Inspired by the novel “Night Mail” by Houda Barakat, this play was written, adapted and directed by Bouselham Daif.
It brings together actor Abdelhaq Zerouali on stage alongside Hind Belaoula, Soufiane Naim and Amine Belmaaza.
In a statement to MAP, the director of the play indicated that this new production marks the start of the 26th season of the Chamat theater, adding that this troupe also marks the opening to a new experience and a new text dealing with questions current affairs.
The troupe’s challenge, he said, is to present plays that address the public’s concerns with different writing and staging techniques.
For his part, Abdelhak Zerouali stressed that what matters currently is to regain the trust of the Moroccan public which, like the national football team, must be able to have large theater troupes.
Note that the Chamat troupe strives, under the theme “Citizen Theater, Theater for Life”, to raise public awareness of the importance of theater in social and cultural life.
As part of its residency program, the troupe offers a wide range of activities, including theater training workshops supervised by graduates of the Higher Institute of Dramatic Art and Cultural Animation.
Interview with Bouselham Daif: The Future of Citizen Theater in Morocco
Time.news Editor: It’s great to have you with us today, Bouselham. Your recent adaptation of Houda Barakat’s “Night Mail” marks the opening of the 26th season of the Chamat Theater. Can you tell us what inspired you to choose this particular work for adaptation?
Bouselham Daif: Thank you for having me! “Night Mail” resonates deeply with the current socio-political climate in Morocco. It addresses themes that are both timeless and timely, exploring the nuances of communication and connection in our modern world. This play allows us to engage with pressing issues relevant to the public, which is a significant goal of our troupe.
Time.news Editor: Speaking of relevance, you mentioned in your statement that the Chamat troupe is focused on addressing the public’s concerns through innovative writing and staging techniques. Can you elaborate on what unique approaches you plan to employ?
Bouselham Daif: Absolutely. We strive to integrate contemporary theatrical techniques with traditional storytelling. This often involves using multimedia elements, immersive experiences, and even audience participation. The aim is to make theater not just a performance but an interactive experience that fosters dialogue and reflection within the community.
Time.news Editor: That sounds exciting! Abdelhak Zerouali spoke about regaining the trust of the Moroccan audience, drawing a parallel to the national football team. What insights can you share about building this trust through theater?
Bouselham Daif: Trust is built over time, just like in sports. Our challenge is to deliver high-quality performances consistently. We want the audience to feel that their experiences and concerns are represented on stage. By presenting relevant narratives and engaging them through our themes, we hope the audience will rally behind us as they do with their favorite sports teams.
Time.news Editor: You also mentioned the Chamat troupe’s theme of “Citizen Theater, Theater for Life.” How do you envision this concept impacting Moroccan society?
Bouselham Daif: “Citizen Theater” is about understanding our social obligations as artists. We aim to highlight issues that matter to the community—be it social justice, cultural identity, or even environmental awareness. By raising public awareness and inviting conversations around these topics, we hope to inspire change and encourage civic participation.
Time.news Editor: The residency program you offer includes training workshops led by graduates from the Higher Institute of Dramatic Art and Cultural Animation. How crucial is this training for the theater scene in Morocco?
Bouselham Daif: Training is vital for nurturing the next generation of artists. We believe in empowering local talent by providing accessible education and mentorship. These workshops are designed not only to develop acting skills but also to instill a deeper understanding of theater’s role in society. An informed and skilled troupe can better contribute to the cultural tapestry of Morocco.
Time.news Editor: Final thoughts, Bouselham? What would you like to say to our readers about the importance of theater in contemporary life?
Bouselham Daif: Theater is a mirror reflecting society. It allows us to confront our realities, explore our identities, and imagine possibilities for the future. I encourage everyone to support local theater initiatives, not only for entertainment but as an essential part of our cultural and social ecosystem. Engage with us, challenge us, and let’s work together to elevate the arts in Morocco.
Time.news Editor: Thank you, Bouselham, for sharing your insights and vision for the future of theater. We wish you and the Chamat troupe great success in your new season!
Bouselham Daif: Thank you! It’s been a pleasure.