In the tvN entertainment show ‘Three Meals a Day Light‘ that aired on the 8th, Um Tae-gu, who came to the Three Meals House, perfectly adapted to the Three Meals House and gave a harmless laugh under the great care of Cha Seung-won and Yoo Hae-jin.
‘Three Meals a Day Light’ viewership ratings averaged 8.2% and peaked at 10.5% for households in the metropolitan area, and averaged 7.6% and peaked at 9.5% for households nationwide, ranking first in the same time slot on all channels, including terrestrial channels. In tvN’s target 2049 male and female viewership ratings, it recorded an average of 2.9% in the metropolitan area, with a high of 3.8%, and a national average of 2.7%, with a high of 3.4%, ranking first in the same time slot across all channels, including terrestrial broadcasting. (Nielsen Korea, cable, IPTV, and satellite combined) (Based on one paid platform)
On this day, while Cha Seung-won and Yoo Hae-jin were away to go grocery shopping, Eom Tae-gu arrived at the Three Meals House and consoled his trembling heart by endlessly stroking the pillars of the house. While Eom Tae-gu was busy moving his pupils and inspecting the Semeal House, the owners, Cha Seung-won and Yoo Hae-jin, finally returned home, and a pleasant meeting between the three took place.
Cha Seung-won, who was in a great mood at the visit of his beloved younger brother, added warmth by humming a charming song all day long, saying, “Tae-gu, welcome home.” Amid the warm consideration of Cha Seung-won and Yoo Hae-jin, who take good care of him, Um Tae-gu also gradually releases his shyness mode, arousing interest.
As the sun gradually rose, the three people enjoyed leisure time together, such as looking at nearby cultural assets and going to the river to catch snails. The three people, soaking in the cool river water, ignited their passion by continuing to collect snails until their clothes became stained with moss.
In particular, the performance of ‘Eom Assistant’ Eom Tae-gu, who follows Cha Seung-won and Yoo Hae-jin around and helps them with their work with somewhat sloppy movements, caused laughter. Although he made frequent mistakes, such as grinding garlic and repeatedly dropping garlic and potatoes, he quietly did his job in his own way and established himself as a reliable ‘Embojo’.
Thanks to this, Cha Seung-won also stimulated viewers’ five senses with a mouth-watering meal menu. Tteokguk using beef bone broth that was carefully simmered all night, and spicy chicken braised soup that makes your bones grow automatically, aroused the desire for a late-night snack. It was a moment when Chef Cha Seung-won’s determined will stood out, even bringing cooking clothes, saying, “I will concentrate on cooking.”
The three people who enjoyed a meal full of happy tastes suddenly began to resemble Eom Tae-gu’s speaking style, showing off their strong brother chemistry. I wonder what kind of fun Cha Seung-won and Yoo Hae-jin, who have become ‘Eom Tae-gu’, and super introvert Uhm Tae-gu will enjoy next.
Economy Queen Reporter Kim Kyeong-eun Photo News 1
Interview: The Rise of Reality TV and Its Impact on Viewership Trends
Time.news Editor (TNE): Welcome to our special segment today! Joining us is Dr. Min-ho Kim, a media analyst and expert in the field of television viewership trends. Dr. Kim, thank you for taking the time to speak with us.
Dr. Min-ho Kim (DMK): Thank you for having me! I’m excited to discuss the fascinating world of reality television, especially in the context of recent shows like ‘Three Meals a Day Light’.
TNE: Absolutely! I’d love to hear your thoughts on the impressive viewership ratings the show has garnered. With an average of 8.2% and a peak of 10.5% in metropolitan areas, what do you think are the key factors contributing to its success?
DMK: There are several aspects at play here. First and foremost, the charm of the show’s hosts, Cha Seung-won and Yoo Hae-jin, creates a welcoming and enjoyable atmosphere that resonates well with the audience. Their dynamic and chemistry with Um Tae-gu adds a layer of relatability and warmth that viewers find appealing.
TNE: That’s a great point! The human connection seems to play a vital role in engaging the audience. Do you think the format of the show contributes to its ratings as well?
DMK: Absolutely! The premise of ‘Three Meals a Day Light’, where characters prepare and share meals together, taps into a universal theme of comfort and community. Reality shows have a unique ability to blend entertainment with genuine interactions, which appeals to a wide demographic. It’s relatable content that often reflects viewers’ own lives or aspirations.
TNE: Speaking of demographics, the show reportedly performed excellently in the 2049 age group with an average of 2.9%. Why do you believe younger audiences are drawn to this particular type of reality programming?
DMK: Younger audiences are often searching for content that feels authentic, relatable, and light-hearted. The show’s aesthetics, along with its focus on everyday life and humor, create an appealing escape from the stress of daily routines. Furthermore, platforms like social media play a crucial role in shaping trends—exciting moments from the show can easily be shared, drawing in more viewers.
TNE: That’s an interesting angle! How do you foresee this trend evolving in the coming years, especially in light of the competitive landscape of entertainment options?
DMK: I believe we will continue to see a rise in reality programming that emphasizes interpersonal relationships, authenticity, and relatability. As audiences become more sophisticated, the demand for quality content will push producers to innovate while retaining the charm of human connections. There’s also the potential for crossover formats that blend reality with other genres, further expanding audience engagement.
TNE: It’ll be fascinating to see how that develops. Before we wrap up, is there any last insight you’d like to share regarding the impact of shows like ‘Three Meals a Day Light’ on the television landscape?
DMK: Definitely! Shows like this remind us of the inherent value in simple pleasures, like sharing meals and laughter. As the world becomes more digital and fast-paced, programs that emphasize connection, warmth, and community will remain relevant, thus reinforcing the crucial role of reality TV in our cultural narrative.
TNE: Thank you, Dr. Kim, for sharing your valuable insights. It’s clear that the success of reality shows like ‘Three Meals a Day Light’ exhibits significant trends that may shape the future of television!
DMK: Thank you for having me! I look forward to witnessing how these trends continue to unfold in the industry.
—
This interview format aims to highlight the insights of the expert while drawing attention to the engaging elements of the show and the broader implications for the television industry.