A festive night devoted to the ninety fifth anniversary of Roza Jalilova was held in Baku – 2024-06-30 06:57:27

by times news cr

2024-06-30 06:57:27

She was nicknamed “The White Flower of Our Stage” for her staged dance of the identical title “Ağ çiçəyim”, they in contrast this lovely girl with a white dove, seagull, crane, violet, admired her swish gait, with which she, as if spreading her wings, soars like a chook to the sounds of our nationwide melodies…

The Azerbaijan State Educational Philharmonic named after Muslim Magomayev in Baku hosted a festive night devoted to the ninety fifth anniversary of the well-known dancer, choreographer, choreographer, instructor, holder of the Sharaf and Shohrat orders, Individuals’s Artist of Azerbaijan Roza Jalilova, stories Day.Az.

The live performance program featured soloists and teams of the Azerbaijan State Tune and Dance Ensemble named after Fikret Amirov, the Azerbaijan State Dance Ensemble, the Azerbaijan State Educational Opera and Ballet Theater, the Baku Academy of Choreography, the Jangi ensemble, honored artists Victoria Shakhmuradova, Almaz Orujova, Farid Aliyev, Nigar Ibragimova and Timur Odushev, Roza Jalilova’s granddaughter Lala Aslanova, in addition to Ramin Huseynov, Shahin Jafarov, Taleh Yakhyayev and others. The next compositions had been offered: Zərif gülüşlüm, Ağ çiçəyim, Sarı gəlin, Çayçı, Cəngi, Dağlı, Qaytağı, Naxçıvani, Uzundərə, Qız Qalası, Ilk bahar, Günəşin doğuşu, Sən uzaq yaşıl ada, Süzən qızlar, Süita and others, in addition to a movie in regards to the life and work of Roza Jalilova.

Roza Jalilova: “Azerbaijani people dance is our heritage. It should be beloved and guarded! Music, dance, costumes – these three components create an unimaginable synthesis. I really like dance with all my coronary heart! Love, sympathy, and readiness for onerous work are so necessary on this matter. However as complicated because the dance is, it’s simply as noble. With dance, I visited all elements of the world, even to international locations which are not on the map. I used to be able to go to each a part of the world simply to indicate our folklore and tradition. I gained a lot of awards, certificates of honor, medals. I danced for 40 years of my life and all the time knew that I would go away the stage with pleasure and on time. Then I collected abilities, studied the folklore of a specific area, after which choreographed dances and created a program for the live performance. and continued to create. The primary factor was all the time the stage and the love of the viewers, which I nonetheless really feel!”

The luminary of the nationwide stage, Roza Jalilova, expressed honest gratitude for the type phrases, excessive appreciation of her inventive work, for the love of the viewers and the group of the night.

Roza Jalilova was born on Might 17, 1929 within the metropolis of Guba. Since childhood, she beloved nationwide dances. Her first dance Bala ceyran on knowledgeable stage befell on the age of 13, and for it she obtained the title of laureate. After graduating with honors from the Baku Choreographic College in 1945, she grew to become a soloist of the Opera and Ballet Theater in Baku. Nonetheless, her love and keenness for Azerbaijani people dance and music didn’t depart her. In 1949, after a lot persuasion to stop ballet, she modified path and moved to the Tune and Dance Ensemble of the Azerbaijan State Philharmonic, created by the nice Uzeyir Hajibeyli, turning into the primary performer of Azerbaijani people dances with a tutorial base. For a number of a long time, she represented Azerbaijan at many worldwide festivals that befell in Canada, China, the USA, Turkey, Iraq, Ethiopia, and Morocco. Her repertoire, along with Azerbaijani, included Arabic, Persian, Indian and different dances of the world. In several years, she created folklore teams in Nakhchivan, Shamakhi, Jabrail, Saatly and Lankaran. In 1989, she created the track and dance ensemble “Gulustan”, after which the ensemble “Sevinj”. One in every of her foremost achievements was the synthesis of dance and folklore, such compositions as Ağ çiçəyim, Lalə, Bənövşə, Qəşəngi, Qara göz, Tirmə şal, Zərif yerişli, Nazlana-nazlana, İlk bahar and others had been embodied. Roza Jalilova made the nation well-known not solely as a performer of nationwide and world dances, but in addition as a instructor on the gymnasium on the Nationwide Conservatory, having skilled a galaxy of masters of the artwork of dance.

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