Pre-released on some streaming services ahead of the album release
To commemorate the 150th anniversary of Ravel’s birth, pianist Cho Seong-jin recorded all of Ravel’s piano solos and two piano concertos.
Deutsche Grammophon will release the first of two albums, ‘Label: Complete Solo Piano Songs’, digitally and on two CDs on January 17, 2025.
Prior to this, some of ‘The Tomb of Couperin’ on the 22nd, ‘Sonatine’ on the 13th of next month, and ‘In the Style of Chabrier’ on January 3rd next year will be released in advance through download and streaming services.
The second album, which includes two piano concertos, will be released on February 21, and the deluxe edition containing all tracks will be released on April 11.
As part of his ongoing journey of exploration into Ravel, Seong-Jin Seong has already received rave reviews for his live performance with the Boston Symphony Orchestra (BSO) conducted by Andris Nelsons, and has also accompanied this recording of Ravel’s concerto.
Seong-Jin Seong, who maintained a close bond with French piano works, became completely immersed in Ravel while attending the Paris Conservatoire. Regarding the difficulty of playing a solo piece, Seong-Jin Cho mentioned Ravel’s orchestral sound and detailed details.
“Ravel knew exactly what he wanted. I try to follow the specific instructions he left behind. For example, ‘Mirror’ is a work that requires very difficult technique. “It is a song that is quite delicate and dramatic, but at the same time rich in imagination and color, so it is almost impossible to apply all the instructions, but I am doing my best.”
Cho Seong-jin said, “This is the first time I have performed or recorded all the works of one composer,” and added, “I have come to understand Ravel much more deeply than before. “I really enjoyed the process of immersing myself in the various aspects of his music,” he said.
To commemorate the 150th anniversary of Ravel’s birth, Cho Seong-jin plans to continue performing Ravel’s concertos and all of his solo piano works. Starting with a recital at the Vienna Konzerthaus on the 25th of next year, the concert tour of the United States will include performances at Carnegie Hall and Walt Disney Concert Hall in February and March.
In April and May, recitals will be held at leading concert halls in Europe and Germany, including the Barbican Center in London and the Elbphilharmonie in Hamburg, and the Berliner Philharmoniker will also continue to perform as a resident musician. Afterwards, schedules in Asia and the U.S. are scheduled until the summer.
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What are some of the key themes explored in Ravel’s piano works?
Interview: Celebrating Ravel Through Performance and Recording
Interviewer (Time.news Editor): Good day, everyone! Today, we have the pleasure of speaking with the renowned pianist Cho Seong-jin, who is embarking on an exciting journey to celebrate the 150th anniversary of the legendary composer Maurice Ravel. Cho, thank you for joining us!
Cho Seong-jin: Thank you for having me! It’s a pleasure to be here.
Editor: You’re about to release a comprehensive recording of Ravel’s works, which is quite a monumental undertaking. What inspired you to record all of Ravel’s piano solos and concertos?
Cho Seong-jin: My deep love and appreciation for Ravel’s music inspires this project. Having spent years studying French piano works, I felt a profound connection to Ravel while attending the Paris Conservatoire. Commemorating his 150th anniversary felt like the perfect opportunity to immerse myself in his compositions.
Editor: That’s fantastic! I understand that the first album, “Complete Solo Piano Songs,” is set to be released on January 17, 2025. Can you share what listeners can expect from this album?
Cho Seong-jin: Absolutely! The album includes all of Ravel’s solo piano works. Each piece is a window into Ravel’s intricate musical language, filled with emotion and imagination. I hope listeners appreciate the delicate balance of difficulty, technique, and rich color that Ravel aimed to achieve.
Editor: You mentioned that Ravel’s orchestral style presents challenges in his solo pieces. Can you elaborate on that?
Cho Seong-jin: Ravel’s orchestral sound is intricate and layered, which makes translating those textures to the piano quite complex. For example, ‘Mirror’ is not just technically challenging; it demands a depth of expression that is delicate yet dramatic. My goal has always been to interpret his specific instructions to the best of my ability while capturing the essence of his imagination.
Editor: It’s fascinating how deeply you connect with the music. You’ve performed with prestigious orchestras like the Boston Symphony Orchestra. How has this experience shaped your interpretation of Ravel’s concertos?
Cho Seong-jin: Performing with the Boston Symphony was a pivotal experience. Conducted by Andris Nelsons, the collaboration allowed me to explore Ravel’s concertos in depth and understand the dialogue between soloist and orchestra. It gave me insights that will undoubtedly inform my recordings and future performances.
Editor: Speaking of performances, I hear you have an extensive concert tour planned to promote this Ravel celebration. What can audiences look forward to?
Cho Seong-jin: Yes! I am incredibly excited about the upcoming concert tour. We will kick off with a recital at the Vienna Konzerthaus on January 25. The tour will take me to iconic venues like Carnegie Hall and Walt Disney Concert Hall, and later in Europe, I’ll perform at leading concert halls including the Barbican in London and the Elbphilharmonie in Hamburg. It’s an unforgettable journey!
Editor: That sounds amazing! In your own words, how has diving deep into Ravel’s body of work altered your understanding as a musician?
Cho Seong-jin: This is my first time recording all works of a single composer, and it has deepened my appreciation for Ravel’s genius tremendously. Each piece tells its own story, and the process of exploring Ravel’s diverse musical landscape has been incredibly enriching. I truly enjoyed every moment of this journey.
Editor: It’s inspiring to see such passion and dedication to your craft. As we celebrate Ravel’s legacy, what do you hope audiences take away from your performances and recordings?
Cho Seong-jin: I hope to convey the emotions embedded within Ravel’s music – his imagination, color, and ingenuity. If my performances inspire even a fraction of the joy I feel when playing his works, I would consider it a success.
Editor: Thank you, Cho Seong-jin, for sharing your insights with us today. We can’t wait to hear your recordings and see you perform live. Here’s to celebrating Ravel’s legacy through your incredible artistry!
Cho Seong-jin: Thank you for having me! I look forward to sharing this special music with everyone.