Café Tacvba has a great party in CDMX

by times news cr

The deadline was met and on the night of Thursday, December 7, the Estadio GNP Insurance of⁤ the CDMX opened⁣ its doors so that Cafe​ Tacvba ​will celebrate his 35 years of musical career in a⁤ big way.

with⁢ an introduction of almost six minutes in which the ⁤sounds ‌of ​drums and guitars stood out,‍ a group of dancers dressed in black and with their faces made up with ⁢the typical⁤ skulls of Day⁢ of the Dead served as a backdrop Ruben Albarran and every time the camera captured ⁣it, the crowd’s screams​ became louder.

“Girls, boys, what an immense joy for us that⁤ you are here, it is indeed⁤ something very significant for our ⁣35⁣ years.
“There are many images,⁣ memories, reflections that come to us when singing ‍“María”, thank‍ you very much for coming​ to celebrate with us,” said ‌the vocalist as a​ sign of ‍gratitude.

Miguel Martínez Corona

35 years of Café Tacvba

The shouts of​ the 65 ⁢thousand attendees were a sign of approval for the Satelucos, while they prepared to sing “How I Miss You”.

Not even half an⁢ hour passed when Rubén Albarran made his first wardrobe change.​ He put aside his typical blanket outfit to show off a red tailored suit.

“Boys, open your arms and let go. From Satellite to the world,” he said.‍ Rubén already with another black outfit and his typical bowler hat,immediately afterwards Meme interpreted “Take advantage”.

Then they went up to scenery ‌ the first ⁣guests at the ⁢party, the band ⁣ Los Useless who together with ⁣ Albarran

Then came “the great‍ teacher​ of my life”, Gustavo Santaolallawho the singer said “is part of the band.”

And ⁣together they interpreted “Olita del Altamar” y ⁤ “Future”.
Not even the 14 ‌degrees⁤ Celsius that the thermometer showed were an impediment for the chilanga banda ⁣to dance to the rhythm that the tacvbos set.

The night continued with hits like “The Locomotive”, “start over”and many more.

“There’s a ⁢song⁢ we haven’t sung in a long time and we’re not‌ going to do it‌ today,” he joked.​ Rubén. Though, he added ​that they were going to sing it ⁢as‍ it was a song that they composed to entertain and not to generate violence,”⁤ this is how the first chords⁣ of “Ingratx” ⁤sounded, while the audience sang it from beginning ⁣to end.

The party was about to end and Café Tacvba interpreted “Useless Charm”, “Are you”, “I want ⁢to see”‍ and before performing the​ last song “The‌ dance ⁣and the hall” the leader of the band took out the flag Palestine in the form of support for said⁣ country and thus concluded the party ‌of the 35⁣ years of Café Tacvba in the CDMX.

What impact has Cafe ⁣Tacvba‌ had on the evolution of Latin American music over the last three decades?

interview Between Time.news Editor and Music⁤ Expert

Editor: Good evening, ‌and welcome to Time.news! Tonight, I have the privilege of speaking with Dr. Mariana Soto, ⁢a musicologist and expert on Latin American music, to discuss a monumental event in the Mexican music scene. Dr. Soto, thank you‍ for joining us!

Dr. Soto: Thank you for​ having me! It’s a ⁣pleasure to discuss the enduring impact‍ of Cafe Tacvba in the music ​world.

Editor: Let’s dive right into it! On December 7, Cafe Tacvba celebrated ⁤their extraordinary 35 years in the music industry at the Estadio GNP Insurance in⁣ Mexico City. What does this milestone signify in the context of contemporary music in Latin America?

Dr. Soto: It’s a⁣ important achievement for Cafe Tacvba,‍ not just as ​a band but as cultural icons. They were pioneers in blending traditional Mexican music with rock elements, influencing countless artists across genres. Their celebration reflects the evolving nature of Latin⁣ American⁣ music and​ highlights‌ how these artists have managed to⁣ stay relevant over the⁣ years.

editor: That’s a great point! I read that they had an elaborate introduction featuring drums and guitars, along with dancers commemorating the Day of the Dead. How vital​ is performance art, such as dance and visual elements, in their concerts?

Dr. Soto: Performance art is integral to Cafe Tacvba’s identity. They don’t just present music; they create a⁣ vibrant, immersive experience that encapsulates Mexican culture. the dancers adorned in Día⁢ de los Muertos makeup are a perfect example—they ⁢merge visual storytelling with musical performance, tapping ⁤into deeply rooted traditions‍ and engaging⁤ the audience on multiple levels.

Editor: It sounded like the energy was electric with ⁤the crowd responding to the performance. What role do you‌ think crowd interaction plays in concerts like this, particularly for established bands?

Dr.Soto: Crowd‌ interaction is essential, especially for veteran ‍artists like Cafe Tacvba. ‍It creates a communal experience, ‍as fans feel a ⁣connection not just with the band, but with each ‍other. ‌in⁢ the case of cafe Tacvba,the band’s presence and the audience’s eager response create a ⁤sense of nostalgia and shared memories that enhance the concert.It’s about ⁤celebrating their journey together.

Editor: Speaking of journeys, Cafe ⁣Tacvba has evolved musically throughout their extensive career. How do⁢ you see their sound changing or influencing the new generation of musicians?

Dr.soto: Cafe Tacvba‌ has always experimented with different genres—from rock to folk, electronic, and ​even cumbia. This willingness ⁤to explore⁢ has opened doors for new artists to break away from traditional molds.‍ Their eclectic sound shows that it’s possible⁤ to honor roots while ‍embracing innovation. Emerging artists in Latin America are increasingly incorporating diverse musical elements, and you can trace much of that inspiration back to Cafe Tacvba.

Editor: ‍ It’s fascinating to consider their legacy in ​the context of‌ modern music. Looking ahead, what do you⁤ think the future holds for bands‌ like Cafe Tacvba and the Latin music scene⁣ as a whole?

Dr. Soto: I believe the future is ⁤bright. With⁢ a growing thankfulness for diverse sounds and the promotion of latinx artists globally,⁣ bands ‍like Cafe Tacvba are in a unique position to lead. They have the experience to mentor new talent while⁢ continuing‍ to⁣ push boundaries themselves. The integration of technology and social media also allows for more engagement and access, which could‌ evolve the way music is produced and consumed.

Editor: Thank you, Dr. Soto. Yoru insights are invaluable, especially as we celebrate such a beloved band and their contributions. Here’s hoping cafe Tacvba continues‌ to inspire both audiences and future ⁢artists for many more years to come!

Dr. Soto: ​Thank you! I hope so too. ⁣It’s an⁤ exciting time for music, and Cafe Tacvba is certainly a big ⁤part‌ of that narrative.

editor: And thank you to our audience for tuning in! Stay with us for more exciting discussions on music⁤ and culture.Until‍ next time!

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