The twenty-fifth edition of the Latin Grammys celebrated a quarter of a century of musical excellence, highlighting the diversity of genres and artists that enrich Latin music.
The big winner of the night was the Dominican Juan Luis Guerra, who won four awards, establishing himself as one of the most iconic figures in the industry.
Juan Luis Guerra took the top awards: Album of the Year and Recording of the Year for his most recent production, Radio Güira, released in November 2023.
His song “Mambo 23” was awarded Record of the Year and also won the award for Best Tropical Song, confirming Juan Luis Guerra’s indisputable talent for reinventing traditional genres with his unmistakable style.
The gala, held for the second time in Miami, became a spectacle of emotions, nostalgia and surprises.
Renowned artists such as Jorge Drexler, Nathy Peluso and Édgar Barrera also shone at the evening. Drexler won two awards, including Song of the Year for Derrumbe, a work he dedicated to his father, who recently died.
For her part, Nathy Peluso, with three awards, equaled the legendary Mercedes Sosa in the total number of Latin Grammys accumulated, while expressing her admiration for the Argentine artist. “This is more than I ever dreamed of,” he said.
Among the highlights, Karol G made history by becoming the first woman to win two Latin Grammys for Best Urban Album, thanks to “Mañana will be Bonito-Bichota Season.”
The Mexican-American composer Édgar Barrera, leader in nominations with nine, also closed the night with three gramophones to his name, confirming his influence on current music. The ceremony, hosted by Roselyn Sánchez along with Gloria Estefan and Andy García, offered a display of talent and emotions.
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Editorial Cubans around the World
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How is the representation of women in Latin music evolving, based on insights from the interview?
Interview Between Time.news Editor and Latin Music Expert
Time.news Editor: Welcome, everyone, to this special interview celebrating the 25th edition of the Latin Grammys. We are honored to have with us Dr. Sofia Torres, a renowned musicologist and expert in Latin music, to break down the significant moments from last night’s event. Welcome, Dr. Torres!
Dr. Sofia Torres: Thank you for having me! It’s a pleasure to be here and discuss such an important milestone in Latin music.
Editor: Let’s dive right in! The star of the night was undoubtedly Juan Luis Guerra, who bagged four awards, including Album of the Year for Radio Güira. What does his dominance at the awards say about his impact on the genre?
Dr. Torres: Juan Luis Guerra is not just a musician; he’s an institution in Latin music. His ability to blend traditional Dominican styles with contemporary sounds has made him a global ambassador for Latin music. Winning Album of the Year and Recording of the Year reaffirms his position as a key innovator and also illustrates the ongoing relevance of traditional genres in today’s music landscape.
Editor: His song “Mambo 23” resonated deeply with audiences, earning recognition as both Record of the Year and Best Tropical Song. What aspects of this song do you think contributed to its success?
Dr. Torres: “Mambo 23” showcases Guerra’s knack for reinvention. He takes traditional rhythms and infuses them with modern instrumentation. The tropical sound is upbeat and invites listeners to dance while also conveying deeper emotional themes. It’s a blend of joy and nostalgia that exemplifies why he is adored by many.
Editor: The ceremony also highlighted other extraordinary talents, such as Jorge Drexler, who dedicated Song of the Year to his late father. What does it reveal about the personal connections forged through music?
Dr. Torres: Music often serves as a conduit for expressing deep emotions and personal experiences. Drexler’s dedication of “Derrumbe” to his father speaks volumes about how artists channel their life experiences into their work. It creates a shared emotional space between the artist and the audience, making it even more poignant and relatable.
Editor: Nathy Peluso also had a remarkable night, equaling Mercedes Sosa in her Grammy wins. How important are figures like Peluso in the evolution of Latin music?
Dr. Torres: Nathy Peluso represents the new wave of Latin artists who honor the past while also pushing boundaries. By equating herself with a legend like Mercedes Sosa, she bridges generations of music lovers. Her eclectic style and powerful voice show that Latin music is thriving and evolving, appealing to both traditionalists and modern listeners alike.
Editor: We also saw Karol G make history as the first woman to win two Latin Grammys for Best Urban Album. How significant is her achievement for women in the music industry?
Dr. Torres: Karol G’s success is monumental. It not only reflects her incredible talent but also highlights the growing presence of women in urban music, a genre historically dominated by men. Her victories inspire a new generation of female artists who can see themselves achieving similar heights in an industry that is becoming increasingly inclusive.
Editor: The night featured emotional highs and surprises, demonstrating the vibrant community of Latin music. After attending such an event, what do you think lies ahead for the Latin music scene?
Dr. Torres: The future looks incredibly promising. Latin music is gaining global traction, and artists are continually exploring new sounds and collaborations. The Latin Grammys serve as a reminder of the sheer diversity and richness of our culture. As more artists embrace this platform, I expect to see even greater fusion of genres and storytelling through music.
Editor: Thank you, Dr. Torres, for your insightful analysis and for joining us today. It’s thrilling to witness the continued evolution of Latin music and all that it has to offer.
Dr. Torres: Thank you for having me! I look forward to seeing where the rhythm takes us next!