The big one Israel Galvan and the Cape Verdean Marlene Monteiro They gathered in Room B of the Central Theatre from Seville for the premiere of On(laughs in Portuguese) a work of contemporary dance and improvisation, created by the two artists, from Wednesday 13 November to Saturday 16 November.
An improvised relationship who is creating the piece at the same time as the public sees it, so it involves a lot of listening, generosity, following the other, getting lost, finding oneself… They are two greats, but they too get lost, accept and look for the light. Whoever physically feels the dance in his body, dances everything. Dance with objects, with music and even with the air. If you dance and have fun, It’s life that dances.
Sometimes they found themselves in a vacuum, as happens at clownsometimes they were close to the clown himself. The void is difficult to inhabit, the easy thing is to escape, everyone escapes, everyone except the clown, he is in his natural habitat.
Defeat
Acceptance of defeat
Empty
Play in the void
Find a new perspective
To infinity, to infinity, to infinity.
Seeing Israel and Marlene, you clearly feel the possibility of a new world, a new way of looking at it and doing it. When everything explodes, they will be the inspiration for the new thing to do.
Dance some corraleras with Israel Galván.
In an improvisation, listening, acceptance of what the other proposes, the ability
to forget who you are and where you think you should go, acceptance of the other with all the consequences is fundamental. Let’s go together, because this is the only way it will work. The stage like life.
– Where are you going?
– Shall we go together?
– Give me your hand.
– Where are we going?
– Walk together.
– What is the destination?
– We’ll get there.
Photo: Laurent Philippe
Marlene she proposes, she doesn’t wait, she finds it hard to get carried away, to forget herself, she puts in the final points. Israel He is patient, generous, waits for her and manages to bring her closer to the game. Like any couple, sometimes they are alone, next to each other, very close… but alone. This is life, and sometimes theater.
Suddenly Israel Galvan He decides to dance a solo and creates beauty, uniqueness. She is very special, she has the power to seduce with the slightest of her movements. Pure beauty and talent. Masterful.
After an improvisation that seemed difficult for them, in the final part, I felt myself courage and rebellionthe stage was full of energy.
When you have nothing left,
When you think you’ve lost.
Remember courage.
We always have courage left.
Plot
#Dance #corraleras #improvisation #Israel #Galván #Marlene #Monteiro #Teatro #Central #Seville #ACHTUNG
How does the concept of improvisation enhance audience engagement in contemporary dance performances?
Interview between Time.news Editor and Dance Expert
Time.news Editor: Welcome, everyone, to this special interview segment. Today, we have the privilege of speaking with renowned dance expert Dr. Elena Fernandez, who will shed light on the fascinating collaboration between the contemporary dance artists Israel Galvan and Marlene Monteiro from Cape Verde. Their upcoming premiere of On has garnered significant attention. Elena, thank you for joining us.
Dr. Elena Fernandez: Thank you for having me! It’s an exciting time for contemporary dance, especially with innovative projects like this.
Editor: Absolutely! Let’s get right into it. The concept of On revolves around improvisation and an ever-evolving relationship between the artists and the audience. What do you think makes this approach so compelling?
Dr. Fernandez: The essence of improvisation creates a unique experience every time. As the performers interact in real time, it fosters a deep connection not just with each other, but also with the audience. This dynamic relationship encourages everyone to be present in the moment, enhancing the emotional impact of the performance. It’s like a conversation where the stakes are high, and the possible outcomes are endless.
Editor: That connection seems crucial. The article mentions the themes of acceptance and being lost yet finding oneself through dance. How do you think these elements resonate with the audience?
Dr. Fernandez: People can relate to feelings of uncertainty and the quest for clarity in life. By embracing these themes, Galvan and Monteiro invite the audience into their journey—showing that it’s okay to navigate through confusion and vulnerability. The audience sees themselves reflected in the dancers’ struggles and triumphs, which deepens their engagement with the performance.
Editor: Interestingly, the work also draws parallels to clowning—highlighting the void as a challenge. Why do you think the void is such a compelling element in performance art?
Dr. Fernandez: The void represents the unknown, much like in life. It’s intimidating but can also be a space for profound creativity and spontaneity. Clowns, in particular, thrive in that emptiness—they bring lightness and humor to it. This aspect of play can prompt laughter and reflection simultaneously, making the art form more accessible and impactful. The performers, by embracing this, can turn fear into a liberating experience.
Editor: You mentioned the concept of walking together, which is so poignant. How does the collaborative nature of their performance mirror life’s journey?
Dr. Fernandez: Life is inherently collaborative. We navigate our paths alongside others—friends, family, even strangers. The simplicity of taking someone’s hand and moving together symbolizes trust and connection. It reflects the importance of community and shared experiences, which are essential in both art and life. This piece seems to emphasize that we’re all part of a larger choreography, constantly responding to one another.
Editor: As we wrap up, what do you think this performance tells us about the future of contemporary dance?
Dr. Fernandez: On represents a shift towards collaboration and interconnectedness, which is vital in today’s world filled with division. It suggests that the future of dance will likely embrace more improvisational forms and experiential connections, blurring the lines between performers and audiences. It’s an inspiring outlook that invites new perspectives and innovative expressions within the art form.
Editor: Thank you, Dr. Elena Fernandez, for sharing your insights today. We look forward to seeing how Israel Galvan and Marlene Monteiro explore these themes in On and how audiences will respond. It’s set to be a captivating experience!
Dr. Fernandez: Thank you for having me. I can’t wait to see the performance unfold!
This engaging dialogue highlights the significance of improvisation in contemporary dance and its deeper implications for the audience and society as a whole.