At Maxxi the awards ceremony for Imagine, the under 35 art competition promoted by the Mag group

by time news

The sculpture “Vortice di Eccellenza”⁤ by the artist Federica Zianni (born in 1993, specialized in Sculpture at the Academy of Fine Arts​ in Brera),​ winner of the first edition of “Immagina”, a⁢ free​ competition under 35 ⁣promoted by the ​Mag Group, a historic insurance broker chaired by the Cavaliere del Lavoro Pierluca ‍Impronta, with a profound specialization achieved in the world of⁢ Art as a strategic partner for artists, collectors, galleries and cultural institutions.

Proclaimed the winner in July and completed after four months of work, ​the work project – a sculpture in jesmonite and iron – was assessed as the best representation of MAG’s five ⁣identity values: ‍Italianity, Style, Courage, Culture and International Vision , starting from the iconic square, the Group’s identifying graphic line.

A first edition‌ that had a significant success, with over fifty proposals ‌received and the desire to encourage new interpretations: “This initiative intends ​to show the company’s attention and sensitivity towards ​visual languages ​​and ⁤art worlds and reflects a concrete commitment to promoting​ culture and supporting emerging creativity. A ⁢path that we‍ want to continue⁤ to follow towards new expressions of our ⁢values, new possible‍ universes”, declares President Impronta.

Creativity and aesthetics,​ a combination of materials and shapes and attention to detail convey a message of universal excellence: “The predominant square shape symbolizes the solidity and structure of the company while⁢ the vortex in the center represents the complexity of its activities and its extension global” says Federica ‌Zianni who, on this occasion, will be⁤ rewarded with a sum of money and a scholarship for enrolling in a master’s degree. During the⁢ ceremony nine other young artists will receive a plaque for their works deemed worthy.

The projects⁢ presented, of a pictorial,‍ sculptural and photographic-digital nature, were examined⁣ by a scientific‍ committee chaired by the President of the Pierluca Impronta Group and‌ composed of Cecilia Casorati‌ (Art ⁤Critic and Director of the Academy of Fine Arts in Rome); Milo Goj (Art Historian and Professor of Visual Semiotics at the Academy of Fine Arts in Milan); Daniela⁢ Piscitelli (Architect, ‌Graphic ‌Designer and Professor of Industrial Design at the‍ Luigi Vanvitelli University ‌of Caserta); Sergio Risaliti (Director of the ‌Museo Novecento in Florence); Antonio Valentino ⁢(President of⁢ the Young Collectors Association) and Alessandro Vitiello (Journalist and Gallery Owner), favoring criteria linked to technical and executive quality, originality and​ the communicative power of ideas.

For the occasion, a catalog was created full of images and summaries of the production phases of the winning work which, following the award ⁢ceremony at the MAXXI, ⁢will ​be permanently placed in the MAG Group headquarters in Rome, as an identifying symbol of the company.

Interview between Time.news⁢ Editor and Federica Zianni on “Vortice‍ di Eccellenza”

Editor: Welcome, ‍Federica! We’re thrilled to have you here today. Congratulations on winning the inaugural “Immagina” competition‌ with your stunning sculpture​ “Vortice ​di Eccellenza.” How does it feel to have your work recognized in such a significant way?

Federica Zianni: Thank you!⁤ It’s an incredible⁣ honor. Winning ‍this competition means so much to me,⁤ not‌ just personally but also⁤ as a reflection of my ‍artistic journey. It’s a validation ​of my ​hard work and dedication to sculpture.

Editor: “Vortice di Eccellenza” is made of jesmonite‍ and iron. Can ​you tell us ⁤more about your artistic choices in terms of ‌materials⁣ and how they reflect the identity values of ‍the MAG Group—Italianity,⁣ Style, Courage,‌ Culture, and International Vision?

Federica Zianni: Absolutely!⁤ Each material ⁤I use plays a role in conveying a message. Jesmonite is a versatile material that symbolizes modernity and innovation, while‍ iron ‌represents strength and resilience. ‍By combining the two, I aimed to create a dialogue between tradition and contemporary art,⁢ mirroring the values of MAG. The sculpture’s‌ form also relates⁣ to the group’s⁢ iconic ⁢identity,⁣ echoing a sense of movement and evolution.

Editor: It sounds like there’s a deep ‍conceptual foundation behind your work. You mentioned in previous discussions that you want your art to engage viewers on multiple levels. ⁤How do you envision “Vortice di Eccellenza” resonating with the audience?

Federica Zianni: I hope it encourages observers to reflect on the balance between tradition​ and innovation⁤ in ⁢their ​own lives.⁣ Art has this powerful ability to connect people to broader concepts, such as courage in pursuing one’s ambitions. I want viewers‍ to feel inspired to explore their own creativity and‌ to see‌ the ‍beauty in diversity, which reflects the⁣ international vision of MAG.

Editor: The competition you participated ​in had⁣ remarkable success, ‌receiving over​ fifty proposals from various artists. What do you think⁤ attracted so many participants to “Immagina”?

Federica Zianni: The “Immagina” ​competition is innovative in its focus on young artists and its⁢ commitment to ⁤fostering new ​interpretations of ‌cultural values. ⁤There’s a hunger‌ among emerging creators to​ have their⁢ voices‌ heard and⁣ to⁢ collaborate with established institutions. MAG’s support for culture and creativity undoubtedly drew⁤ many, as it showcases an understanding‍ of the importance ⁢of visual languages ‍in today’s society.

Editor: President Pierluca Impronta described the initiative as a ​way to promote culture and support emerging creativity. ‌Do you ​see this ‍competition as a model for other organizations to follow in​ promoting⁢ art and ⁤artists?

Federica Zianni: Definitely! Initiatives ‌like “Immagina” can serve as‍ a catalyst for⁣ change in how corporations engage with the arts. They create platforms for dialogue and showcase⁣ the importance of cultural investment. I believe other organizations can learn from this ⁤model, applying similar ‍strategies to foster environments where artists thrive and have their work celebrated.

Editor: Your​ perspective is ⁤truly⁤ inspiring, Federica. As you​ continue to develop as an ‌artist, what new themes or projects⁣ are you​ eager to explore next?

Federica Zianni: I’m constantly ⁣exploring themes⁣ of identity and connection in my work, and I’m particularly interested in how technology influences ​our perception of art. My next projects may ⁣delve deeper into mixed ⁣media and interactive installations—in ways that ⁢encourage audience participation and engagement.

Editor: We can’t‌ wait​ to see what you​ create ⁣next!​ Thank you for sharing your insights and your creative journey​ with us. It’s clear that “Vortice di‍ Eccellenza” is ⁢just the beginning for ⁢you.

Federica Zianni: Thank you! I appreciate the opportunity to share ⁢my work and thoughts. I’m excited about what the future holds.

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