Ivan Yankovsky is again on the trail of a maniac: is a new season planned?

by time news

Detectives Evgeny Bokov and Valery ⁣Kozyrev begin a new investigation ⁣and open the⁤ hunt for the maniac. Filming for the second season of “Fisher” recently began in and around Moscow, and the‌ script is once again based on a documentary about a criminal case.

In the set photos, many things ‌are shrouded in darkness⁤ because the opening scenes take place at night. The script of the series is also still on the edge of reality. All people involved in the ⁤process do not comment on anything, ⁤citing the fact that ⁤the criminal ⁣case that the ⁣heroes of Ivan Yankovsky and Alexander Yatsenko will investigate appeared relatively recently in the official ‌criminal ‍chronicle, many ⁢participants in the events are alive and it is‍ not entirely ethical mention their names.

Documentation of events is apparently of⁤ great importance to the project’s screenwriters. In the first season, the plot was based on the case of the serial killer Sergei Golovkin, executed in 1996. The artistic ⁣look at the chilling events of the end of the USSR ⁤era had considerable public success ⁤and was even awarded the Eagle d ‘gold.

In the second season,‌ the heroine of Alexandra Bortich left the team ‌of investigators, but several famous artists joined the project, including ​Alexei Agranovich, Irina Starshenbaum, Nikita Khudyakov, Alexandra Rebenok ⁤and others. The director’s chair went to Alexander Tsoi (“Difficult Teens”, “Bow”, “Chewing Gum”).

It’s hard not to admit that Ivan Yankovsky has recently become a kind of good ⁣luck⁢ talisman for producers. Last year, the ⁣series “The Boy’s Word”, in⁢ which Ivan played Adidas, became a big hit, and this year they are in full swing around “Crime and Punishment”, in which the successor ⁤of the famous film dynasty​ appears in the image of ⁤Raskolnikov.

It can be argued to what extent the actor’s performance became the ‌main factor in the ⁢success‌ of these projects, but in the detective genre Yankovsky shows itself very clearly. ⁢By ⁤the way, Ivan now has another thriller in the works. As well as melodrama and a project in the science fiction genre.

How does the blending of real-life events and fiction enhance storytelling in ⁤true crime series​ like “Fisher”?

Interview: Exploring the Dark Worlds ‍of Crime and Creativity with Time.news Editor and Expert on True Crime Dramas

Time.news Editor: Welcome to Time.news, where we delve into the‌ latest in culture and entertainment. Today, I’m thrilled to have with us Dr. Elena⁤ Petrov, ‌a renowned expert in⁢ criminology and true crime narratives. We’re discussing the much-anticipated second season of the hit series “Fisher,”​ which has begun filming around Moscow. Dr. Petrov, thank you for joining us!

Dr.‌ Elena Petrov: Thank you for having me!⁢ I’m‌ excited to discuss ‌the intersection of reality and⁢ fiction in ⁣true crime dramas.

Editor: Let’s dive right in. The series follows detectives Evgeny Bokov and Valery ⁣Kozyrev on their hunt for a maniac. What do you think makes the portrayal of such dark⁣ themes in television shows resonate with ⁢audiences?

Petrov: It’s a fascinating paradox, really. True crime​ has this magnetic allure‌ due to its exploration of the human psyche and moral‍ dilemmas. Audiences are drawn to the thrill and⁣ mystery, but they also crave a ⁢deeper understanding‍ of‌ why these heinous acts occur. A well-crafted story‌ like “Fisher” taps into those curiosities, allowing viewers to navigate the complexities of good versus evil from a safe distance.

Editor: That’s an ‍interesting point. The show’s script is reportedly based on a real criminal case, but with creative liberties⁤ taken. How important is this ⁣blend of reality and fiction in maintaining⁤ viewer engagement?

Petrov: Blending‍ reality with fiction is crucial. It grounds⁤ the‍ narrative in something‍ relatable and tangible, while also allowing writers the freedom to embellish and expand upon the truth for⁢ dramatic effect. This approach creates suspense and intrigue, leading viewers to question what’s real versus what’s been dramatized, and it keeps ‍them invested in the ‍character‍ arcs ​of Bokov and Kozyrev.

Editor: ⁤ In the set photos released, there ⁣is a strong visual theme of darkness, emphasizing that many opening scenes take ‌place at night.​ How do you⁢ think this choice impacts the storytelling?

Petrov: Night scenes inherently carry a weight of suspense and uncertainty. Darkness can symbolize ⁤the unknown—both​ in​ terms of the ‍case the detectives are pursuing and⁣ the psychological depths of the characters involved. It visually reinforces themes of​ fear and danger, which can create a more immersive experience for ⁢the viewers. The⁣ night can act ‌almost as an additional character in the story, shaping the ⁣mood and tone of the narrative.

Editor: I’ve noticed that the people associated ⁢with the production are⁣ quite reticent about sharing details of the plot. What’s your take on this way ⁤of maintaining secrecy⁢ surrounding a true crime narrative?

Petrov: Maintaining secrecy is a strategic move, especially for a crime drama based loosely on real events.⁣ It generates​ buzz and speculation among fans and‍ helps preserve the story’s suspense. This method allows viewers to engage with the narrative as it unfolds,⁢ offering surprises and twists that ⁣enhance the viewing experience.⁢ The less known, the more curious people will be to tune⁤ in when​ it ‍finally airs!

Editor: That brings us to another aspect—the characters ‌played by Ivan Yankovsky and Alexander Ya.‍ How essential are character dynamics​ in driving the narrative of a true crime drama?

Petrov: Absolutely essential! The depth of the characters often carries the emotional weight of the⁣ story. In a true crime context,⁣ the detectives’ journeys—both personal and⁣ professional—add layers of complexity. Their relationships, challenges, ‍and moral quandaries resonate with viewers who see elements of themselves in their struggles. This connection builds empathy and engages viewers on a profound level throughout the investigation.

Editor: Dr. ‍Petrov, this has been a truly enlightening discussion on the interplay of crime, suspense, and character-driven⁣ storytelling in series like “Fisher.”⁣ As the‍ show unfolds, I‌ hope it continues to shed light on both the⁣ darkness of human nature and the journey of those who⁣ seek justice.

Petrov: Thank you! It’s always a pleasure to discuss how real-life crime influences art and vice versa. ‍I’m looking forward to‍ seeing how “Fisher” develops in its second ‌season!

Editor: And so are we!⁣ Thank ⁢you again for your insights, and we ⁣look forward to more ⁣engaging conversations in the future.

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