Exclusive: Tahir Raj Bhasin said – I always wanted to be a long race horse, he chose me from 500 boys – tahir raj bhasin interview talking about yeh kaali kaali ankhein season 2 film industry behavior

by times news cr

Tahir Raj ⁢Bhasin completes ten years in the film ⁢industry. He shared his journey from ‘Mardaani’ ​to ‘Yeh Kaali​ Kaali Aankhen ⁤2’ and his experiences ‌of playing different characters. He told how he avoided being typecast and focused ⁢on quality work.

Actor Tahir Raj Bhasin, who received a lot ⁣of ⁤accolades for his debut film ‘Mardaani’, has come a decade long journey ⁢in the industry this year. In this ‌journey, he left⁢ his⁢ mark‍ in films like ‘Manto’, ‘Chhichhore’, ’83’. These​ days, Tahir, who is making headlines for the series ‘Yeh Kaali Kaali Aankhen 2’, ​says‌ that he always wanted to become a​ long race ⁤horse by doing quality​ work instead of quantity. Here is this special ⁢conversation with him:

You have completed ten years in the industry. How do you look at the ‍journey of⁤ this decade?

I ⁣feel as ‍if ⁢Mardaani was ⁣released the day before yesterday, a very veteran feeling comes when people say that it has been ten years.
I consider​ myself very lucky to have got​ the ‍opportunity to work with such ⁣great directors. I started ‌with late Pradeep Sarkar ji, who selected me‍ out of 500 boys. He ⁢has a huge‌ contribution in my acting career, because when I was struggling, when I used to go⁤ for auditions, everyone used to ask, what⁤ have you done? Whereas, he asked ​what can you do? This difference in questions changed a lot, so I couldn’t have dreamed‍ of a better⁣ start. I consider myself lucky for ⁤the kind ⁤of characters I have played from there till‍ now, as ‌in⁣ our industry, ‍the one who has a good debut, does the same kind of roles in the next three-four, but I waited ⁢and Nandita Das’s ‘Manto’, which was a period ⁤drama. In that I played the role of 40s actor ⁤Shyam Chaddha. That film ⁢was ‍very popular at Cannes ​and MAMI Film Festival. Many directors saw this ⁣film in Mami⁤ and they ‌also ⁤saw me from a different viewpoint, ​due‌ to which I felt⁣ different in ​’Chhichhore’, ’83’, ‘Looop Lapeta’, ‘Yeh Kaali‌ Kaali Aankhen’, ‘Sultan of Delhi’. Could do‌ the character.

You mentioned ⁤type casting, which is a sad truth of ⁤the ​industry. Did you also get offered similar negative roles after‍ ‘Mardaani’? Was this the reason⁤ why you appeared⁤ on screen again after a gap of some ​time?
Yes.⁢ I have always believed that be a horse of long race. It is not that if one of your films becomes a hit, then you start⁣ doing four⁣ films‌ of the same type. I myself will get bored in that and my⁣ audience will also get bored. My endeavor has always been that ⁢if my audience reads ‌my name ‍or sees my ⁣face on ⁣the ‌poster, they feel that there will be something different in this ​film. This is my goal, so it takes some time to achieve such a goal. I also believe that your​ future in the film industry is not⁤ just decided⁢ by ⁣the projects you say yes to, it is also ⁢decided by the ones ⁢you say no to. saying no​ is equally ​crucial here.

It is indeed a big thing to understand this and have that patience at the​ beginning of your career. You‍ learned this a long⁢ time‌ ago?
Yes,I became an ⁤actor not because I wanted to do something different. If you had to work just for ⁤the sake of ⁢working, then you could have⁣ done any ‌job. ⁣If you want to​ become an actor or a ​star, ‍you⁣ will ​have to do something different ‍and I have learned this from ⁤those actors after watching whom‍ I got into acting. Be it ⁣Shahrukh khan, late Irrfan​ Khan ​or Aamir Khan. In⁤ the nineties,⁢ when we used to ⁢watch his films, like Shahrukh’s ‘Dilwale Dulhania Le Jayenge’, ‘Kabhi Haan Kabhi Na’, ‘baazigar’, all three were⁤ different.Similarly, Aamir’s ‘Rangeela’, ‘Sarfarosh’, ‘Dil Chahta Hai’, all were different. It⁤ is true⁤ that it requires patience and⁤ self-confidence,but ⁢I‍ had also understood long ago that in this illusionary city no one gets⁢ anything more than⁢ time​ and luck. thus, I never felt any kind ‌of ⁣disappointment.

How did you understand the character‌ of Vikrant in the series,his‌ disappointment and frustration as ​fate constantly plays ⁢tricks on him?
For‍ me,Vikrant is a simple boy with ⁤a ⁤very common dream,who wants to live a simple life. ⁢Wants to become something ⁤on his own. There is ⁢an innocence and idealism​ in him and the fun was that when‍ a powerful power‍ collides with his idealism, what should​ he do? ⁤There were only two‍ ways for him to die‌ or be killed, so this was a very exciting thing for me. ⁣Secondly,‍ I had never​ done the romance genre ⁢before this ⁣series. I did action, I did drama. Was also doing sports drama Chhichhore and 83. Whereas, when there was a⁤ chance for⁣ romance, there were not one but ‌two girls. My character falls in love with one, while⁣ the other‍ goes after her wholeheartedly‌ and such a ⁣story where a girl ​falls ​in love with such passion was a new‍ thing in Bollywood. ⁤It was⁢ important for me to get into the⁣ mind of Vikrant, especially in this season⁤ because he thinks⁢ one thing, says one thing,​ does another. ⁢For this, I⁣ make a lot of notes‍ of every‌ scene and enjoy ⁤that‍ process as much as acting on the set.

You started your career with the big screen.These days ⁤he is ⁤seen more on OTT. Do you ever miss the big screen?
That was according to the time, because ⁤when I came to Mumbai 10‌ years ago, there ‍was no OTT.I am working‍ for‌ both. Some stories can be told⁤ on the big screen in two hours. Whereas, there are some stories which are better told in chapters like a⁢ book. Rest, all those working in OTT are also cinema people, it’s just‍ that the medium is different, so I am working in both and both have‌ their own place.

How has Tahir Raj Bhasin ⁢approached⁣ the challenges of typecasting throughout⁣ his acting career?

Interview Between Time.news Editor adn tahir Raj bhasin

Editor: Welcome, Tahir!⁣ It’s ⁢a ⁣pleasure to have‌ you with⁢ us today​ as you celebrate a decade in the film industry. Ten years just flew by,didn’t they?

Tahir raj Bhasin: Thank you! ‍It feels ‌surreal,honestly. I often say ‌it feels like ‘Mardaani’ was released just yesterday. Reflecting on this journey brings‍ a sense of nostalgia, and I feel incredibly grateful ⁢for the opportunities I’ve⁢ had.

Editor: Speaking of opportunities,you’ve worked with some remarkable directors throughout⁢ your career.how ​do you feel those experiences ⁤have shaped ⁢you ⁣as an actor?

Tahir‍ raj Bhasin: Absolutely! Working​ with great ⁢directors, especially the⁢ late Pradeep ⁣Sarkar, was monumental‌ for my growth. He picked me out of hundreds for ‘Mardaani’ and posed the question, “What​ can you do?” instead of the usual​ “What ‍have⁢ you ‍done?” That difference in ⁣perspective fundamentally​ changed how I approached auditions and roles.

Editor: That’s an interesting ​approach! It sounds‌ like⁤ it really encouraged you ⁢to explore⁢ different facets of your talent right from ⁢the start. You’ve certainly taken that to heart with diverse ⁢roles in films like ‘Manto,’ ‘Chhichhore,’ and ’83.’

Tahir⁤ Raj Bhasin: Yes, ⁤and⁤ I⁣ feel fortunate that my debut​ didn’t pigeonhole me. ‌Many actors find themselves​ typecast after a successful debut, but I ​took the time to choose projects carefully. For instance, playing Shyam ​Chaddha in ‘Manto’ allowed ​me to showcase​ a different side, which ‍then opened doors in various genres, including more mainstream fare like ‘Chhichhore’ ​and ‘Yeh Kaali‍ Kaali Aankhen.’

Editor: You mentioned ‍typecasting, which is a real concern ‌in⁢ this​ industry. Did you find ⁣yourself being offered similar negative roles following ​’Mardaani’?

Tahir Raj bhasin: Definitely. After ‘Mardaani,’ there were ⁤abundant offers ‌for similar characters. But I’ve always believed in being a ⁢long-distance ‍horse. If one film‍ resonates with audiences, it doesn’t ⁣mean‍ I⁢ should follow that pattern repeatedly.I want ​my audiences to feel excited and intrigued every time they see my name on a project—knowing they’ll ​get ⁣something different each time.

Editor: That’s a refreshing take! It’s interesting how you view ⁣the‍ importance of saying‌ “no” ⁣to certain roles. Can⁣ you elaborate ⁣on that?

Tahir Raj Bhasin: ‍ Of ⁢course! ‍I firmly beleive that your future in the film industry isn’t‌ solely based on the projects you accept, but⁣ also on those you turn down. Saying no can be as ​crucial as saying yes, especially if it helps to curate a unique portfolio that ⁢really⁢ represents your artistic journey. Quality⁣ should always precede quantity.

Editor: It’s evident that you ​are‍ very intentional‌ about‍ your choices.⁤ As you ⁢continue to take on new roles—like in the upcoming ‘Yeh Kaali Kaali Aankhen 2’—what’s next for⁤ you? How do ⁢you plan to challenge ⁣yourself⁤ further?

Tahir Raj Bhasin: ⁢I’m excited about ‘Yeh Kaali ‍Kaali Aankhen 2’ and the character I’ve developed for it. Going⁢ forward, I want to keep pushing boundaries—perhaps explore genres I ⁤haven’t tackled yet ⁤and collaborate with newer ⁢filmmakers, taking‌ risks ⁢that can provide fresh narratives. Continuous growth is⁢ essential for an artist.

Editor: It’s inspiring to​ see your⁤ commitment to evolving as an actor. As you ‍reflect on these‍ ten years, what’s one lesson you’ve learned that you⁣ think aspiring ⁢actors ⁢should‌ take ⁢to heart?

Tahir​ Raj Bhasin: Patience is⁢ key. The industry⁤ can be unpredictable, filled with pressures ‍to conform. But taking the time to find what resonates with you—and‌ focusing on quality—will⁣ pay off ⁢in the long ‌run. Remember, every opportunity shapes you, whether⁤ it’s a ⁤yes or a no.

Editor: Well said, Tahir! Thank you for sharing your insights and experiences⁤ with us. Here’s to many more years of your remarkable​ journey in film!

Tahir Raj Bhasin: Thank you for having me! I’m⁤ looking⁤ forward to ⁤what’s next!

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