The little stories that hide behind the fury of the worldglimpses through the theater of the hand of great names of the scene, com the Lebanese playwright Wajdi Mouawad and the director Oriol Broggi and the tandem they form Juan diego Botto and Sergio peris-Mencheta or The Conquest of the South Pole, it will be a constant in Girona’s theater programming, Fig trees I Olot for the new season. All the birds from La Perla 29 i 14.4two hits on the billboards of Barcelona and Madrid that address personal dramas due to the great world crisesare among the prominent titles of the new theater course,which will bring artists such as Clara Segura,Emma Vilarasau,Míriam Iscla,Joan Carreras and shows signed by Andrea Jiménez,Arnau Tordera,victoria Szpunberg or jordi Prat i Collwhich will relocate a text by Àngel Guimerà in the Girona of the 60s in a production of the National Theater.
The social theme will run through the programs of the three great theaters of Girona. In the case of Figueres, with Migratory birdsa cycle of theatre, music, screenings and talks on cultural diversity which includes titles like All the birdsa threat of Romeo and Juliet between Jews and Palestinians which will start from the Municipal Theater of Girona for a route that will also pass through the Principal d’Olot. 14.4that the new alliance between Botto and Peris-Mencheta takes place the actor Ahmed Younoussi to tell his odyssey to reach Spainit will be seen both in Girona and in Figueres.
«14.4» de Botto i Peris-Mencheta. / Vanessa Rabade
Nadiathe testimony of Afghan Nadia Ghulam that the conquest of the South Pole will take place in Figueres, e And here I amin which The Freedom Theater will tell the story of a young Palestinian in Olot who grows up in a refugee camp and fights to become an actor, will be other titles with a social background for 2025.
New languages in the Municipality
The program of the Municipal Theater of Girona includes 26 proposalswith a clear commitment to contemporary languages and the riskiest scene.
Theater lovers will find some of the most extraordinary productions of the year,such as The categorical imperative by Victoria Szpunberg or the extraordinary Casting Lear by Andrea Jiménez,who at each performance invites a different actor to take on the role of the shakespearean king. Tirant the Whiteadapted by Màrius Serra and directed by Joan arqué; amnesiaby Nelson Valente the the spiderin
With an eye to singular poetics, the Municipality will offer proposals for large format dance com The Quijaby Paloma Muñoz; Natural order of things by Guy Nader and Maria Campos Txalapartadels Basques Kukai Dantza and Jesus Rubio Gamo. Also Afrikan Party, which mixes urban, contemporary and traditional African dance and, for the first time sence Elena Carmona took over the direction of Arts escèniques de Girona, a musical show. It will obviously be a sui generis proposal: Sardana Superstar by Arnau Tordera.
The hybrid scene will continue to be present the cycle paranormal, which will include a performative lesson by Brigitte Vasallo and two zero kilometer creations: A lamb crossed the desert by Núria Corominas from Salta e Neighborsby the choreographer Federica Porello, who has always been linked to Mal Pelo. The cycle also includes the return of the creator Alberto Cortés,with Thealphabet.
For the child, the highlight is a luxurious triad: La Ruta 40, Xavier Bobés and Pau Matas, who joined Tumbalafasta, which will also pass through Figueres.
Vilarasau and Payés in Figueres
Between January and June, figueres will have around sixty theatrical and musical proposals.In the theater section, Figueres in Escena has large-format shows planned such as A Boston wedding, with Emma Vilarasau, Marta Marco and Emma Arquillué; The categorical imperative or the return ofOperettathe great success of Cor de Teatre, as well as the spider
The performing arts program includes Thaumaby Magda Puig and Andreu Martínez; the theatrical and culinary experience Little by little, time passes or The Quija.
For the little ones there is a circus show Nanuqcompany’s fly; the small format experience In the tablet cave of the Farrés Brothers or In the heart of the world of the Engruna Theater.
In the musical field he will perform there the Camerata de Penedès, accompanied by Rita Payés will offer El Jardí a concert based on bewitched love by Manuel de Falla directed by the figuerenca Elena Rey.
Always in a local key, the new tour of the Empordà singer-songwriter Ernest Prana and the new album Joina will be presented, while the jove Orquestra de Figueres will offer two concerts during the season, one of which with Fredrick Strand.
divine words of Valle Inclán passed through the sieve of one of the best companies in the state, Watchtower Theatre I full moondirected by Alex rigola are other theatrical proposals by Olot Cultura, which he will dedicate a creative universe that of the Ponten Pie company, which will propose three shows: Loo, Arctic I Attention.
The dance highlights Iron skulls’ blend of movement, robotics and artificial intelligence Waiter 4.0and, in reference to music, it stands out Roger Mas and the Cobla Sant Jordi, and also Jazz Olot, with the project Freedom first and foremost by albert Marquès or the Greek bassist Petros Klampanis, among others.
Around 1,700 people who had never bought a ticket to the Teatre Municipal de Girona have done so in the last two years, and the average age of spectators is getting lower. These are two of the highlights of the first seasons with Elena Carmona at the helm of the direction of the Performing Arts of Girona, a period marked by the opening of the apparatus to contemporary languages, with a greater presence of the hybrid scene and movement. “The audience for contemporary dance is growing, we are reaching what was already there and what wasn’t yet,” says Carmona. In line of work with the public, this year begins a community of spectators, Les tramesto offer meeting spaces before and after the shows.
Carmona underlines that a balance must be sought between large productions on tour and what a city like Girona, equipped with a large stage thanks to the Temporada Alta festival, may “need”. However, he is disappointed that, despite the desire to bring titles to the city that are difficult to plan outside of Barcelona, to build a unique program every time there are more difficulties for large-format works from public theaters, such as the Teatre Nacional or the Lliure, to be taken on tour. “What comes out of national structures must be able to rotate, must engage in decentralization,” he says.
As for the riskier scene,one of the new features this year is the winter proposal of the live arts festival This People Will Not Like It,which maintains its usual dates in June. It’s a double programming with Small mass of abysses by Cris Blanco and a concert by B1n0.
How can theater foster dialog and understanding among diverse communities?
Interview between Time.news Editor and Theater Expert
Time.news Editor (TNE): Welcome! Today, we’re diving into the vibrant and socially conscious world of theater. Joining me is [Expert’s Name], a distinguished theater expert who can offer insight into this season’s programming in Girona and beyond. Thank you for being here.
Expert (E): Thank you for having me! I’m excited to discuss the compelling works being featured this season.
TNE: Absolutely! There seems to be a profound focus on personal dramas reflecting global crises in the upcoming theater lineup. What do you think is driving this thematic choice?
E: Great question! The current global landscape, with its myriad crises, has a direct effect on artistic expression. Playwrights and directors feel a duty to highlight personal stories that echo larger societal issues. Works like 14.4 by Botto and Peris-Mencheta showcase the odyssey of individuals like Ahmed Younoussi in a way that resonates deeply in today’s world.
TNE: I see that the program includes notable performances such as All the Birds and Migratory Birds. How do these productions tackle cultural diversity?
E: these pieces are essential as they bridge cultural gaps by telling stories that might not typically see the light on mainstream stages. all the Birds, which explores the tensions between Jews and Palestinians, provides a visceral commentary on current events, while the Migratory Birds cycle extends the conversation to broader themes of cultural diversity through theater, music, and film. it’s about creating dialogue.
TNE: It’s fascinating how theater can act as a vehicle for dialogue. Speaking of impactful narratives, there’s mention of works featuring powerful personal testimonies, like that of Afghan Nadia Ghulam. How meaningful are these narratives in the contemporary theater scene?
E: They are incredibly significant. Audiences today are looking for authenticity and connection. Shows that draw from real-life experiences, like Ghulam’s testimony, give voice to marginalized communities and foster empathy. They reshape the narrative, allowing audiences to step into the shoes of those who have faced unimaginable challenges.
TNE: Alongside social themes,it seems there’s a commitment to contemporary languages and innovative productions in this season’s programming. Can you elaborate on what that means for the theater scene?
E: Indeed! Theatrical language is evolving, and producers are willing to take risks. For instance, Casting Lear, where a different actor plays King Lear each night, challenges customary norms and keeps the experience fresh. This push for hybrid forms, like the paranormal cycle, invites more experimental methods, making the theater dynamic and engaging.
TNE: That’s a refreshing take! Final thoughts: how do you see the role of community and collaboration reflected in Girona’s theater scene this season?
E: Community and collaboration are at its core. The theater is not just about the performances; it’s about bringing people together, facilitating discussions on pressing issues, and connecting diverse stories. The alliances between artists and institutions, like the joint efforts seen with The Conquest of the South Pole, are prime examples of this collaborative spirit.
TNE: Thank you, [Expert’s Name]. Your insights shed light on how theater reflects and addresses the complexities of our world, encouraging us all to engage more deeply with the stories around us.
E: Thank you for having me! It’s exciting to see how audiences will respond to these powerful narratives this season.
TNE: We look forward to more engaging performances and thought-provoking discussions. Thank you for joining us!