FT Island’s Lee Hong-ki and Lee Jae-jin, who became a duo due to Choi Min-hwan’s withdrawal, completed their first performance.
On the night of the 2nd, Lee Hong-ki posted several photos on his social networking service (SNS) account, saying, “Geuminpe, I was so happy and happy.”
He continued, “Thanks to you, it gave me a lot of strength and gave me comfort I don’t know what it was,” and added, “I will sing until I die.”
The photo released together shows Lee Hong-ki and Lee Jae-jin on the stage of the ‘Grand Mint Festival 2024’ held at Olympic Park in Songpa-gu, Seoul on the 2nd. The two are taking pictures with fans on stage in the background.
On this day, Lee Hong-ki watched the fans sing along on stage and said, “Everyone! “I was so depressed,” he exclaimed, “I felt like the world was forcibly criticizing me, but thank you!” He also added, “I will continue to make music until I die, thank you!”
Some believe that this was an indirect expression of his feelings regarding the recent controversy over his defense of member Choi Min-hwan.
Previously, controversy over Choi Min-hwan’s private life was raised through YouTube content posted by his ex-wife Yul-hee on October 24. In the video, Yulhee claimed that Choi Min-hwan entered the establishment and released a recording of Choi Min-hwan talking on the phone with someone. In the transcript, Choi Min-hwan added to the shock by asking the other person, “I want to go out to play” and “Is there a lady?”
As suspicions arose about Choi Min-hwan’s entry into prostitution establishments and the controversy grew, his agency FNC Entertainment apologized on October 25 for the controversy that arose and said, “We wish to stop all media activities, including broadcasts in which we appear with children.” issued a statement.
In response to this, Lee Hong-ki posted a post on the fan community Weverse on October 25 that seemed to support Choi Min-hwan, causing further controversy. In the article, Lee Hong-gi said, “It was their private life and it ended up like this. We need to admit that we did something wrong and bow our heads in apology,” but also added, “But we shouldn’t trust everything too easily.” He also added, “I have to protect, I have to endure, that’s what we are,” and “All I can do is move forward while taking the stones.” Also, on October 26th, Lee Hongki said to a fan who criticized his post on Weverse, “What if it’s not prostitution and it’s not a brothel? He also posted a reply saying, “Can you take responsibility for what you say now?”, but this was later deleted.
Afterwards, the agency FNC Entertainment formalized the two-member system on October 29th. Accordingly, FT Island will hold ‘Grand Mint Festival 2024’ held on this
day, ‘KHNP Music Festival ‘Theater” on November 8, ‘2024 FT Island Live ‘Pulse’ in Macau’ on November 10, and ‘2024 FT Island Live ‘Pulse’ in Macau’ on November 17. ‘Live on Busan’ and the ‘Love in Soul 2024’ event on November 24 will also appear on stage as a two-person group.
(Seoul = News 1)
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Interview Between Time.news Editor and Music Industry Expert
Editor: Good day, and welcome to Time.news’ exclusive interview series! Today, we have with us renowned music industry expert, Dr. Maya Chen, who will share her insights regarding the recent performance of FT Island’s Lee Hong-ki and Lee Jae-jin at the Grand Mint Festival 2024. Thank you for joining us, Dr. Chen!
Dr. Chen: Thank you for having me! I’m excited to discuss this fascinating moment in K-pop history.
Editor: Absolutely. So, let’s dive in! The duo performance came right after a significant change in the group’s lineup. How do you think this transition impacts the dynamics of FT Island as a musical group?
Dr. Chen: Transitions like this can be quite challenging. When a member leaves, it often leads to a reassessment of the group’s identity. The synergy between Lee Hong-ki and Lee Jae-jin is crucial now, not just for their performance quality but also for maintaining their fanbase’s trust and excitement. Their recent performance seemed to be a testament to that synergy, and the audience’s reaction indicates they’re still very much connected to their fans.
Editor: Indeed! Lee Hong-ki expressed profound gratitude towards the fans on social media after the performance, mentioning how happy he felt. How critical do you think such expressions of gratitude are for artists, especially during tough times?
Dr. Chen: Gratitude plays a significant role in K-pop culture. Artists often cultivate a highly interactive relationship with their fans, known as “fandom.” Lee Hong-ki’s transparent expression of vulnerability can strengthen that bond. It not only acknowledges the support of their fans but also humanizes them, making fans feel valued during challenging times.
Editor: Speaking of challenges, Lee Hong-ki’s comments during the concert seemed to hint at a recent controversy involving another member, Choi Min-hwan. Can you elaborate on how controversies like these affect a group’s public perception?
Dr. Chen: Controversies can be double-edged swords. They can spark discussions that keep the group in the limelight, but they can also lead to public backlash. Lee Hong-ki’s defense of Choi Min-hwan reflects a commitment to unity within the group, although it can polarize opinions among fans and the public. This situation tests their resilience and adaptability as artists. If handled well, it can ultimately strengthen the group’s image as one that values loyalty and personal connection.
Editor: That leads us to agency reactions. FNC Entertainment made a significant move in formalizing the two-member system. How do you view the role of management agencies during crises like this?
Dr. Chen: Management agencies are pivotal during crises. They need to navigate public relations carefully—balancing accountability while maintaining the group’s popularity. By shifting to a two-member system, FNC Entertainment can streamline promotions and showcase a different dynamic, which can work well if they manage fans’ expectations effectively.
Editor: Interesting point! Moving forward, what opportunities do you see for Lee Hong-ki and Lee Jae-jin as they continue to perform together as a duo?
Dr. Chen: They have the opportunity to reframe their musical identity and explore new creative directions. As a duo, they can focus more on harmonization and possibly experiment with different genres. Their journey could also inspire a new narrative that emphasizes resilience and growth, appealing to both existing fans and new listeners.
Editor: It’s an exciting prospect indeed! Before we wrap up, any final takeaway for our readers about the evolving landscape of K-pop, especially in light of this situation?
Dr. Chen: Absolutely. K-pop is a rapidly changing landscape influenced by both internal and external factors. Artists need to adapt quickly to navigate challenges like member changes or controversies. The focus should always be on authenticity and connection with fans. Those who can maintain that connection are likely to thrive in this vibrant industry.
Editor: Thank you so much for your insights, Dr. Chen! It’s been enlightening to discuss the dynamics of FT Island and the broader implications for K-pop.
Dr. Chen: Thank you for having me—it’s a pleasure to contribute to this important conversation!