Drug trafficking without apology

by times news cr

Through ⁢different manifestations in the cine ‌and the televisionhe drug ⁢trafficking ⁤ has⁢ gained space in many narrativesbut this is‌ criticized for advocating ⁤crime, which in the ⁣actor’s opinion Jorge Zarateyou must be careful.

“Many times we ​get used to seeing the drug trafficker ​ unreal shapesin the way that ⁢they make⁣ an apology and we want to be ⁢them, we want a family like that of He Godfather, Or do we believe that ⁤all ⁢hitmen can be like The Cochiloco and although we know that they are characters, ⁢we can also lose our way.

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“With something so delicate with⁢ this topic,⁣ I think ⁢that they do⁤ seek to criticize, we have to⁣ be ⁤quite careful with ⁤this, we ‍don’t need ⁢to see them as heroes,” said the actor​ who plays The Huasteco, on the tape. Luis Estrada, Hell

For this reason, he said that Surviving ‌the Cartel, It is more of​ a series close to reality. “Here we ​see little of those things, a lot‌ of weight⁤ is⁣ given to personal stories, to what has to do with crime and its consequences,” he‌ said.

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In that sense, its director says that sought to get out of common places ⁤when carrying out the project.

“There ⁣are already many things ‌about ⁣drug trafficking and mainly in the United States ⁣we see how Mexico is always⁣ blamed for the evils.⁤ We⁢ all know that is not ​the case, but ​many prefer to stick with that idea.

“I⁣ think we had to speak the truth⁣ or as close to ‌it as possible. Isand was the main objective ​with which I ⁢wrote⁤ all this”Ely⁤ Bams highlighted.

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For this ‌reason, he says thatand it ​was not very easy to find someone who ‍would like to ⁤produce and distribute a topic like this.

“Sometimes we need to be more critical and tell​ our government what we don’t like and what we​ know is​ wrong.

“But I didn’t want to talk ‍to the ⁣government,‌ the State cannot‍ change from one ‍day to the⁤ next, I think it is better to talk to the people, they do listen​ to‌ you more easily and well, in this story we see that there are many victims of circumstances ⁢,​ that They didn’t choose to be there. but ⁣they didn’t ⁣choose to leave there either,” he added.

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In the United States, this series has ⁤already premiered and‌ its creator feels that it has a ‌good‍ connection with the​ audience, because‌ it shows them⁣ something that deep down⁤ they wanted to see: “An interpretation ⁣of the reality of things, from fiction.

“There is drug trafficking but it would not be as strong without corruption or support from powerful people who‌ obviously should ​not be,” he concluded. Ely Bams.

Surviving the Cartelwhich unites talents such as Jorge⁣ Zárate and Vanesa Restrepopremieres this Saturday, ‍November 2 on ⁤the channel AMC at 11:00 p.m.

Interview:‍ The Realities‍ of Drug Trafficking in Media

Editor (Time.news): Welcome, and thank you for joining us today. We have with us Jorge Zarate, a prominent actor who has ⁤recently expressed‍ his thoughts on the representation⁣ of drug trafficking ⁣in cinema and television. Jorge, you’ve been ⁢vocal‌ about the need for caution when portraying drug traffickers on ⁤screen. Can you elaborate on that?

Jorge ⁤Zarate: Thank you for having me. Absolutely. ⁣What I believe ⁤is crucial to highlight is that ‌we are often⁢ exposed to depictions of drug traffickers that glamorize their lifestyle. Characters ⁣can come off as heroes or ‌role models, ​which is a dangerous narrative. It desensitizes viewers to the real consequences of crime and violence.

Editor: It’s true ⁤that ⁣many films and shows create ⁣compelling narratives around ⁢these​ figures, often setting them in heroic or ​romanticized scenarios. ​How do you think this affects⁣ society’s perception of drug ‌trafficking?

Jorge Zarate: ⁤When audiences watch ‌these portrayals, they can start to idolize these ⁤characters without understanding the grave realities behind them. For example, shows like ​”El ⁣Patrón” do‍ not ‍always ⁤highlight the deep personal tragedies and societal impacts ​of⁣ drug trafficking. It’s easy to want a family‌ dynamic akin to that seen⁤ in films like “The Godfather,” but we must remember that these are fictionalized ⁣accounts—real lives ⁤are destroyed by this crime.

Editor: You mentioned your​ role ‌in Surviving the ⁤Cartel, which aims to tell a‌ more gritty and realistic‌ story. What ⁢differentiates this‍ series from ⁢others in the genre?

Jorge ​Zarate: Surviving the Cartel focuses on the human stories behind the headlines. The audience sees the consequences—not just the glamor, but the⁤ pain and struggles⁣ that real people face. The director, Ely ⁣Bams, aimed to ‍break away from ⁣stereotypes and common tropes. We strive for honesty in storytelling.

Editor: ​ Ely Bams has highlighted that it was⁣ difficult ​to find producers willing to tackle such a sensitive topic. Why do you think that is?

Jorge Zarate: Content about drug trafficking can be risky for producers. There’s a fear of backlash,​ particularly when addressing the complexities of the issue instead of falling back on sensationalism. Many people would rather perpetuate simple ideas, blaming Mexico for‌ all problems related to drug trafficking. Surviving ⁤the Cartel aims to challenge that narrative, but it’s⁤ a brave step.

Editor: You⁤ emphasize‌ the importance ⁢of not portraying drug traffickers as heroes. Why do you think it’s essential‍ to keep this distinction clear in our media?

Jorge Zarate: It’s essential ⁤because media shapes societal ‌attitudes and ⁣beliefs. If we glorify criminals, we risk⁤ encouraging ‍real-life ⁣imitations. We’re steering young minds ‍toward a dangerous way‌ of thinking. The narratives should center on resilience ⁣and ⁣the harsh realities⁣ faced by victims of this violence, not on romanticizing the criminals.

Editor: In your opinion, do you ‌think filmmakers and writers ⁣bear a responsibility in how they portray these subjects?

Jorge Zarate: Definitely. Artists and storytellers have the power to influence minds and cultures. With that power comes responsibility. It’s crucial to approach‌ such topics thoughtfully and with care. We ⁣must be aware that ⁤audiences can ⁣often take what they see at face ​value, leading ​to⁣ misconceptions about reality.

Editor: Thank‌ you for sharing your insights, Jorge. It’s imperative to foster honest dialogue⁤ around these narratives, ⁣and your perspective​ brings vital awareness to the industry.

Jorge⁤ Zarate: Thank‌ you for having me! It’s all about creating a ‍more informed audience‍ and fostering understanding—issues ⁤as complex as drug ⁤trafficking deserve our attention in a nuanced way.

Editor: We‌ appreciate your time and commitment ⁣to this conversation. We look forward to seeing⁤ how Surviving the Cartel unfolds, and we encourage our readers to reflect critically on the media ‍they consume.⁤ Thank you again, Jorge!

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