2023-06-10 17:04:42
An inexplicable bag, a flashlight and the label of being one of the biggest names in Brazilian music in recent decades are the tools with which Adriana Calcanhotto presented herself on Friday at theGirona Auditorium. He did it without much conviction, in a concert that, luckily, went from less to more during the ninety minutes of performance.
Starting with one proof of nine dazzled by the technical problems, the singer-songwriter from Porto Alegre deployed much of his latest work, wandering, a project born from a marathon of coexistence and work with its musicians to heal the pandemic wounds. The recent ones Lovely, who told you? o DST they played in the chamber room, alternating with older themes like Happier, Kiss without o at that stationa song rescued from his debut, malfunctionfrom the early nineties.
Tots, interpreted without taking off the bag from the shoulder, an incomprehensible shoulder bag, yes, together with the white sequined dress and that he used to swallow a flashlight with which he played to illuminate the members of the band in their moments of brilliance.
He put the spotlight on the double bass a to tell you and returned later with the spectacular trombone of He took my fantasy to samba, a turning point that made the recital go back and the singer left behind the little esma with which he had performed the most intimate tunes.
Calcanhoto completely revived with the famous Bracketsbefore being infected by the rhythm imposed by the battery a Nomadic. Run the world, Was that love? i drop everythingthe final trio of the concert, took the audience’s ovation, answered by the interpreter with a bow.
The inclination and a concise «Thank you good night» after the encores maresia i I’m like this without you were the two gestures that Calcanhotto dedicated to the spectators, some of whom claimed, without fortune, one of his greatest successes, They are gone.
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