Baekseok’s poetry drawn with AI enters the world stage

by times news cr

‘Me,​ Natasha and ⁤the White Donkey’ reborn with generative AI, a hot topic at​ the AI ​​Content Festival
A 7-minute short animation with ‌songs, drawings, ⁣movements, and sound ⁤effects all implemented with AI.

Photo provided by Muam

K-content‌ production company MooAm (CEO Hyun Hae-ri) presented the animation‍ ‘Natasha Story’ produced with generative AI technology.

This work, which begins with ​white-haired⁣ Natasha singing with her pet Donkey, is a new reinterpretation of Baek Seok’s poem ‘Me, Natasha, and the White Donkey’,​ a representative of Korean modern poetry. The song, drawing, movement, and‌ sound effects were ⁣all implemented using generative AI technology, and the entire production period was only two weeks.

The 7-minute animation, which debuted at the ⁣’AI Content ​Festival 2024′ hosted by the Ministry of Culture, Sports and Tourism and the Korea Creative Content Agency, ⁣embodies the poem’s unique lyricism with ​AI technology and gives‌ lively movement to the characters in the poem.

CEO​ Hyun Harry ⁢explained, “In the process of ​reinterpreting Korean traditional fairy‍ tales and literary works with generative AI, ⁤I wanted ⁣to try lyrical‌ musical animation rather than ‌live action.” He added, “There are many areas‍ that need to be improved,⁤ such as ‌movement and ⁢character consistency, but the attempt to‌ reinterpret Korean literature with​ AI is⁢ innovative in‌ itself,” adding, “It ⁢was⁤ an amazing experience that such ⁢an attempt was possible even without an animation major or drawing artist.”

This work was ⁤selected as a finalist for the Neu Wave AI Film Festival‌ in the United States and will be screened at Emerson College ​in Los Angeles on the ‍23rd.

Meanwhile, Korean AI ​content will be introduced through a separate AI ⁣promotion ⁣booth⁤ at Singapore’s ATF (Asia ⁢TV ⁢Forum & ⁢Market) in December. ATF is Asia’s largest broadcast video content market and an⁢ international content trading platform in which media officials from more than‍ 60 ⁣countries around the world participate.

MooAm was recently selected in the content category utilizing AI technology for the ‘AI Cruel‍ Fairy Tale’ project in the ‍Korea Communications‍ Agency’s (KCA) 2024⁤ Broadcasting and OTT Sector Planning and Development Support Project, and is⁢ currently collaborating ⁣with⁣ leading ‍domestic⁤ AI writers. We are currently ‌working on turning six traditional Korean fairy tales and poems into works of art using generative AI.

CEO Hyun emphasized, “The combination of literature‍ and AI is a field​ with infinite possibilities.” He continued,‌ “The era has come⁢ where you can realize ​your ⁣own vision without professional personnel or expensive ⁣equipment. There are still challenges to be solved, such as copyright, originality of characters, and déjà vu, but it will be a very encouraging‌ field for young creators.”⁢ “It was reported.

Choi Yong-seok, Donga.com reporter [email protected]

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    Time.News Interview ⁤with Hyun Hae-ri,⁢ CEO of MooAm

    Editor (Time.News): Welcome, Hyun Hae-ri! It’s a pleasure to have you here ⁢to discuss your groundbreaking work with MooAm. Your recent project, “Me, Natasha and the White Donkey,” has generated a lot ⁣of buzz, especially with ‍its use of generative AI in animation. Can you tell ‍us about the inspiration behind this project?

    Hyun Hae-ri: Thank you for having me! The ⁤inspiration came from Baek Seok’s poem ‘Me, Natasha, and ​the​ White ‍Donkey,’‍ which is a‍ cherished ⁣piece of Korean modern poetry. My⁣ goal was to reinterpret this beautiful narrative through a lyrical musical‍ animation rather than traditional live-action, and using generative AI allowed us to creatively explore that ‍vision.

    Editor: It’s fascinating how AI has⁢ played ⁤a key role ‌in this project. You mentioned that⁢ the entire production was completed in just two weeks.‌ How‍ did generative AI streamline your animation process?

    Hyun Hae-ri: Generative AI dramatically⁣ accelerated‍ our production timeline. It ‌enabled us to create ‌songs, drawings, movements, and⁤ sound ⁣effects without‌ the extensive time typically required for manual animation. This technology allows us to ⁤combine various elements of creativity rapidly, making ​it accessible even to those without formal animation training.

    Editor: ⁣That’s remarkable! However, you mentioned certain limitations in your work, such as character consistency and movement. How do‌ you see the evolution of AI in addressing these challenges in the future?

    Hyun Hae-ri: Indeed, while ⁣the results were impressive, there are ⁣still areas needing improvement. I ‌believe as generative AI⁤ continues to develop,‍ we will see enhancements in areas like⁢ character movement and⁣ emotional ‍expression. The ongoing ⁢evolution ‍of this technology ‍holds immense potential, ensuring that these limitations can be overcome in upcoming projects.

    Editor: Speaking of future projects, you’re⁤ currently working on turning traditional ⁣Korean fairy tales and poems⁣ into art with AI. Can you share more about that initiative?

    Hyun Hae-ri: Yes, we’re excited about that. We’ve been selected for the ‘AI Cruel Fairy⁣ Tale’ project, ​which aims to reinterpret six traditional stories using generative AI. ⁣Collaborating ‌with top domestic AI writers, we​ hope to breathe ‍new ‌life into these ‌tales, making them ⁤appealing to modern‍ audiences while honoring their original essence.

    Editor: ‍That sounds ⁢wonderful! Given the nature of your ⁢work, what do ⁤you⁤ think about the combination of literature and⁣ AI? Does it present new opportunities for creators?

    Hyun ​Hae-ri: Absolutely! The intersection of literature and AI is a boundless field of possibilities. It enables young ⁤creators to realize their visions without needing extensive resources or ​personnel. While we face challenges like copyright concerns and originality, this ‍domain is ‌encouraging for aspiring⁢ artists, allowing them ‍to explore new creative avenues.

    Editor: As the AI landscape evolves, what ​advice would you⁣ give to young creators looking to delve‍ into this space?

    Hyun Hae-ri: My advice would be to embrace experimentation and utilize the resources available through AI. Don’t shy ⁢away from blending disciplines; the fusion of technology and traditional art forms can yield some spectacular results. It’s essential to remain curious ‍and open-minded as you navigate this exciting new world!

    Editor: Thank you, Hyun Hae-ri, for sharing your insights. It’s clear ‍that⁤ MooAm is at the forefront of a fascinating movement in animation and literature. We look forward ⁣to seeing ‌how your projects unfold!

    Hyun ‍Hae-ri: Thank you! I’m excited about the future and ⁢the ‌contributions we can ‍make to storytelling with AI.

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