The Arab spring of feminist cinema continues the gender parade of defeats: after politics and the stylist, it is the turn of the psychoanalyst who studied in Paris but must first heal her native prejudices to attempt the Freudian mission. The nice idea but it remains at stake for lack of writing, all too easily, predictably pleasant.
October 9, 2020 (change October 9, 2020 | 00:07)
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