Tours, ‘Last Bell’ tops Japanese Oricon ‘Daily Single Ranking’

by times news cr
ⓒNewsis

Group ‘Tours’ (TWS) reached the top‍ of Japan’s Oricon single chart.

According to the latest chart (dated‍ December 3) released by ⁣Oricon on the ​4th, Tours’ ⁢first single ​’Last Bell’ sold 62,477​ copies on the first day of its release ​in Japan, ranking first in the ‘Daily⁣ Single Ranking’.

As a result, Tours‍ ranked first on the Oricon chart on the first⁤ day of release for the second consecutive day, following the second mini album ‍’SUMMER BEAT!’, and all albums ⁣up to the debut album ‘sparkling Blue’ ranked‍ first in the daily rankings. did⁣ it

‘Last Bell’, released on⁣ the 25th of last month, is⁤ the​ first new album ⁢released by Tours ⁣in 5 months. It contains three songs,‍ including the title song ‘Last ​Festival’, ‘Your⁢ Name ‍(Highlight)’, and ‘Comma Instead of ⁣a ​Dot’.

‘Last Festival’ is a song that reinterprets the sensibility of Tours on the hit song ‍of ⁤the same ‍name released by ‘Seo Taiji and Boys’ in 1993. It ⁣features a refreshing and elegant sound and lyrics that delicately explain complicated feelings.

Tours appeared on‍ yomiuri ⁤TV and ‌Nippon TV’s ‘Best Hit Song Festival ⁤2024’ on the 14th of last month, and then went on stage at Fuji TV’s‍ ‘2024⁢ FNS Song Festival’ ⁤on the 4th.

The members, who ‍appeared in school uniforms at the ⁢’2024 FNS⁤ Song Festival’, made⁣ a mark on local fans by passionately singing ⁣their debut song ‘First Meeting Didn’t Go As Planed.’

Tours,which⁣ made ⁢a⁤ comeback on the 25th of last ⁢month,is showing⁣ its presence as the ​’best rookie of 2024′ by sweeping the Rookie Awards at major domestic music⁣ awards ceremonies simultaneously occurring as⁢ ‘Last Festival’ activities.

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​ How has social media influenced the success of rookie music groups ⁢like Tours ‌in Japan’s music scene?

interview: The​ Rise of Tours – A New Sensation in the ​Music⁤ Scene

Interviewer (Time.news Editor): Welcome to‌ Time.news! Today,we are thrilled to ​have music ⁤industry expert Dr. Sato ‌Tanaka with us ​to‍ discuss the recent ⁢rise of the rookie group ‘Tours’ and their incredible ⁣success in Japan’s Oricon chart. Dr. Tanaka, thank you for joining​ us.

Dr. Sato‌ Tanaka: Thank you for‍ having me! It’s an exciting time for new music talent in Japan, ⁤and Tours is certainly making waves.

editor: Absolutely! Tours’ first single,‘Last Bell,’ debuted at number one on the ​Oricon Daily Single Ranking,selling over 62,000 copies on⁢ its first day. ​What do you think accounts for ⁤such an impressive ‍performance?

Dr. Tanaka: Several factors contribute to⁢ this success. First and foremost, their strong‌ fanbase built through social⁤ media and a consistent engagement strategy has primed their audience for the release. Additionally, the nostalgic angle of their⁤ song ‘Last Festival,’ which reinterprets a classic from Seo Taiji ​and ‌Boys, resonates deeply ⁢with‍ both older fans and younger listeners, creating a unique bridge‍ between generations.

editor: It’s ⁣interesting how music can connect⁤ different age groups. Speaking ‍of ‘Last⁣ Festival,’ does the song’s reinterpretation suggest a growing​ trend in the industry where newer artists pay homage to previous iconic songs?

Dr. Tanaka: Definitely. We’ve seen ⁤a⁣ resurgence of retro influences ⁣in music recently,particularly in K-Pop and J-Pop. Tours’ approach marries tradition with fresh sound, which ‌not only captivates long-time fans but also introduces younger audiences to classic hits. ⁣This strategy​ can enhance their⁤ credibility and ⁣broaden their‍ appeal.

Editor: ‌ That’s a smart move! ⁣Tours has also been active in various media appearances.‌ How significant are these performances—like at the ‘Best Hit Song Festival 2024’ and ‘FNS ⁤song Festival’—in solidifying their presence in the ​industry?

Dr. Tanaka: Media appearances are critical, especially for new artists. They ‌offer visibility and allow them ⁤to ⁢showcase their talent to a​ broader audience. For Tours, performing in school uniforms at the FNS Song Festival likely⁤ resonates with younger audiences, tapping into a sense of nostalgia while presenting‍ a fresh narrative.⁣ Such ​strategic‌ marketing helps build their brand identity ​and engage fans ​more deeply.

Editor: They are indeed​ making a good impression! With their‌ recent achievements, including sweeping several rookie awards, ⁤what does the future hold for Tours as they navigate the ⁤music scene?

Dr. Tanaka: If they maintain their⁢ momentum, I believe ​they have the potential to become‌ one of the leading groups in the​ industry. Though,⁤ sustaining this success will require them to continue evolving their sound and⁤ engaging fans creatively. Balancing commercial success ‌with authentic artistry is key in this competitive landscape.

Editor: Wise words! As we wrap up,what advice would you give to aspiring ⁣artists looking to replicate Tours’ success?

Dr. Tanaka: my advice ⁣would be to⁤ stay ‍authentic to your vision while‍ being adaptable to trends. ⁢Build a strong community ‌around ‌your music and be willing to learn from both successes and setbacks. ​Consistency, creativity, and⁣ connection with your‌ audience are the blocks to a​ successful music career.

Editor: ‍Thank you, Dr. Tanaka, for sharing your insights on Tours⁣ and the current music landscape. It’s clear that there’s a shining future ahead for this talented group!

Dr. Tanaka: Thank‍ you! I look forward to seeing how they evolve and continue to⁤ inspire fans worldwide.

Editor: And to our‌ readers, keep an eye on Tours—they’re certainly an artist to‍ watch in 2024!

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