Scotland’s first stained glass museum, dedicated to the work of Alf Webster, will open in Glasgow’s Lansdowne Church in early 2027, celebrating the 20th-century artist’s legacy and the restoration of his masterpieces. Funded by The National Lottery Heritage Fund and other partners, the project aims to preserve Glasgow’s stained glass heritage and share Webster’s story through interactive exhibits and restored windows.
Alf Webster, a Glasgow-born stained glass artist who died in World War I at 31, is the focus of Scotland’s first museum dedicated to the craft. The Alf Webster Museum of Stained Glass, set to open in early 2027 within the former Lansdowne Church, will showcase his work, including the McCowan and Templeton windows. The project has a £25,000 funding gap.
A Lost Genius Rediscovered
Alf Webster’s career, cut short by his death during World War I, left behind a legacy of intricate stained glass windows that now form the core of the new museum. Born in 1883, Webster trained at the Glasgow School of Art and worked under Stephen Adam Senior’s studio before taking over the business in 1910. His work, including the McCowan window installed in 1914, was celebrated, according to David Robertson, trustee of Fact Three. The city between 1864 and 1914 was one of the main workshops of the world,
Robertson said, highlighting Glasgow’s global influence in stained glass design.
The McCowan window and the Templeton window were restored by accredited specialists. The project also includes a viewing gallery and a heritage room. Dr. Karen Mailley, research and outreach lead for the project, highlighted the significance of maintaining traditional techniques: traditional craft used to restore the windows had allowed skills to be passed down to future generations in a further legacy for the brilliance of Alf Webster.
Funding and Challenges
While the first phase of the museum’s development is underway, a £25,000 gap remains. Mr Robertson also sought additional backing from various stakeholders, including financiers, organizations, and individuals, as the initiative progresses. Despite the challenges, Robertson called the project a unique cultural landmark
for Glasgow, noting the city’s historical significance as a center for stained glass craftsmanship.
The museum’s opening aligns with broader efforts to celebrate Glasgow’s artistic heritage. Caroline Clark, Director for Scotland, National Lottery Heritage Fund praised the project, saying it unlocks more of Glasgow’s artistic and cultural history for new audiences.
The initiative also highlights the role of community and volunteer efforts, with Robertson thanking conservators and partners for their shared passion for the works of Alf Webster.
A Legacy in Light
The restored windows offer a glimpse into Webster’s artistry. Thanks to National Lottery players, ‘Accessing Websters Heritage’ will protect and celebrate the craftsmanship and artistry which is a hallmark of Glasgow’s unquestioned importance as a global city of creativity and design,
said Robertson. The museum’s heritage room will feature research into Webster’s life, while digital and physical exhibits will share his story. Visitors will also see the intimate, eye-level access
to the restored windows, described as a unique cultural landmark
for Glasgow.
For now, the museum’s opening next year represents a milestone in preserving Glasgow’s stained glass legacy. As Robertson noted, Without these twin pillars of support, Glasgow was at risk of losing unique and historical displays of 20th century art and craftsmanship.
The project not only honors Webster’s contributions but also ensures that his work will shine for future generations.