The concert “Waiting for Christmas” will take place in Narva Castle

by time news

On November 30 at 18:00 in the Refectorium Hall of Narva Castle, the musicians Liam Kennelly (violin, Australia), Olga Raudonen (cello, Estonia), Piia Paemurru (piano, Estonia) will perform works by F.‌ Schubert, E .Elgar , F. Bridge, A .Piazolla.

Liam Kinneide he is an Australian violinist whose career began earlier than ‌he remembers, as he has ancestors including Tom Kinnelly, the famous Australian novelist and ‍author of the famous novel Schindler’s List. He⁣ was born into a family with Irish-Australian artistic roots. Liam’s violin career developed rapidly during​ his youth ⁤in Australia. He has toured extensively and performed with orchestras including the Australian ⁤Chamber Orchestra, Canberra Symphony Orchestra, Camerata Queensland Chamber Orchestra, Victorian Orchestra, and was concertmaster of the Momentum Ensemble ⁤and the Australian International Opera Company .

Liam’s tour took him to Europe, where he​ performed in some of the world’s best concert halls and salons – the Concertgebouw in Amsterdam, the Shostakovich Center in Paris, the⁣ Salon ‍Razumovsky in Vienna and‌ many concert⁣ halls in the UK including Queen Elizabeth Hall, ‍St Martin. -in-the -Fields, Barbican, Abbey Road Studios, Windsor Castle, King’s ⁤College Cambridge, Ashmolean Oxford, Cadogan Hall, Birmingham Symphony Hall and St‌ John Smith’s Square ⁢in Mayfair. While in the UK, he completed his MA at the Royal Academy of Music under ⁢the⁢ supervision⁢ of Professor Radu⁢ Blidari, and his studies ‌were supported by the Australian Ernest W. Llewellyn String Scholarship. He has also worked with the Chamber Orchestra of⁢ Europe and the Royal Opera House, Covent Garden. In 2021, Liam was cast as ‍a violinist for the second season of The Great⁣ Amazon Prime,​ where he was the leader of ⁣a string quartet that ⁤plays for the characters Catherine (Elle Fanning) and her mother (Gillian Anderson). ‌Due to recent events, Liam began working as the second concertmaster of the Vanemuine Symphony Orchestra.

Cellar Olga Raudonen He graduated from the‍ Tartu Heino⁢ Ellery Music School in 2002 under the direction of Ria Metsa. He continued his⁤ studies at the Estonian Academy of Music and Theatre, studying⁤ cello with Henry-David Warem. She was an exchange student in 2004-2005 and a master’s ‌student in 2006-2007 at the University of Music and Performing Arts in Graz under the supervision of Florian Kitty. In 2008, she completed her master’s degree at the Estonian Academy of Music and Theater under the direction ⁣of Henry-David Warem. While studying at the⁣ academy, she worked in the Symphony Orchestra ‌of the Estonian National ‍Opera.

She also continued her education in ‌master ‍classes with Ola Karlsson, Florian Kitty, Niels Ullner, Peter Bruns, Gerhard Mantel and Stefan Popov. She performed as a soloist, orchestral soloist and chamber musician in Estonia and Austria. Since 2007 she has been working in the⁢ Vanemuine Symphony Orchestra. Olga Raudonen⁤ is an active soloist ​and chamber musician, as well as ‌a concert organizer in Tartu since 2007.

Pia Paemura She is one of⁢ the most valuable ensemble partners⁤ in Estonia, especially‌ for opera singers, but‍ she is involved in her ​concert activities with many excellent musicians, such ⁣as Virgilius Noreika, Jakko Rygenen, Margarita Voites, Mati⁢ Palm, Pille Lill , Aare Saal, Rene‌ Som, ⁣Priit Volmer, Helen Lokuta, Angelika Mikk, Kristina Vahey, Oliver ⁣Kuusik, Maria Lystra,⁤ Carmen‍ Puys, Pirjo Jonas, Dara ​Savinova, Maria Veretenina, Annalisa Pillak, Tuuri Dede, Kadi Jurgens, Sandra Laagus, Annabelle Soode, Atlan Karp, Simon ⁣Briide, Tamar​ Nugis, Rajko Raalik, Pavlo Balakin, Rasmus Kull, Reigo Tamm , Piedar Paemuru, Marie Tampere-Bezrodny, Andreas Land, Aare Tammesalu and others. Piia Paemuru completed her master’s degree at Tallinn High School in 1999⁣ under the guidance of Professor Laine Mets and has been working at the ​Estonian Academy of⁣ Music and Theater in the vocal department ⁢as an accompanist since 1986.

Since 2016, Paemuru has been⁤ an accompanist at the Vanemuine Theatre. She also participated as an accompanist in many master classes and ‍auditions of the Bavarian Opera Academy in Germany. Piia Paemuru has received several awards for best accompanist at various singing competitions, including five times at the Claudia Taevi International Singing Competition.

TICKET INFORMATION:

Tickets can be bought with cash on the spot before the concert. Ticket price 7/5 euros. School ⁣children (under 18 years of age), disabled people and their accompanying persons have free entry.

The post “Waiting for Christmas” concert will take place on gazeta.ee ‍in Narva Castle.

What are the key pieces being performed by the musicians ​at the Narva Castle concert ‍on November ⁢30?

Time.news Editor‍ (TNE): Good day, and welcome to this special interview! Today,‍ we’re excited ⁤to discuss the fascinating world of classical music, particularly‌ in ⁣light of an⁣ upcoming performance⁣ at the⁤ Narva Castle. ‍We’re ​joined by⁣ an esteemed ‌expert in the field, who will share insights on the musicians and the pieces‍ they will be performing. Let’s welcome our guest, musicologist Dr.⁢ Anna Sutherland.

Dr. ⁤Anna Sutherland (DAS): Thank you ‌for having me! I’m⁢ thrilled to be here to discuss this incredible event.

TNE: The concert is set for November 30, featuring talents like Liam Kennelly, Olga Raudonen, and Piia Paemurru. Each artist⁣ has a fascinating background. Could ⁢you give us an overview of Liam Kennelly’s⁢ journey as a violinist?

DAS: Absolutely! Liam Kennelly is quite remarkable. He hails ⁢from Australia and has musical ‍roots that can ‌be traced back to an artistic family, which includes the celebrated novelist Tom Kinnelly. It’s interesting to see how his lineage might have influenced his artistic drive. Liam’s career took off⁣ early, and he’s ⁢had extensive⁢ experience performing with prestigious orchestras like the Australian Chamber‌ Orchestra and ​the Canberra Symphony⁢ Orchestra. His capabilities have allowed him to perform in‍ iconic venues across ‌Europe, which really speaks to his talent ⁤and dedication.

TNE: That sounds incredible! What can you tell us about the pieces they will be performing? How ⁣do these works⁤ showcase the musicians’ strengths?

DAS: The concert includes⁢ works by F. Schubert,⁣ E.⁣ Elgar, F. Bridge,‌ and A. Piazzolla. Schubert’s compositions often highlight lyrical melodies and rich⁣ harmonies, which are beautiful for the violin and cello. Liam and Olga will ​surely shine in these pieces, especially given their expressive abilities. Elgar’s works tend to be grand and ⁣emotionally charged, which provides a‌ wonderful opportunity for the musicians to showcase their virtuosity. Piazzolla’s music, on the other hand, brings a contemporary flair with its tango⁣ influences. This variety in the‌ repertoire allows each musician to bring out their personal interpretation and strengths,⁣ creating a dynamic and ‌engaging concert experience.

TNE: ⁢ That’s a ⁤fantastic selection! Speaking of Olga Raudonen, her educational background is​ impressive. How ⁤important do you think her studies have‌ been to her current success as a cellist?

DAS: Olga has had a ⁣solid training foundation, starting from the Tartu Heino ⁣Ellery Music School to further studies at the Estonian Academy and ⁤the University of Music‍ and Performing Arts in ⁢Graz. Such⁣ a rigorous education, combined with masterclasses ⁢from renowned musicians, undoubtedly plays a crucial​ role ​in ​her ‍development. It ‌isn’t just about technical achievement; the exposure ⁤to diverse musical styles and‍ the chance to work with outstanding teachers like Henry-David Warem and Florian Kitty helps an artist cultivate their unique voice.

TNE: It sounds like her education⁢ has indeed shaped ⁤her artistry. And​ last but not⁤ least,⁤ we‌ have Piia ⁢Paemurru on piano. ⁣How do ⁤you perceive the role of the piano in this ensemble?

DAS: The piano‍ is ⁣essential ⁢in chamber music; it ‍provides⁤ harmonic support and rhythmic foundation. Piia’s ⁢role is not merely to accompany​ but to interact with the ⁢strings​ dynamically, creating a conversation among‍ the musicians. Her ‌experience makes her a versatile partner, and I⁢ am excited‌ to see‍ how she complements the dialogue between Liam and Olga. The ⁣synergy between piano and strings is truly what breathes life into chamber works.

TNE: Definitely! ⁢It sounds like this concert will be a significant cultural event for Narva. In​ your view, ​how does live classical music impact local communities?

DAS: Live classical music events foster⁤ a ⁤sense of connection within the community. They provide opportunities‌ for cultural enrichment, bring people together, and inspire future musicians. ⁢Events like this one allow locals to experience⁢ high-quality‌ performances without the need to⁣ travel far, which is invaluable.‌ Plus, the passion and ⁤skill of the musicians can ignite interest in classical music among ⁣younger audiences, ensuring its legacy continues.

TNE: Well said, Dr. Sutherland! Thank you for your insights into⁢ the concert and these incredible musicians. We can’t wait to see how it unfolds⁢ on November 30!

DAS: Thank you for ‍having me! I’m looking forward to the performance as well—it ‍promises to ‌be a wonderful evening‍ of⁢ music.

You may also like

Leave a Comment