During the night of November 5 and 6, the Movistar Arena in Bogotá will be the site of one of the biggest rock concerts the country will receive this year. For two nights more than 25 thousand people will vibrate to the rhythm of good Slipknot hits Duty, Psychosocial y Wait and bleed .
Born in 1995 in Iowa, USA, the band’s visit to Bogotá follows visits to Brazil, Paraguay, Argentina, Peru and Chile, as part of Slipknot’s tour celebrating the 25th anniversary of their self-titled album. , released in June. 29, 1999. After passing through Colombia, he will visit Mexico to close the tour of Latin America.
Los enmascarados, who have established themselves as one of the leading metal producers, have seven studio albums, two live and four on video, among their musical productions.
Known in popular culture for wearing masks, which evolve along with their music, and uniforms that list each member, the band is characterized by an aggressive style that mixes several metal subgenres, such as nu metal and alternative metal, and is known for its intense music and its unique aesthetic.
If you are not familiar with the band’s musical style, you can associate it with a movie soundtrack for example Resident Evil, where they put their songs My plague y Vermilion ; con Jump in crossover delivery Game Freddy against Jason or with Vermilion Pt. 2 in Underworld: evolution.
Next, we’ll tell you about the band’s five main albums, taking into account their year of release.
“Slipknot” (1999)
This is the band’s first album and with which they brought their music to the international scene through dark and dark sounds. With this album, nine members of the group revealed their enigmatic and frightening image, framed by the voice of Corey Taylor in a dense and heavy musical with future hits such as Wait bleed, Spit it out, Surface y Without eyes .
“Iowa” (2001)
Slipknot’s second album shows an evolution towards a harsher and heavier sound for the band, in which it abandons some of the melodic elements present on its first album. Released on August 28, 2001, it is widely considered one of the band’s darkest and most extreme albums. This album deals with themes of pain, despair and hatred, reflecting the personal and emotional difficulties the members of Slipknot were facing at the time.
With fifteen songs, this recording has a special closure with Iowa, the song that gives it its title and lasts 15:03 minutes in which the band explores the darkest aspects of the human psyche.
“But. 3: (The Subliminal Verses)” (2004)
Slipknot’s third studio album showed an evolution in the band’s sound, exploring new directions without losing their intensity. The album was produced by Rick Rubin, a famous producer who, in this case, helped Slipknot expand its musical range. With softer and more melodic songs with this production the band reached a wider audience.
In addition, on this album there are some of the group’s songs such as Duality, Vermilion y Vermilion Pt. 2 and the Grammy winner in the Best Metal Performance category Before I forget .
“All Hope is Gone” (2008)
This album is special in the band’s history, not only because it has an even more melodic sound, but because it was the last to feature bassist Paul Gray (who died in 2010) and drummer Joey Jordison ( who left the band) part of it. in 2013 and died in 2021). In addition, it was Slipknot’s first album to debut at number one on the Billboard 200, cementing their success in the music world. psychosocial one of Slipknot’s signature songs, the most famous single from this album.
The End, Until Now (2022)
Released on September 30, 2022, this is Slipknot’s seventh studio album and the latest in their discography. As its name indicates, this twelve-song production represents a departure in the band’s career, as it is the last with the participation of Craig Jones and Jay Weinberg before they leave the band in June and November 2023 respectively, and also the band’s last six albums with the label Roadrunner Records, who have been with them since they started.
Time.news Interview: Celebrating 25 Years of Slipknot with Expert Musicologist Dr. Laura Henderson
Time.news Editor: Welcome, Dr. Henderson! It’s a pleasure to have you here to discuss Slipknot, especially with their highly anticipated concert at the Movistar Arena in Bogotá on November 5 and 6. The energy in the air must be palpable!
Dr. Laura Henderson: Thank you for having me! Absolutely, Slipknot’s concerts are known for being electrifying experiences. With over 25,000 fans expected, Bogotá is in for an unforgettable show.
Editor: Indeed! This is part of their 25th anniversary tour celebrating their self-titled album that launched their career. Reflecting on this, what do you think has been the key to Slipknot’s enduring popularity?
Dr. Henderson: Their unique blend of aggressive sound, theatricality, and deep emotional themes has played a huge role. They aren’t just a band; they’re a collective artistic expression that resonates with fans on multiple levels—musically, visually, and emotionally.
Editor: Part of their signature style is their iconic masks and uniforms. How do you think this contributes to their image and fan engagement?
Dr. Henderson: The masks are a powerful symbol. They allow the band members to explore different personas and make their music feel more universal. Fans often feel a connection to these characters, and it creates a sense of shared experience that goes beyond just music. It’s pretty fascinating!
Editor: Speaking of their music, you’ve analyzed their discography. Can you highlight the evolution from their first album in 1999 to their latest offerings?
Dr. Henderson: Of course! The self-titled album marked their entry with aggressive dark sounds and introduced their trademark style. Following that, Iowa (2001) delved even deeper into heavier themes, reflecting personal struggles. The intensity increased, exposing the band’s raw emotions and their personal battles.
Editor: And then we have Vol. 3: (The Subliminal Verses) from 2004. How did that album signal a change for Slipknot?
Dr. Henderson: Vol. 3 showcased a significant evolution. It mixed their heavy sound with new experimentation, thanks to the influence of producer Rick Rubin. Tracks from this album still maintain their intensity but incorporate more melodic elements and even some orchestration. It showed growth while staying true to their roots.
Editor: That’s enlightening! And leading up to the concert, what can newcomers expect in terms of their musical style?
Dr. Henderson: Expect a high-energy performance that spans their discography. Fans can look forward to classics like “Psychosocial” and “Wait and Bleed,” but newcomers should prepare for the immersive experience—it’s as much about the atmosphere and connection as the music itself.
Editor: Last question, Dr. Henderson: Why do you think Slipknot has particularly resonated with Latin American audiences?
Dr. Henderson: There’s a strong connection through the themes of pain, struggle, and emotional release in their music. Latin American fans often appreciate the cathartic nature of rock and heavy metal. Slipknot’s visceral performances tap into this, creating a community where fans feel understood and united through shared experiences.
Editor: Thank you, Dr. Henderson, for your insights! It’s going to be an incredible series of concerts, and I hope everyone enjoys the show!
Dr. Henderson: Thank you! I can’t wait to see how the fans embrace this event. Rock on!