Lee ha-neul of the group DJ DOC deleted the video after receiving criticism for evaluating junior singer G-Dragon’s new song.
Lee Ha-neul recently posted on her YouTube channel, ‘Time capsule from a week ago. A video titled ‘Uploading the concert scene promptly’ was posted.
In the video, Lee Ha-neul made a comment that seemed to evaluate G-Dragon’s new song, saying, “I respect GD, but ‘POWER’ falls below my expectations.”
He continued, “I like any of G-Dragon’s results.But this time, I thoght, ‘It’s worth competing with if we released an album together,’” he said. “It’s not that G-Dragon is bad,it doesn’t matter. “We have different textures,” he said.
Conversely, ‘APT.’, which Blackpink Rosé collaborated with pop star Bruno Mars, was well received. Lee ha-neul said, “I know what God’s move is.He said, “If we had released a new song, it would have been
As a senior singer, Lee Ha-neul can evaluate G-Dragon’s new song, but the problem is that the part that mentioned this was edited and made into a short video.
It was pointed out that this was an ‘aggro’ attempt to increase the number of views in anticipation of G-Dragon’s popularity.
As public opinion worsened, Lee ha-neul edited the video that mentioned G-Dragon and deleted the short video. However,criticism continues as there is no apology to G-Dragon and his fans.
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How can K-pop artists maintain accountability in teh face of rising criticism and competition?
Interview Between Time.news Editor and Music Industry Expert
editor: Welcome to Time.news, where we delve into the latest trends and controversies across various fields. Today, we have the pleasure of speaking with Dr. min-Jae Park, a renowned music industry expert and cultural commentator. Dr. park, thank you for joining us!
Dr. Park: Thank you for having me! its always grate to discuss the evolving landscape of music and celebrity culture.
Editor: Let’s jump right in. Recently, Lee Ha-neul, a member of the group DJ DOC, faced significant backlash after critiquing G-Dragon’s new track, ‘POWER’, in a YouTube video.Many viewed his comments as unexpected, especially given G-Dragon’s stature in the industry. What do you think about Lee Ha-neul’s remarks?
Dr. Park: Lee Ha-neul’s comments certainly raised eyebrows. While it’s not uncommon for senior artists to give opinions on their juniors’ work,his statement seemed to cross a line for many fans. It’s one thing to critique a song, but when a comment suggests rivalry or competition, it can be interpreted as more than just mere evaluation.
Editor: Precisely. Lee mentioned that while he respects G-Dragon, he felt ‘POWER’ didn’t meet his expectations and cryptically implied that he could compete with G-Dragon. Do you think this creates unneeded tension within the K-pop industry?
Dr. Park: Absolutely. The K-pop scene frequently enough thrives on collaboration and mutual respect among artists, so comments like this can instigate divisiveness. Lee Ha-neul did mention liking G-Dragon’s previous works, which shows appreciation, but his critique suggests a competitive edge that may not sit well with fans or with G-Dragon himself.
Editor: Following the backlash, Lee Ha-neul deleted the video and faced ongoing criticism for not issuing an apology. In your opinion, how critically important is accountability in the music industry, especially regarding public statements?
Dr. Park: Accountability is crucial. Artists wield immense influence over their fanbases, and comments can have lasting effects on an artist’s reputation and public perception. Issuing an apology or clarification can be a way to mend fences and show respect to both peers and fans. Ignoring the situation can escalate tensions and create a negative cycle in the fanbase.
Editor: It’s captivating how quickly a statement can snowball into a larger issue. Following the deletion of his video, many pointed out that the edit seemed like an attempt to ‘aggravate’ the situation for views. What are your thoughts on that strategy?
Dr.Park: It demonstrates the double-edged sword of social media for artists. While it can promote their work, it can also lead to controversies that overshadow their creative output. If the intention was to generate clicks, it backfired. Authenticity is highly valued in today’s music industry, and audiences are quick to pick up on inauthentic behavior.
Editor: That’s a valuable insight. Lee Ha-neul’s remarks coincided with the release of another track titled ‘APT.’, which was well-received. How do you think comparisons between artists affect public reception of their work?
Dr. Park: Comparisons can be a double-edged sword as well. In music, especially in a competitive environment like K-pop, thay can elevate both artists’ profiles when handled well. But when comparisons skew negative, as in this case, they can hurt the artists involved. It’s vital for artists to focus on their unique sound and narrative rather than viewing others purely as competition.
Editor: how do you see the dynamics of respect and competition evolving among K-pop artists in the future?
Dr. Park: I believe we’ll continue to see a blend of mutual admiration and competition. As the industry grows and diversifies, younger artists may feel emboldened to voice their opinions, but it’s essential for there to be a culture of respect. Navigating criticism constructively will be key to fostering a healthy environment for all artists, established or emerging.
editor: Thank you,Dr. Park, for your thoughtful analysis on this issue. It’s clear that the intersection of respect, competition, and accountability remains a pivotal part of the K-pop scene. We appreciate your insights!
Dr. Park: Thank you! It’s been a pleasure discussing these critical elements of the music industry with you.