2024-10-31 18:13:00
Valentina Gemignanicurrent deputy head of Cabinet of the MEF, will be, according to what Adnkronos learns, the new head of Cabinet of the Minister of Culture Alessandro Giuli. Gemignani will fill the position currently vacant following the resignation of Francesco Spano last week.
Who is Valentina Gemignani
Born in Chieti in 1972, Gemignani graduated in Law with honors from the University of Teramo in 1994 and in Administrative Sciences from the same university in 2006. Licensed to practice as a Lawyer at the Court of Appeal of ‘Aquila in 1997, he obtained the Executive Master in Management of Public Administrations at SDA Bocconi in 2019.
Since 2020 he has been a first-tier manager of the MEF and has held the positions of General Director of the Treasury Services Directorate of the Department of General Administration, Personnel and Services, as well as Deputy Chief of Staff.
From 2015 to 2021 he held the position of Director General of the Cabinet of the Ministry of Economy and Finance. From 2008 to 2014 she was manager of the Human Resources area and, ad interim, of the Administration, Finance and Control area of Laziodisu, the body for the right to university studies in Lazio.
From 2005 to 2008 he worked at the Ministry of Foreign Affairs, at the General Directorate for Development Cooperation and the Legislative Office. Previously, she held a highly specialized contract in the Participatory Department of the Municipality of Rome. From 2001 to 2004 he exercised the functions of General Director at the Municipality of Chignolo Po (PV).
From 1996 to 2004 she was municipal secretary in the province of Pavia.
He is a member of the Board of Directors of the Centro Sperimentale di Cinematografia and a member of the technical-financial verification committee for monitoring spending at the Ministry of Education, University and Research as well as of the Single Guarantee Committee of the Ministry of Economy and of Finance, and of the National Observatory for the Right to University Education.
Among the numerous other roles held, she was a board member of Sogei spa; to Study Development; of the Agency of assets seized and confiscated from the mafia. Also member of the Board of Auditors of the Competition and Market Authority.
He collaborated with the chair of Institutions of Public Law of the degree course in Business Economics of the Bocconi University of Milan and with the chair of Institutions of Public Law of the degree course in Political Sciences of the University Roma Tre.
He has been a member of the Board of Directors of Poste Italiane since 8 May 2023.
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Interview between Time.news Editor and Valentina Gemignani
Editor: Good evening, Valentina Gemignani! Thank you for joining us today. Congratulations on your new role as the head of Cabinet for the Minister of Culture, Alessandro Giuli! This is a significant transition. Can you share what motivated you to take on this position, especially after serving in the Ministry of Economy and Finance?
Gemignani: Good evening! Thank you for having me. I believe that culture is the backbone of our society. My motivation stems from a deep-seated passion for cultural preservation and promotion. Moving from the economic sector to a creative one presents challenges, but it’s an opportunity to use my skills to foster a vibrant cultural landscape in our country.
Editor: It certainly sounds like a fulfilling switch! You have extensive experience in public administration, particularly in the MEF. How do you plan to leverage your past experiences in finance to benefit the cultural sector?
Gemignani: My experiences in finance will be invaluable. Cultural initiatives often require solid financial frameworks. I’ll focus on ensuring that cultural projects receive adequate funding while maximizing efficiency in how these resources are utilized. Additionally, I believe there’s a huge potential for economic development through culture, and I aim to bridge that gap.
Editor: The intersection of economics and culture is indeed fascinating! Given your background, what are some of the immediate priorities you hope to address in the Ministry of Culture?
Gemignani: First and foremost, I intend to ensure the stability and accessibility of funding for ongoing cultural projects. We also need to bolster support for emerging artists and institutions. Another priority is to leverage technology to broaden access to culture—this includes enhancing digital infrastructure for museums and galleries, which became vital during the pandemic.
Editor: It’s evident that you have a clear vision. In your opinion, what are some of the biggest challenges currently facing Italian culture, and how do you plan to tackle them?
Gemignani: One major challenge is balancing traditional cultural heritage with contemporary creative expressions. We must preserve our history while also allowing innovation to flourish. Additionally, there’s the issue of inclusivity in cultural engagement—ensuring that culture is accessible to all socio-economic groups. I plan to engage with diverse communities and seek their input to create a more inclusive cultural framework.
Editor: Inclusivity is crucial. Community engagement can indeed lead to richer cultural dialogue. As someone who has a strong legal background, how do you see legal frameworks supporting or hindering cultural expression in Italy?
Gemignani: Legal frameworks can be a double-edged sword. They protect cultural assets but can also restrict creative freedoms if not managed properly. My legal background equips me to advocate for policies that protect artists and their work, while also ensuring that regulations allow for innovation and creativity. We need to strike a balance that promotes expression without compromising the integrity of our cultural heritage.
Editor: A commendable balance indeed! Looking ahead, where do you envision the cultural sector in Italy in the next five years under your leadership?
Gemignani: I’m optimistic. I see a cultural landscape that not only revitalizes our historical treasures but also champions contemporary art and innovation. My hope is for Italy to be recognized not just for its past but also for its contributions to the global cultural dialogue today—an open, connected, and creative environment that inspires the next generation.
Editor: That’s inspiring, Valentina! Your perspective certainly paints a hopeful picture for Italy’s cultural future. Thank you so much for your insights today, and best of luck in your new role!
Gemignani: Thank you! It’s been a pleasure discussing these critical topics with you. I look forward to the journey ahead!