“Das Mädchen mit der Nadel,” a gripping historical thriller directed by magnus von Horn, has captured audiences’ attention since its debut at the Cannes Film Festival. Set in post-World War I Copenhagen, the film explores the harrowing realities faced by women like Karoline, a factory worker who, after becoming pregnant and losing her job, is drawn into a dark world of illegal adoptions orchestrated by the enigmatic Dagmar.This true-crime narrative, inspired by real events, highlights the societal horrors of the time, including stigma surrounding unwed mothers and the desperation that drives them to extreme measures. As it stands on the shortlist for the Best International Feature Film at the oscars, “Das Mädchen mit der Nadel” continues to resonate with viewers, shedding light on the chilling aspects of everyday life.The highly anticipated horror film “The Girl with the Needle” is set to hit theaters on January 9,offering a chilling exploration of despair and moral ambiguity. The narrative centers around Dagmar, a complex character whose descent into darkness is revealed through the eyes of Karoline, a young woman drawn into Dagmar’s unsettling world. The film delves into themes of societal neglect and the disturbing choices made by parents, as Dagmar defends her actions in court by arguing that the mothers willingly entrusted their children to her. With striking black-and-white cinematography and a haunting score by Frederikke Hoffmeier, “The Girl with the Needle” presents a compelling parable on the nature of evil and the collective obligation in shaping a person’s fate. Critics are already praising it as a standout in the genre, drawing comparisons to classic horror films.
Q&A: Exploring ”Das Mädchen mit der Nadel” with Film Expert Dr.Ingrid Müller
time.news Editor: Thank you for joining us today, Dr. Müller. “Das Mädchen mit der Nadel,” directed by Magnus von Horn, has garnered notable attention since its debut at the Cannes Film Festival. what do you think sets it apart in the landscape of contemporary cinema?
Dr. Ingrid Müller: Thank you for having me. “Das Mädchen mit der Nadel” stands out due to its chilling combination of past depth and psychological horror. Set in post-world War I Copenhagen, the film’s narrative is driven by the plight of women like Karoline, a factory worker whose life spirals due to societal stigma surrounding unwed motherhood. The film’s exploration of illegal adoptions through the character Dagmar speaks to both historical and modern issues of despair and moral complexity.
Time.news Editor: The film is described as a true-crime narrative inspired by real events. How does this aspect contribute to its impact on viewers?
Dr. Ingrid Müller: The authenticity imbues the film with a sense of urgency and relevance. By basing the story loosely on the real-life case of Dagmar Overby, the film delves into the societal horrors of its time—notably the harsh treatment of unwed mothers. Such historical grounding invites viewers to reflect on contemporary issues and emphasizes the cyclical nature of social neglect and human suffering. It evokes empathy for characters driven to extreme measures,which adds to the emotional weight of the narrative.
Time.news Editor: Critics have praised the film’s black-and-white cinematography and haunting score. How important are these elements in conveying the film’s themes?
Dr. Ingrid Müller: The black-and-white aesthetic enhances the film’s somber tone while reinforcing the claustrophobic and despairing atmosphere that Karoline navigates. It forces the audience to focus on the characters’ emotional turmoil rather than getting distracted by vibrant colors. Moreover, Frederikke Hoffmeier’s score complements this visual storytelling by creating an immersive experience that underscores the tension and moral ambiguity present throughout the film.
Time.news Editor: The character of Dagmar is described as complex. How does her portrayal contribute to the film’s exploration of evil and societal responsibility?
Dr. Ingrid Müller: Dagmar’s character serves as a vessel for exploring the blurred lines between victim and perpetrator. Her defense in court—arguing that mothers willingly entrusted their children to her—challenges audiences to confront their perceptions of parenting, agency, and societal obligation. This moral ambiguity invites viewers to reflect on the systemic failures that lead individuals to make such disturbing choices, prompting a critical examination of collective responsibility.
Time.news Editor: As “Das Mädchen mit der Nadel” approaches its theatrical release on January 9, what significance do you think it holds within the horror genre?
Dr. Ingrid Müller: This film is not merely a horror film; it is a poignant commentary on desperation and societal failure wrapped in a genre that traditionally invokes fear. Its narrative draws comparisons to classic horror films by forcing audiences to confront uncomfortable truths about human nature and societal structures. as it stands on the shortlist for the Best International Feature Film at the Oscars, it has the potential to reshape how we perceive horror as a means of social critique.
time.news Editor: Thank you, Dr. Müller, for providing such insightful perspectives on “Das Mädchen mit der Nadel.” It’s clear that the film challenges us to reflect on our understanding of societal issues while also entertaining us.
Dr. Ingrid Müller: Thank you for having me. It’s a crucial conversation to have, particularly in today’s context. I encourage everyone to see the film and engage with its themes.
This discussion highlights the film’s relevance and significance within both the horror genre and broader societal conversations, making it an engaging read for audiences interested in cinema and its impact.