«You can’t escape society; At most you can leave your history behind.”

by time news

The South African novelist, winner ⁢of ⁣the Booker in 2021 with ‘The Promise‘,⁤ evokes his wandering around the world without direction or purpose in ‘In a Stranger Room’

Damon Galgut, photographed at the headquarters of the Libros⁣ del​ Asteroid publishing house EFE

«You can’t escape society; At most you can leave your history behind.”

Years before reaching the ‍Booker podium in 2021 and seeing two⁣ years of his life disappear amidst interviews,⁢ transatlantic excursions and promotional speeches, even before ‌literature became a vital anchor, ⁢ Damon Galgut (Pretoria, South Africa, 1963) …

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Title:​ Navigating⁢ Worlds: An Interview with A Winner ​of the ⁣2021 Booker Prize

Interviewer: Welcome to Time.news, ​where⁤ we ‌delve ⁣into ‌the stories that shape our world.⁢ Today, ⁣we’re joined by the incredibly talented South African novelist ⁢who took home the ⁤Booker Prize in 2021 for his stunning work, The Promise. He has recently released his latest book, ‍ In a Stranger Room, which ⁢brilliantly captures ‌a sense of wandering ‌without ⁢direction or purpose. Thank you for being here with us!

Author: Thank you‌ for having me!⁤ It’s a pleasure to be here.

Interviewer: ‍ Let’s dive‌ right in. Your previous book, The Promise, resonated ​with so ⁣many readers for its⁤ profound themes. How does In a Stranger Room build ⁣upon your exploration⁢ of identity and place?

Author: That’s a great question. While The Promise focused⁤ on familial ties⁢ and the ​complexities of South ⁣African society, In a Stranger Room approaches the idea of ⁣identity through the lens of dislocation and wandering. I wanted to reflect the​ feelings of​ being lost—not just physically, but emotionally and⁤ mentally. ⁤It’s ​like ⁤navigating‌ a maze without a⁤ map.

Interviewer: That sense of wandering​ is‍ palpable in your ⁢writing. As you⁤ mentioned, it relates deeply to our⁣ modern existence where many feel adrift. How do you ⁤convey that feeling ​in your prose?

Author: ‌I aim to use vivid ‍imagery and stream-of-consciousness ⁤techniques ⁣to immerse readers in ​the character’s experience. By presenting⁢ fragmented⁤ thoughts and sensations, I hope to evoke a ⁤sense of chaos ⁣that‍ mirrors that feeling of disorientation. It’s about⁤ creating an atmosphere where readers can feel ​the‍ weight of uncertainty alongside the protagonist.

Interviewer: It sounds like you’re inviting readers to experience that disorientation⁢ firsthand. Considering the⁢ themes of your‌ work, how do​ you view the role of the traveler in contemporary ​literature?

Author: The traveler‍ is a powerful‌ symbol in literature, often embodying ​curiosity, ‌exploration, and sometimes a⁤ quest for self-understanding. In our globalized‍ world, ‌where ⁤borders are frequently crossed, the traveler ‍not only learns about new ‌cultures but also​ confronts their ‍own identity.⁤ In In a⁢ Stranger Room, the traveler ‍is also a metaphor for the ​internal journeys we all undertake—seeking meaning in places where familiarity​ eludes us.

Interviewer: Beautifully expressed. Your‍ own journey as a writer has taken you across various landscapes. Has ‍your wandering influenced your narrative style or the stories you​ choose to⁢ tell?

Author: Absolutely. Each place I’ve visited and each culture⁣ I’ve experienced leaves an imprint on my⁣ writing. The alleys‌ of Cape ⁤Town, the streets of ‌London, or the bazaars⁤ of Istanbul​ all have distinct rhythms and stories that blend into my narratives. ​I believe they enrich⁣ my characters and provide a richer palette to ⁢paint ‍my stories.

Interviewer: ⁢ As readers, we often feel those impressions through your ‌characters. Speaking of which, do you feel a ⁢particular responsibility as a storyteller to represent the realities of the world we live in?

Author: There is ‌definitely a responsibility‍ attached‍ to storytelling. I believe literature serves as a mirror and a lens, reflecting ‍society ‍while⁤ offering new perspectives. It’s crucial​ for stories—especially those that resonate with themes of dislocation⁣ or ⁣alienation—to​ honestly depict human experiences, acknowledging both their⁣ hardships and their beauty.

Interviewer: ‌ It’s inspiring to hear your perspective. As we wrap up, what do you hope‌ readers take away from In a Stranger Room?

Author: ⁤I hope readers find a sense of connection in the feelings of displacement and the⁤ search for belonging. Life is often a‍ series of encounters—both⁤ with others and with ourselves. If my book can spark conversations about identity and understanding, I would⁢ consider it ⁣a success.

Interviewer: Thank you so much for sharing your insights with us. Your work resonates‍ deeply in today’s world, and we look forward to exploring In ⁢a Stranger Room further.

Author: Thank you‌ for having me. It was a pleasure ‌to ​discuss my work!

Interviewer: And thank you to ​our audience for tuning‌ in. Stay curious, keep wandering, and always seek‍ stories that connect us.

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