Artist Creates ‘Impossible’ Hue Paint

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The Future of Color: From Laser Beams to Art world Feuds

Is the future of color perception about to be revolutionized? Scientists at UC Berkeley claim to have unlocked a way to make humans see a “new color” using laser pulses [reference article]. But can this fleeting, laser-induced hue ever truly exist outside the lab? And what happens when an artist like Stuart Semple enters the fray, claiming to have bottled the impossible?

the Science of the Unseen: A Glimpse Beyond the Human Gamut

The Berkeley team’s research pushes the boundaries of what we understand about human vision. By manipulating the way light hits the eye, they’ve seemingly bypassed our natural limitations.

How Does It Work?

The process involves carefully calibrated laser pulses that stimulate the eye in a way that doesn’t naturally occur. This creates a perception of a color outside the “natural human gamut” – the range of colors our eyes are typically capable of seeing. [3]

Quick Fact: The human eye can distinguish approximately 10 million diffrent colors. This new research suggests that ther might potentially be even more colors out there, just beyond our natural reach.

The Implications for Vision Research

This breakthrough could have significant implications for understanding how the brain processes visual information. It could also lead to new treatments for color blindness or other vision impairments. Imagine a future where individuals with limited color perception can experience the full spectrum of colors, including those previously unseen.

The Art World Enters the Chat: Stuart Semple and the “YOLO” Color

Enter Stuart Semple,a British artist known for his vibrant creations and his ongoing feud with Anish Kapoor over exclusive color rights. Semple claims to have reproduced the “new color” and is selling it as paint called “YOLO” [reference website].

YOLO: A Color for the Masses?

Semple’s move is classic Semple: a bold, provocative statement that challenges the status quo. He’s selling YOLO for a steep £10,000 (around $13,300 USD), but offers it to artists for a mere £29.99 (around $39.92 USD) [2].This tiered pricing system highlights his belief that color shoudl be accessible to everyone, especially artists.

Expert Tip: When buying art supplies online, always check the artist’s website directly. You might find better deals and support independent creators.

The Skepticism of Science

However, the scientific community remains skeptical. Austin Roorda, a scientist on the Berkeley team, argues that it’s impossible to recreate the laser-induced color outside of thier experiment [reference article]. He suggests that Semple’s YOLO paint is likely just a shade of teal marketed as something more remarkable.

The art of Appropriation: Semple’s History of Color Liberation

This isn’t the first time Semple has challenged the art world’s conventions around color. His previous ventures include creating choice versions of vantablack (the super-black coating initially exclusively licensed to Anish Kapoor) and a vibrant pink pigment [reference article].

The Vantablack Feud: A Precedent for Color Wars

The Vantablack controversy catapulted Semple into the spotlight. By creating a black paint accessible to everyone but Kapoor, he sparked a debate about artistic ownership and the democratization of materials.This history suggests that YOLO is as much an art stunt as it is a genuine attempt to capture the essence of the “new color.”

Did You Know? Anish Kapoor eventually responded to Semple’s Vantablack alternative by posting a photo on Instagram of his middle finger dipped in semple’s pinkest pink paint. The art world is rarely boring.

Semple’s Defense: Capturing the “Experience” of Color

Semple argues that he’s not trying to replicate the exact wavelength of the laser-induced color,but rather to capture the experience of seeing it. He claims to have used fluorescent optical brighteners in YOLO to emulate the effect, absorbing ultraviolet light and re-emitting it as visible blue light [reference article].

Future Implications: Beyond the Lab and the Canvas

what does all of this meen for the future of color? Will we soon be able to routinely experience colors beyond our natural range? And what role will artists play in shaping our perception of these new hues?

The Potential of Laser Vision Correction

The Berkeley team’s research could pave the way for advanced vision correction technologies. Imagine a future where laser eye surgery not only corrects vision but also expands the range of colors we can see.This could have profound implications for fields like design, photography, and even everyday life.

The Rise of Experiential Art

Semple’s work highlights the growing trend of experiential art, where the focus is on creating immersive and sensory experiences for the viewer. As technology advances, we can expect to see more artists experimenting with new ways to manipulate our perception of color and light.

The Ethics of Color Manipulation

However, the ability to manipulate human vision also raises ethical questions. Who gets to decide what colors we see? Could this technology be used for manipulative or deceptive purposes? These are significant questions that we need to address as we move forward.

FAQ: Your Questions About the “New Color” answered

Hear are some frequently asked questions about the “new color” and the controversy surrounding it:

What is the “new color” that scientists have discovered?

Scientists at UC Berkeley have developed a method to induce the perception of a color outside the natural human gamut by using laser pulses to stimulate the eye.

is it possible to recreate this “new color” outside of the lab?

According to the scientists involved,it is impossible to recreate the exact color outside of their experimental setup. The color is a result of a specific type of visual stimulation that cannot be replicated with customary pigments or light sources.

What is Stuart Semple’s role in all of this?

Stuart Semple is an artist who claims to have created a paint, called YOLO, that emulates the experience of seeing the “new color.” He is selling this paint, sparking controversy due to the scientific community’s skepticism about its accuracy.

Why is Stuart Semple selling YOLO for such a high price?

Semple is selling YOLO at a high price (£10,000) to most buyers, but offers it to artists for a significantly lower price (£29.99). This is in line with his beliefs that art materials, including unique colors, should be accessible to artists.

Pros and Cons: The “New Color” revolution

Is the “new color” a genuine breakthrough or just a fleeting illusion? Here’s a balanced look at the pros and cons:

Pros:

Expanded Visual Perception: The potential to experience colors beyond our natural range could open up new creative and scientific possibilities.
Advancements in Vision Correction: The research could lead to new treatments for color blindness and other vision impairments.
Stimulation of Artistic Innovation: the controversy surrounding YOLO is sparking debate and pushing artists to explore new ways to manipulate color and light.

Cons:

Impossibility of Replication: The “new color” may be limited to a specific experimental setup, making it inaccessible to the general public.
Ethical Concerns: The ability to manipulate human vision raises ethical questions about control and potential misuse.
Potential for Misleading Marketing: Artists like Semple could be accused of exaggerating the properties of their products, misleading consumers.

The Future is Colorful,and Maybe a Little Bit Laser-y

Whether or not we’ll all be seeing “new colors” anytime soon remains to be seen. but one thing is clear: the boundaries of human perception are being pushed, both by

Interview: Exploring the “New Color” Revolution with Vision Expert Dr. Aris Thorne

Time.news: Dr. Thorne, thanks for joining us. The art and science worlds are buzzing about this “new color” research from UC Berkeley and the artist Stuart Semple’s attempt to capture it. Can you break down the science for our readers?

Dr. Aris Thorne: Certainly. The UC Berkeley team has achieved something remarkable by using precisely timed laser pulses to stimulate the eye in a way that generates a color sensation outside of our normal visual range. Essentially, they’re manipulating the way light interacts with our receptors to trick the brain into perceiving something novel. [reference article]

Time.news: This sounds groundbreaking. What are the potential implications for vision research?

Dr. Thorne: The possibilities are truly vast. This research could provide insights into how the brain processes color information. more practically, it presents potential for new therapies for color blindness or other visual impairments. Imagine enabling someone with limited color perception to experience a broader, richer spectrum of colors.

Time.news: It’s exciting to consider . This leads to the art world side of this news.Artist Stuart Semple claims to have created a paint,”YOLO,” that emulates this “new color.” What’s your take on that?

Dr. Thorne: While Semple is known for his innovative approach to color and his past clashes regarding color exclusivity, the scientific consensus is that recreating the exact laser-induced color with traditional pigments is impossible. austin Roorda of the Berkeley is on record stating challenges of such imitation [reference article].

Time.news: So, is “YOLO” just a clever marketing ploy?

Dr. Thorne: It’s tough to say definitively. Semple himself argues that he’s aiming to capture the experience of the color,not necessarily replicate the exact wavelength [reference article]. He claims to use fluorescent optical brighteners to achieve this effect. Whether he delivers on that “experience” is subjective.Ultimately, it’s up to the individual to decide if “YOLO” offers a unique color experience worth the price.

Time.news: speaking of price, “YOLO” is priced at £10,000 for most buyers, but significantly cheaper (£29.99) for artists [2] . What does this suggest to you?

Dr. Thorne: It definitely highlights Semple’s dedication to democratization in art, making unique materials accessible to artists. this tiered system makes the color available to all in the field, no matter their personal wealth.

Time.news: This isn’t the first time Semple has been involved in “color wars,” is it?

Dr. Thorne: No, the Vantablack feud with Anish Kapoor comes to mind. That involved him creating a black paint accessible to everyone but Kapoor, challenging artistic ownership [reference article]. Semple has a track record of sparking these discussions.

Time.news: Looking to the future, could this Berkeley research lead to practical applications beyond the lab?

Dr. Thorne: potentially. Imagine laser vision correction technologies that not only correct vision, but actually expand the range of colors we can perceive. Fields like design and photography could be revolutionized.

Time.news: That brings up an vital point: the ethics of color manipulation.

Dr. Thorne: Exactly. Who decides what colors we should see? How could this technology be misused? These ethical questions need to be addressed as we move forward.

Time.news: Any advice for our readers who might be interested in exploring innovative art materials like “YOLO”?

Dr. Thorne: always do your research. Check out the artist’s website directly for the best deals and to support independent creators. And remember, art is subjective.What one person finds revolutionary, another might not.

time.news: Dr. Thorne, thank you for your insights on the science, the art, and the future of color!