2024-11-20 06:08:00
“Conclave“. Edward Berger won four Oscars in 2023 with the war drama “Nothing New in the West.” He made the most successful German film ever at the Oscars. Now there is the next film adaptation of the Wolfsburg native. The 54-year-old Berger filmed the Vatican thriller “Conclave” with Ralph Fiennes. Conclave is the technical term for the closed room during the papal election. Transformed…
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How does “Conclave” differentiate itself from other thrillers set in historical or religious contexts?
An Exclusive Interview with Edward Berger: Exploring “Conclave”
Time.news Editor: Edward, congratulations on the incredible success of ”Nothing New in the West,” which won four Oscars in 2023. Tell us, what prompted you to take on “Conclave”?
Edward Berger: Thank you! “Nothing New in the West” was a profound experience for me. When the opportunity to helm “Conclave” arose, I was drawn to the unique intrigue surrounding the papal election process. The film explores the tension, secrecy, and moral dilemmas faced by the cardinals in that closed room, which I found deeply engaging.
Time.news Editor: “Conclave” is a thriller that delves into the inner workings of the Vatican during a critical moment. Can you share what aspects of this film set it apart in the genre?
Edward Berger: Absolutely. Unlike typical thrillers that rely heavily on external action, “Conclave” focuses on psychological drama and character interplay. The film places viewers in the hearts and minds of the cardinals, showcasing their personal stakes and conflicts. By centering on dialog and moral dilemmas rather than spectacle, we aim to engage audiences on a more intimate level.
Time.news Editor: Filming such a significant narrative surrounding the Vatican must have posed challenges. What were some of the hurdles you faced during production?
Edward Berger: One of the most significant challenges was the need for authenticity while dealing with the complexities of the Catholic Church’s traditions. We had to respect its history and doctrine while telling a thrilling and modern story. Additionally, working with a talented actor like Ralph Fiennes required us to create an environment conducive to nuanced performances, which was both rewarding and challenging.
Time.news Editor: With your notable successes, how do you view the future of German cinema on the global stage?
Edward Berger: The recognition we’ve earned through “Nothing New in the West” certainly opens doors for German cinema. There’s a growing appetite for diverse storytelling, and I believe we have a wealth of narratives that resonate on an international level. “Conclave” is a step towards showcasing that we can produce thrilling, high-quality films that appeal to a global audience.
Time.news Editor: As an established director, what advice would you give to up-and-coming filmmakers looking to navigate the industry today?
Edward Berger: Stay true to your vision and embrace the medium’s power to tell unique stories. Network and collaborate with others while remaining open to feedback. Also, continuously watch films from various cultures to expand your horizons. Don’t be afraid to tackle ambitious projects like “Conclave” or “Nothing New in the West”—stories that matter and provoke thought will always find their audience.
Time.news Editor: Edward, what do you hope audiences take away from “Conclave”?
Edward Berger: I hope audiences leave the theater with a deeper understanding of the complexities surrounding faith and power. The film is designed to spark conversation about belief and moral choice. If we can provoke thought and dialog, then we’ve succeeded in our mission.
Conclusion
Edward Berger’s “Conclave” promises to be a gripping exploration of faith and power within one of the world’s most secretive institutions. Audiences can look forward to an innovative narrative that intertwines personal drama with global significance, making it a must-watch in contemporary cinema.