Bladee, the Swedish rapper and central figure in the cloud rap collective Drain Gang, has released two new singles, “Love Is A State” and “Eyelash,” marking a distinct shift in tone from his recent work. The tracks, released today, offer a more melodic and emotionally open sound, signaling a potential new direction for the artist following the darker, more abrasive aesthetic of his 2024 album, Cold Visions. These new songs represent a compelling evolution in Bladee’s discography, and are already generating buzz among fans eager to hear where he takes his unique brand of genre-bending music.
For those following Bladee’s career, this sonic shift isn’t entirely unexpected. He’s an artist known for constant reinvention, often exploring themes of alienation, technology, and the search for meaning in a rapidly changing world. His music frequently blends elements of trap, electronic, and ambient music, creating a sound that is both ethereal and intensely personal. The release of “Love Is A State” and “Eyelash” comes less than a month after the release of “Magic Misery,” a track that hinted at this softening of his artistic edge. Stereogum described “Magic Misery” as a track where Bladee sounded “better than ever, self-actualized, almost transcendent.”
A Departure from “Cold Visions”
Cold Visions, released in 2024, was characterized by its harsh, industrial soundscapes and often nihilistic lyrics. The album saw Bladee embracing a persona that was, as some critics noted, deliberately antagonistic. The album’s production, largely handled by Whitearmor, leaned heavily into distorted bass and unsettling melodies. In contrast, “Love Is A State” and “Eyelash” are noticeably brighter and more accessible. The lyrics, while still retaining Bladee’s signature abstract style, explore themes of affection and longing. “I wanna be in your eye like a eyelash/ I wanna be on your apps like a iPad,” he raps on “Eyelash,” a line that, while unconventional, conveys a desire for closeness and integration into someone’s life.
This change in direction isn’t simply a matter of sonic preference. It reflects a broader trend in Bladee’s work, where he consistently challenges expectations and refuses to be confined by genre conventions. He’s an artist who seems to be constantly in a state of flux, experimenting with different sounds and personas to express his evolving worldview. The influence of his collaborators, particularly Yung Sherman and Woesum, is also evident in these new tracks. The production, a collaborative effort between the three, features shimmering synths, delicate melodies, and even the subtle sound of birds chirping, creating a surprisingly warm and inviting atmosphere.
Drain Gang’s Continued Influence
Bladee’s work is inextricably linked to Drain Gang, the collective he co-founded with Yung Sherman, Ecco2k, and Thaiboy Digital. The group, which emerged from the Stockholm underground in the early 2010s, has been instrumental in shaping the sound of contemporary cloud rap and influencing a generation of artists. Drain Gang’s aesthetic, characterized by its DIY ethos, lo-fi production, and melancholic lyrics, has resonated with a global audience, particularly among young people who feel alienated and disconnected from mainstream culture. The Fader profiled Drain Gang in 2016, highlighting their unique approach to music and their growing influence on the music scene.
Yung Sherman and Woesum, both long-time collaborators with Bladee, played a crucial role in the creation of “Love Is A State” and “Eyelash.” Their contributions to the production are evident in the tracks’ lush soundscapes and intricate arrangements. The collaborative dynamic within Drain Gang is a key element of their success, allowing each member to push the boundaries of their creativity and explore new sonic territories. The group’s influence extends beyond music, encompassing fashion, art, and visual culture.
Listening to the New Tracks
“Love Is A State” is a dreamy, atmospheric track that builds slowly, layering synths and vocals to create a hypnotic effect. The lyrics are fragmented and poetic, hinting at themes of longing and vulnerability. “Eyelash,” is more upbeat and playful, with a driving beat and catchy melodies. The song’s quirky lyrics and unconventional imagery add to its charm. Both tracks showcase Bladee’s versatility as an artist and his ability to seamlessly blend different genres and styles.
The release of these two singles has sparked considerable discussion among fans, with many speculating about the direction of Bladee’s upcoming projects. While it’s too early to say for sure what the future holds, “Love Is A State” and “Eyelash” suggest that Bladee is continuing to evolve as an artist, pushing the boundaries of his creativity and exploring new sonic territories. He’s scheduled to perform at several festivals throughout the summer, offering fans a chance to experience his new material live. Details regarding a potential full-length project have not yet been announced, but fans can expect further updates via Bladee’s social media channels and the official Drain Gang website.
Bladee’s continued experimentation and willingness to embrace vulnerability make him a compelling figure in contemporary music. His ability to connect with audiences on a deeply emotional level, despite his often abstract and enigmatic lyrics, is a testament to his artistry. As he continues to evolve and explore new sonic landscapes, Bladee remains a vital and influential voice in the ever-changing world of music.
Fans can expect further updates on Bladee’s upcoming projects and tour dates through his official channels. What do you believe of the new direction? Share your thoughts in the comments below and be sure to share this article with other Bladee fans.
