucial⁣ conversation ⁤for the music industry‍ and ⁤society as a whole. ⁤We appreciate your expertise‍ on the matter.

C.M.: Thank you for having me. It’s essential we keep these discussions‍ alive.

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