Cinema: in Ivory Coast, dark rooms see the light again

by time news

Côte d’Ivoire‘s cinema industry saw a remarkable resurgence in 2024,with​ box office revenues soaring by ‍over 13% compared to the previous year,amassing more than one billion CFA francs in just ten months.⁣ The national Cinema Office’s latest report highlights this growth,⁢ showcasing the increasing popularity ⁣of cinema among Ivorian audiences. ⁤At the Majestic Ficgayo in Abidjan,⁣ families and young couples flocked to enjoy​ films like “Sonic 3,” reflecting a strong preference for American blockbusters, which dominate 80%⁤ of ticket sales.Notably, horror films have captivated the youth demographic, with 35% of viewers aged 16 to 24 seeking thrilling experiences. As the holiday season approaches,‌ local cinemas are poised to attract even more moviegoers, ⁤eager for a diverse range of genres, including animated ⁤family films⁢ and comedies.In a notable shift for the Ivorian film industry,‌ the entry of French‍ cinema giant Pathé has disrupted the‌ long-standing ⁤dominance of Majestic One, which has operated with a near-monopoly for nearly a decade. the new ⁤Pathé complex in ⁤Abidjan, featuring six state-of-the-art screens and‌ 4K projectors, has sparked both excitement and concern among local operators. Nancy Aka, a key figure at Majestic One, ‍acknowledges the challenge posed by Pathé’s ‍extensive ⁤resources and experience, while emphasizing ‍the need for adaptation in response to this competition. As Côte⁢ d’Ivoire’s cinema landscape evolves, cultural ⁢leaders are optimistic about ‌revitalizing the industry, aiming to restore the vibrancy of the golden era‍ of West⁣ African cinema.The Ministry ⁢of Culture in Ivory ⁢Coast is taking significant steps to enhance access to cinema for the local population, aiming to encourage more Ivorians to enjoy films on ‍the big⁢ screen. As part of ​this initiative, Onac-Ci plans to reopen a restaurant in Bouaké by 2025⁣ and is⁢ collaborating with Majestic One, which is set to introduce a traveling cinema. This innovative approach will not only test the market in various municipalities of Abidjan but also explore opportunities to establish ⁤permanent cinemas in other cities across the country, with hopes of garnering support from public authorities.
Q&A Interview: The Future of Côte d’Ivoire’s Cinema Industry

interviewer (Time.news Editor): We’ve seen a notable ⁤resurgence in Côte d’Ivoire’s cinema industry,‍ especially with a ⁢13% growth in box office revenues⁢ this past year.What factors do you think have contributed to this increase?

Expert: The growth can largely be‍ attributed to the increasing popularity of cinema ​among Ivorian audiences.‍ Films like “Sonic ⁤3″⁤ have drawn in families and young couples, indicating a strong preference for American blockbusters, which ⁤now dominate about 80% ⁢of ticket sales. Additionally, horror films have effectively captivated the youth demographic, with 35% of viewers aged ​16 to 24 actively seeking out thrilling experiences. As we approach the ⁣holiday season, there’s an expected surge in ⁣attendance, especially for animated family ⁢films and comedies, reflecting ⁣a growing appetite‍ for diverse genres.

Interviewer: With this growth, we also‌ see​ the entry of ⁢French⁢ cinema giant Pathé disrupting the market. What implications‍ does this have for local operators like ‍Majestic One?

Expert: The arrival of Pathé, equipped with extensive resources and a state-of-the-art complex featuring six 4K screens,‌ poses a significant challenge to local operators. Nancy Aka from Majestic ​One‌ noted the need for adaptation in light of this competition. Pathé’s⁢ well-established⁤ reputation ​and innovative offerings are pushing local cinemas to rethink their strategies. The competition could ​drive improvements​ across the industry, ultimately benefiting audiences through enhanced cinema experiences.

Interviewer: ⁤What steps are being ⁣taken to revitalize the Ivorian film⁢ industry and encourage ‍more locals to attend‌ the cinema?

Expert: The Ministry of Culture in Côte d’Ivoire is actively ​enhancing access ⁢to cinema through various initiatives. as an example, Onac-Ci plans to reopen​ a restaurant in Bouaké by 2025 and is collaborating⁢ with Majestic One to introduce a traveling cinema. This innovative⁢ approach⁣ not only tests different⁤ markets ‍in various municipalities ‍of Abidjan but also explores the possibility of establishing permanent cinemas in other cities. These initiatives aim to make cinema ⁢more accessible ‌and appealing to a‌ broader audience, fostering a renewed interest in local film offerings.

Interviewer: ​What potential do you see for local filmmakers⁤ amid this‍ evolving landscape?

Expert: ‍There is a palpable optimism‌ among cultural leaders about revitalizing the ivorian film industry. Local filmmakers have the opportunity to capitalize on this increased interest in cinema. As audiences become more engaged, there’s potential ⁢for more diverse ⁣storytelling and unique cultural representations on the big screen. It’s‌ crucial for local filmmakers to​ innovate and ​collaborate,‍ ensuring that their narratives attract viewers who are increasingly drawn to the cinematic experience.

Interviewer: What practical advice ⁢would you give to local cinema operators and filmmakers in this competitive habitat?

Expert: For local⁣ cinema operators, fostering community engagement is ⁤key.⁤ Utilizing social media, newsletters, and community connections can⁣ significantly increase audience turnout. Filmmakers​ should focus on ⁣creating content that resonates with local audiences while also tapping into relevant global⁣ trends. Collaborations within the industry can lead to more robust promotional strategies⁢ that highlight the value ⁢of local cinema. Adaptability and innovation ⁤will be essential as competition heightens.

This dynamic interaction highlights the promising developments in Côte⁢ d’Ivoire’s cinema industry, emphasizing the importance of ‍adaptability, community​ engagement, and the continued push⁣ towards improving the cinematic landscape for all Ivorians.

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