Okay, here’s a breakdown of the animation awards and winners, extracted from the provided text:
Main Competition Awards
€3,000 cash award, Oscar® preselection, and honorary trophy:
Playing God by Matteo burani (Italy).Techniques: Puppets, clay, stop-motion, pixilation.
Best Student Short Film:
trash by Gregory Bouzid,Maxime Crançon,robin Delaporte,Mattéo durand,Romain Fleischer,Alexis Le Ral,Margaux Lutz and Fanny Vecchie (ESMA,France).Techniques: 2D, 3D. Honorary trophy.
Best Art Direction:
Forevergreen by Nathan Engelhardt and Jeremy Spears (U.S.A.). Technique: 3D. Honorary trophy.
Best Social Awareness:
The bears river by Anaïs Mauzat (Belgium).Technique: 2D.Honorary trophy.
Best All-Ages Humor:
Eureka! by Kris Borghs (Belgium). Technique: 3D. Honorary trophy. Best comedy for Adult Audiences:
Quota by Studio Job, Joris & Marieke (Netherlands). Technique: 3D. Honorary trophy.
Best Stop Motion:
playing God by Matteo Burani (Italy). Techniques: Puppets, clay, stop-motion, pixilation. Honorary trophy.
Best Story:
Two Ships by McKinley Benson (Portugal). Technique: 2D. Honorary trophy.
Best 3D Animation:
Forevergreen by Nathan Engelhardt and Jeremy Spears (U.S.A.). honorary trophy.
Best 2D Animation:
The Girl with the Occupied Eyes by André Carrilho (Portugal).Honorary Trophy.
Special Mention of the Festival:
Like friend, Like Deer by Malek Eghbali (Iran).techniques: 2D, 3D. Certificate of merit.
Spanish-Speaking nationality Short Film – ‘Animación con Ñ’
Best Spanish-Speaking Nationality Short Film – ‘Animación con Ñ’.Oscar® Preselection and Honorary Trophy:
Cloud by Diego Alonso Sánchez de la Barquera Estrada and Christian Arredond Narváez (Mexico). Technique: 3D.
Best Cartoon:
Hi Peskao by Guillermo González Fidalgo and Andrea García Garcia (U-tad, Spain). Technique: 2d. Honorary Trophy.
Cinematics, Commercials and Music Videos
Best Video Game Cinematic:
Secret Level – Dungeons & Dragons: The Queen’s Cradle by Maxime Lère (France). Technique: 3D.Honorary Trophy.
Best music Video:
AJR – maybe Man by Edoardo Ranaboldo (united States). Techniques: 3D, motion capture. Honorary trophy.
Best Advertising / Commissioned Work:
Information missing from the provided text.
Animation Awards Spotlight: Industry Insights adn Emerging Trends with Expert Animator, Dr. Aris Thorne
Keywords: animation Awards, Animation Industry, 2D Animation, 3D Animation, Stop Motion Animation, Self-reliant animation, animation Techniques, Student Animation, Oscar® Preselection, Animation Trends
Time.news Editor: Dr. Thorne, thank you for joining us today. We’ve been analyzing the results of a recent animation awards ceremony, and some fascinating patterns are emerging. Let’s start with the big winner,Matteo Burani’s “Playing God,” which took home both the main competition prize and Best Stop Motion. What makes a film like this stand out in the world of independent animation?
Dr. Aris Thorne: “Playing God” impressive wins underscore the enduring power of stop-motion animation. Burani’s multi-technique approach – combining puppets, clay, stop-motion, and pixilation – is a masterclass in creative resourcefulness. These awards often celebrate innovation, emotional resonance, and a unique artistic vision, all of which “playing God” clearly possesses. It also shows that traditional techniques can still compete,and often excel,in a landscape increasingly dominated by digital animation. Winning the €3,000 cash award and an Oscar® preselection is a huge achievement for any animator, especially in the independent sphere, opening doors for future projects and recognition.
Time.news Editor: Speaking of techniques, the awards this year seem to have a fairly even split between 2D and 3D animation. Does this suggest a healthy balance in the industry?
Dr.Aris thorne: Absolutely. The success of both 2D and 3D films highlights the diversity and continued relevance of both approaches. “The Girl with the Occupied Eyes” (Best 2D Animation) proves that 2D animation, with its inherent expressiveness and artistic possibilities, is far from obsolete. Films like “Forevergreen” (Best Art Direction and Best 3D Animation) showcase innovative uses of 3D within animation. Each technique has its own strengths, and animators are increasingly adept at choosing the best tool – or combination of tools – to tell their story.
Time.news Editor: “Forevergreen” also won Best Art Direction. What does this say about the growing importance of visual style in animation?
Dr. Aris Thorne: Art direction is paramount. While a compelling story is essential, visually striking animation can elevate a film to another level. The awards given to projects like “Forevergreen” acknowledge the artistry and talent involved in crafting a unique and visually captivating world. It’s not just about technical skill; it’s about creating a cohesive and immersive experience for the audience, which greatly enhances storytelling.
Time.news Editor: Student films also received recognition, with “trash” winning Best Student Short Film. What kind of impact and opportunities do these award have for aspiring animators?
Dr. Aris Thorne: Winning Best Student Short Film is immense for emerging talent. It’s a major boost for their careers, substantially enhancing their portfolios and visibility within the industry. Awards like these act as stepping stones, providing emerging artists the opportunity to showcase their skills, network with industry professionals, and even garner potential job offers or funding for future projects.
Time.news Editor: We also wanted to touch on the “Animación con Ñ” category,celebrating Spanish-speaking animated shorts. How critical is it to have specific categories that highlight animation from diverse cultural groups?
dr. Aris Thorne: It’s incredibly vital. Categories like “Animación con Ñ” provide a platform for filmmakers from underrepresented regions to share their unique stories and perspectives. Animation is a global medium, and celebrating cultural diversity enriches the art form as a whole. The Oscar® preselection that “Cloud” received is a testament to the world becoming a more global and connected place.
Time.news Editor: what advice would you give to aspiring animators looking to make their mark in the industry?
Dr. Aris Thorne: First, master your craft – whether it’s 2D animation, 3D animation, stop motion, or a combination of techniques. Build a strong portfolio that showcases your skills and artistic vision. Second, tell a story that resonates with you. Authenticity is key. third, network! Attend festivals, workshops, and industry events. Fourth, seek feedback on your work and be open to criticism. And never give up on your passion. The animation industry is competitive, but with hard work, dedication, and a unique voice, success is within reach.
