He national horror cinema It receives more and more interesting avant-garde proposals and after a short of this genre and a film, Edgar Nito arrives with his second film, A Fisherman’s Taleborn from a legend and an experience of horror of its own.
But this is just the beginning of a fascinating story, because thanks to the fact that a resident was interested in the reason for the visit of both, he sent them a book of stories: “It was published by the National Autonomous University of Mexico (UNAM) and collected different legends and there was the one about the Miringua.
“According to the story we read, it says that he appears in the cabin where we stayed; It certainly made you laugh, but then the power went out and it’s one of those times when a series of coincidences makes you doubt what is real or not. “We were scared,” he said.
In this way, a script remained unfinished and gave way to what is called today A Fisherman’s Tale.
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“We returned to interview the people and we collected the different stories or knowledge that they had about this story and I think that is the magical thing about these stories, that there is no official version, they pass from mouth to mouth with changes and similarities,” added the filmmaker.
In such a way that this film becomes choral and is made up of four stories, all developed around the Miringua and with an impact on the lives of each of the characters that appear.
“The stories come out of the fiction, We imagine them but from experiences that the residents themselves told us; “It’s a mix of everything,” he said.
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LOCAL CAST
For the inhabitants of the place, that a local history It was exciting and they also joined the project.
“There were acting workshops and they came in as extras, they were also members of the production in the lightning, for example,” Nito said.
On the other hand, this film is the first in the horror genre to receive an honorable mention in the Morelia International Film Festival.
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“The entire team is very proud to have achieved a film like this, which was made without pretensions and which had this impact, I hope it opens the door to seeing terror differently, beyond the fiction cinema“, he concluded.
A Fisherman’s Tale had its premiere the prestigious Sitges Film Festivalmade in Spain, later went to Morelia at the (FICM) and its most recent screening was at the Morbid Horror Film Festival and will be the title in charge of closing the International Festival of Fantasy Cinema, Horror y Science fiction Feratum, this Sunday, November 10 in Pátzcuaro, Michoacán.
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Interview: Exploring “A Fisherman’s Tale” with Edgar Nito
Time.news Editor: Good day, everyone! Today, we have a special guest with us—Edgar Nito, the brilliant mind behind the newest addition to the national horror cinema, “A Fisherman’s Tale.” Edgar, thank you for joining us.
Edgar Nito: Thank you for having me! I’m excited to share my journey with “A Fisherman’s Tale.”
Time.news Editor: Let’s dive straight in. This film seems to be rooted deeply in folklore, specifically the legend of the “Miringua.” Can you tell us what inspired you to explore this particular story?
Edgar Nito: Absolutely! The inspiration came from a rather surreal experience during a stay in a cabin where we encountered a local legend. A resident shared a book published by the National Autonomous University of Mexico (UNAM), which included tales about the Miringua. The eerie coincidence of the power going out after learning about it really set the tone for our project. It made us question reality and the stories we tell ourselves.
Time.news Editor: That sounds spine-tingling! It’s fascinating how a seemingly simple experience can lead to such significant creative inspiration. You mentioned that the stories you collected were passed down orally. How did you weave them into your film?
Edgar Nito: We went back into the community, interviewing locals and gathering their accounts. What I found magical was the fluidity of these narratives; there’s no single definitive version—each person adds their own twist. So, the film is essentially a choral representation of these stories, encompassing the collective fears and experiences of the characters in relation to the Miringua.
Time.news Editor: So, you have multiple perspectives interwoven throughout the film. Was that a conscious decision to enhance the horror element, or did it stem from the stories themselves?
Edgar Nito: It was a combination of both. The stories are evolving, and we wanted to reflect that complexity. The characters each face their fears and have distinct, yet intertwined experiences with the Miringua, which contributes to the film’s horror and depth. We imagined scenarios based on real experiences shared by the residents, which adds an authentic layer to the narrative.
Time.news Editor: That’s intriguing! It seems like you’ve crafted something that blends fiction and reality in a unique way. Did you face any challenges while translating these oral legends into a screenplay?
Edgar Nito: For sure! The challenge was to maintain the essence of these stories while also creating a coherent film structure. Oral traditions have a fluidity that written narratives don’t necessarily preserve. Striking that balance took a lot of experimentation and collaboration with the locals to ensure we honored their voices in the film.
Time.news Editor: It sounds like a rewarding process! As an emerging voice in horror cinema, how do you perceive the current landscape of national horror films?
Edgar Nito: The national horror cinema scene is blossoming with new talent and avant-garde proposals. In recent years, filmmakers have been pushing boundaries in storytelling and aesthetics, which is exciting. There’s a growing acknowledgment of our cultural folklore as rich sources of inspiration, and I believe it’s a golden time for horror films that dive into our roots.
Time.news Editor: I couldn’t agree more! Lastly, what do you hope audiences take away from “A Fisherman’s Tale”?
Edgar Nito: I hope they experience a sense of connection—not just with the characters and their fears, but with the shared cultural lore that shapes us. Horror often reflects our inner turmoil and societal narratives, and I want viewers to ponder what is real and what is imagined, leaving them with that lingering sense of wonder and unease.
Time.news Editor: Edgar, thank you for sharing those insights! “A Fisherman’s Tale” seems like a captivating exploration of fear, folklore, and community. We look forward to seeing how it resonates with audiences.
Edgar Nito: Thank you! I can’t wait for everyone to experience it!