The return of the remains of Cuban actress Broselianda Hernández to her native country was confirmed, almost four years after her death in Miami.
The news was shared by her brother-in-law, Jorge Enrique Fernández Falcón, who expressed his gratitude to his brother, Jorge Alberto Fernández, widower of the actress, for the love and dedication he showed towards her.
“Thank you, dear brother, for so much strength, so much love and greatness towards your beloved Brosse… They arrived in peace to the land where she was born,” were his words.
Broselianda Hernández, born in Havana in 1964, was one of the most beloved and respected actresses on the Cuban scene. His career spanned more than three decades in film, television and theater.
On screen, the actress left an indelible mark with her roles in popular soap operas such as When the Water Returns to Earth and Las Honadas, as well as in important films, including Barrio Cuba (2005), Una rosa de Francia (2006) and José Martí, the eye of the canary (2010).
Her talent was recognized on multiple occasions by the Union of Writers and Artists of Cuba (UNEAC), which awarded her the Female Acting Award on three occasions, highlighting her contribution to both cinema and theater.
The death of the actress, which occurred in November 2020 in Miami, shocked the entertainment world, who expressed their sadness on social networks and the media.
Local authorities said at the time that his death was the result of suicide, an event that left a deep void in Cuban culture.
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The truth is that, now, the remains of the renowned actress will rest in her homeland, although the exact place was not specified.
Editorial of Cubans around the World
How does Broselianda Hernández’s legacy influence contemporary Cuban artists and the diaspora community?
Interview between Time.news Editor and Cultural Expert on the Return of Broselianda Hernández’s Remains
Editor: Welcome to Time.news! Today, we’re diving into an emotionally charged topic – the return of Cuban actress Broselianda Hernández’s remains to her homeland after nearly four years. Joining us is Dr. Elena Martinez, a cultural expert and historian specializing in Cuban arts and diaspora. Dr. Martinez, thank you for being here.
Dr. Martinez: Thank you for having me! It’s an honor to discuss such an iconic figure in Cuban culture.
Editor: The confirmation of her remains’ return was made by her brother-in-law, Jorge Enrique Fernández Falcón. He expressed deep gratitude towards her widower, Jorge Alberto Fernández, for his dedication. How significant is this act in the context of Cuban cultural values?
Dr. Martinez: This act is profoundly significant. In Cuban culture, respecting and honoring the deceased is a vital part of our heritage. The heartfelt tribute from her brother-in-law and the acknowledgment of Jorge Alberto’s love reflect the strong familial bonds that characterize our community. It symbolizes not just a personal farewell, but also a communal recognition of Broselianda’s impact on Cuban identity.
Editor: Broselianda Hernández was beloved for her contributions to film and theater. How do you think her legacy will evolve with her remains returning home?
Dr. Martinez: Her return to Cuba will undoubtedly reignite discussions about her legacy. Broselianda was not just an actress; she was a cultural ambassador. Her work resonated with many who experienced the complexities of Cuban life. Bringing her remains back establishes a narrative of closure but also opens the door for future generations to celebrate and learn from her contributions. There’s a resurgence in interest in Cuban arts, and her story will likely inspire new works.
Editor: Jorge Enrique expressed, “They arrived in peace to the land where she was born.” This resonates with the idea of returning to one’s roots. How does this notion impact the Cuban diaspora, particularly those in exile?
Dr. Martinez: For many in the Cuban diaspora, the act of returning to one’s roots represents a reconnection with identity and heritage. It reminds them of their origins, especially amidst the struggles of exile. Broselianda’s return embodies a sense of hope and continuity. It tells those living abroad that, despite physical distances, the emotional and cultural ties remain strong. Her homecoming acts as a symbol of resilience and the enduring essence of Cuban identity.
Editor: That’s beautifully put. As we reflect on Broselianda’s life and career, what lessons do you think future Cuban artists can draw from her journey?
Dr. Martinez: Future artists can learn the importance of authenticity and representation. Broselianda’s work was deeply rooted in the realities of Cuban life, showcasing the beauty and struggles of her people. She wasn’t afraid to take bold roles that challenged societal norms. This teaches emerging artists to embrace their narratives and use their voices to amplify the stories that resonate with their communities. In an increasingly globalized world, staying true to one’s origins while expressing universal themes is a powerful tool.
Editor: Thank you, Dr. Martinez, for sharing your insights. The return of Broselianda Hernández’s remains is not just a personal journey for her family but a significant cultural moment for Cuba and its diaspora. We appreciate your perspective on this touching story.
Dr. Martinez: Thank you for having me! It’s essential to keep these conversations going as we honor those who have shaped our cultural landscape.
Editor: And thank you to our audience for joining us today as we explore the connections between heritage, identity, and legacy. Stay tuned for more discussions on cultural matters that shape our world.