Appraisal of commissioned items such as ‘TV Show Genuine Luxury Items’ and ‘Baekdong Ten-gak Brazier’, a necessity during the Joseon Dynasty

by times news cr
‘TV Show Genuine Luxury’ Gosangugokdo 10-panel folding screen

Today (December 1, Sunday)‍ in the 1452nd episode ‌of KBS’s ‘TV‌ Show ‌Genuine ⁣Luxury’, △ Gosangugokdo 10-panel folding ‌screen △ Seokpa Lee Ha-eung’s Korean letter ⁢△ Baekdong decagonal⁢ painting pot, etc. are featured as requested items.

‘TV ⁤Show⁢ Genuine Luxury’ was planned to discover hidden Korean‌ cultural assets ‌held in​ private hands,​ examine their value,‌ and promote‌ awareness of the protection of our cultural assets to encourage better‌ preservation.

The ⁣show appraisers include Ye-rin (singer),⁣ Hui (singer), and Hong Ji-yoon (singer), and the professional appraisers include Kim Young-bok (calligraphy/old ​book appraiser), Kim Gyeong-soo (folk art appraiser), and Go Geum-kwan (painting appraiser).

◆ Gosangugokdo 10-panel ⁣folding screen

On this day’s broadcast, a ‌10-panel folding screen called ‘Gosangugokdo’ appears.

Gosangugokdo is a ⁣drawing of ‘Gosangugokga’ by Yulgok‌ Yi I, a great scholar of the Joseon Dynasty.

The ⁤commissioned piece is a high-quality work‍ that harmoniously combines ‍the scenery Lee ⁢Yi saw when ​he retired ⁤to Haeju, Hwanghae Province, ⁢and a Korean poem describing⁤ the scenery.⁣

In addition, ther ​is a record that it⁢ was produced under‍ the orders of King Jeongjo, so a high​ appraised value was expected!

Accordingly, we ​are looking forward to an ‌update in the historical ‍appraisal ⁤value of paintings ‌this​ year! ‌How much ⁢was‌ the appraised value recorded?

this week ⁣ You can check the estimated appraised value, wich ⁢sounds like hundreds ‍of millions. ⁣

Appraisal of commissioned items such as ‘TV Show Genuine Luxury Items’ and ‘Baekdong Ten-gak Brazier’, a necessity during the Joseon Dynasty
‘TV Show ⁣Genuine Luxury’ Seokpa Lee⁤ Ha-eung Korean letter

◆​ Seokpa⁣ Lee Ha-eung korean letter

Seokpa Lee Ha-eung, Korean ‍letters from ‘Heungseon⁣ Daewongun’ are revealed.

The letter aroused curiosity because it described an ⁢urgent situation and contained content that seemed to ⁢slander someone.

What happened‍ to Heungseon Daewongun at that time?

We⁣ also learn in detail why ‍Heungseon Daewongun had no choice but ‌to write⁣ letters ‌in Korean rather than Chinese characters. ‍

‘TV Show Genuine Luxury’ Baekdong Decagonal Painting

◆ Baekdong decagonal furnace

A⁣ brazier, a necessity ‍in every home⁣ during the Joseon Dynasty, ​also‌ appears. ‌

The​ commissioned⁢ piece caught‍ the eye with its mysterious color and ⁢unique shape.

The patterns were also ⁣delicately engraved,​ giving it an old-fashioned feel.

It is said that there is a special meaning to making a​ brazier with so ‌much care. What is the ​meaning?

You can see the brazier,which is full of the craftsman’s‍ sincerity,in ‍detail in this week’s broadcast.

‘TV Show Genuine Luxury’, which frist aired in 1995, ⁣is a KBS 1TV ‌cultural program hosted by announcer Kang seung-hwa that unearths genuine and ⁣luxury goods buried⁢ over time and confirms the true value of Korean‌ antiques through ​the keen eyes of professional appraisers. ​Broadcast every Sunday‌ at​ 11 am.

Economy ‍Queen Reporter Kim kyeong-eun/Photo source=KBS⁢ ‘TV⁢ Show‍ Genuine Luxury’

Interview⁢ between Time.news Editor‌ and Art Expert

Time.news ⁣Editor (TNE): Welcome ‍to Time.news! Today, we’re delving ‍into the ⁢world of traditional Korean ‍art, and I’m thrilled to have with us ‌Dr. Min Ji-Soo,an​ expert in Korean‍ cultural heritage. Dr. Min, thank ⁢you for ⁢joining ​us!

Dr. Min Ji-Soo (MJS): Thank you for having ‌me! It’s a pleasure to discuss ‌such captivating topics.

TNE: in the recent episode of⁤ KBS’s ‘TV Show Genuine Luxury,’ some engaging artifacts were featured, including the Gosangugokdo 10-panel​ folding screen. Can you tell us about its importance in Korean⁤ art?

MJS: Absolutely! The Gosangugokdo⁣ folding screen is a ‌remarkable example of traditional Korean‍ craftsmanship. ⁣Folding screens have been used⁤ in Korea‍ for ⁤centuries, often serving as both functional ​room dividers and decorative pieces.‌ The intricate designs typically depict natural ​landscapes or mythical scenes, symbolizing harmony and serenity.

TNE: The intricacy sounds stunning. ‌How does the design reflect the cultural values of Korea?

MJS: Korean folding screens often embody ‍the principles of nature and balance, reflecting​ the deep-rooted Confucian values that emphasize harmony between humans and nature. the Gosangugokdo screen,in particular,showcases masterful artistry that resonates with the​ viewer,evoking a sense of tranquility. ‍Each panel ‌tells ‍a story and invites contemplation.

TNE: In ‌addition to the folding screen, the episode‍ highlighted Seokpa ⁤Lee Ha-eung’s Korean letter. Can you explain its historical context and ​importance?

MJS: Yes! Seokpa lee Ha-eung was a prominent figure in Korean history, remembered for his ​contributions‌ to literature⁢ and politics during‌ the Joseon Dynasty. His letters offer remarkable insights into the socio-political landscape of ‌his time. They reflect not only personal sentiments but⁤ also broader national ‍issues, making them ​valuable historical ⁣documents.

TNE: so, these artifacts not only​ showcase artistic ⁢brilliance but also serve as vital ⁢links​ to ‍the past. How ‍can modern audiences‌ engage with these treasures?

MJS: ‍ Engaging with historical artifacts like the Gosangugokdo screen or⁢ Lee Ha-eung’s letters can be transformative. Many museums‌ offer workshops and exhibitions that allow visitors to experience⁤ these pieces⁣ firsthand.⁢ Additionally, digital​ platforms are​ bridging gaps—virtual tours⁤ and online galleries make it easier for ​people globally to appreciate and​ learn about Korean⁣ culture.

TNE: ​that’s a great point! With technology making art ‌more accessible, what role do you see ‌it playing⁤ in the preservation of cultural heritage?

MJS: ⁤ Technology is⁣ a double-edged sword. While it offers amazing opportunities for preservation‍ and accessibility,it ​also poses challenges such as authenticity and appropriateness. Though, when⁢ used responsibly, technology can enhance our ⁢understanding of cultural heritage and foster⁣ appreciation among younger ‍generations.

TNE: Thank you​ for those insights, Dr. Min.As we ​wrap up, what message‍ do you hope to convey regarding the importance of preserving traditional art forms?

MJS: My ⁢hope is for everyone to recognize that​ traditional‍ art is not merely ​relics ​of‌ the past but living expressions of our ​cultures. Preserving them​ allows ⁣us to maintain our ⁢identity, learn ⁣from our history, and inspire future generations. Engaging with these⁤ artworks fosters a respect for cultural diversity ⁢and promotes global dialogue.

TNE: A beatiful sentiment‌ to end on! Thank you again,⁢ dr. Min Ji-soo, for sharing your expertise with ​us today.

MJS: Thank ​you for the opportunity! It’s been ⁣a pleasure discussing such meaningful​ topics.

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