Sono io at TOHU: A Children’s Theatre Review

by Sofia Alvarez Entertainment Editor

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A Legacy of Laughter: Danny and Pepijn Ronaldo Explore Family and Art in “It’s Me”

A poignant and frequently enough absurd exploration of familial bonds and artistic inheritance, “It’s Me,” featuring father-son duo Danny and Pepijn Ronaldo, is captivating audiences at TOHU in Montreal through November 23. The performance, which premiered in 2021, delicately balances zany clowning with a deeply moving portrayal of legacy and individual expression.

The Weight of the Family Name

the production grapples with a timeless question: can the children of accomplished artists forge their own path while honoring the traditions of their predecessors? As the performance opens,audiences are promptly immersed in a deliberately chaotic surroundings,foreshadowing the beautiful messiness of the relationship at its core.

Danny Ronaldo, a sixth-generation circus performer of Belgian origin, is initially presented in a state of nostalgic reverie. Surrounded by musical instruments and clotheslines, he nonchalantly performs mundane tasks – doing the dishes while listening to reel-to-reel recordings – all while seemingly lost in memories of past triumphs. His character, described by some as reminiscent of Kramer from Seinfeld, exudes a unique and endearing eccentricity.

did you know? – The Ronaldo family’s circus lineage stretches back six generations, originating in Belgium. Danny Ronaldo carries on a tradition of performance and artistry deeply rooted in European circus history.

A Father’s Hope, A Son’s Search

The arrival of Pepijn disrupts this quiet contemplation, initiating a dynamic interplay between generations.Danny, brimming with paternal pride, clearly hopes his son will follow in his footsteps, embracing the life of a clown-acrobat. Though, Pepijn is demonstrably seeking his own artistic identity within that lineage.

“The apple did not fall very far from the tree,” observers note, yet Pepijn is actively working to modernize and personalize the family’s established repertoire. This leads to a playful rivalry, with the father revisiting his classic routines while the son attempts to showcase his innovative prowess. A especially memorable scene features the duo engaging in a delightfully absurd piano performance of the “rolo bolo.”

Pro tip: – “Rolo bolo” is a classic circus juggling routine involving balancing objects on various body parts. It’s a staple of traditional clowning and a testament to skill and precision.

Rivalry and Revelation on Stage

The tension between tradition and innovation culminates in a physical duel of skill. Pepijn demonstrates his agility with a daring balancing act on a sousaphone, while Danny counters with his signature rolo bolo, expertly juggling plates. This seemingly childish competition underscores a global experience: the challenges of guiding a child while allowing them the freedom to chart their own course.

As one observer pointed out, “imitation equals limitation.” pepijn ultimately shines in a breathtaking aerial number, twirling on straps with a double bass, a performance that visibly moves his father.Despite a intentional slowness in the first act, the performance builds to a powerful emotional resonance.

Reader question: – The performance explores the balance between honoring family tradition and forging a unique artistic path. How does the show portray this tension,and what message does it convey?

More Than Just Clowning

At its heart,”It’s Me” is a party of artistic transmission – not merely the passing down of skills,but the enduring power of passion.The performance culminates in a profoundly touching moment: Danny removes his bathrobe to shield his son after a fall, a gesture that encapsulates the depth of their filial bond.

The production doesn’t shy away from acknowledging the complexities of family dynamics. It’s a reminder that while artistic legacies are important, the most beautiful outcome is witnessing individuals fully embrace their own unique talents.

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