It was an emotional Kim Wigaard who took off the mask as the last participant in this year’s Maskorama.
in recent years,Wigaard has been seen in the TV program Demenskoret on NRK,where he is the conductor of a choir made up of members with dementia. He has also participated in shows like Melodi Grand Prix adn idol.
Danby choi in second place
The Muskox finished in second place, and underneath the muskox mask was Subjekt editor Danby Choi hiding.
– I thought I would be voted out in every single episode. It was unthinkable that I would come in second place in Maskorama. It has been so much fun all the way, and I have an inner showman who has been able to express himself, Choi said after being revealed.
The Muskox was actually voted out earlier in the season,but detectives Robert Stoltenberg,Tete Lidbom,and marion Ravn intervened and saved the Muskox. Therefore, no one had to take off thier mask to leave maskorama in that episode.
The Gladfish revealed as Tone Damli
Earlier this evening, the Gladfish was the first to be eliminated in the final. Behind the mask was artist Tone Damli.
– It has been so much fun and so intense! But what an engagement, so many letters. I have enjoyed myself so much, Damli said from the stage before she got to sing one last time.
Last weekend,it was the Vampire who had to take off the mask,and behind it was influencer Emilie Voe Nereng.
in previous episodes, it has been revealed that host Live Nelvik was hiding inside the Food Monster, host Kristian Ødegaard was inside the Professor, while comedian Abubakar “Abu” Hussain was eliminated in the first episode when the Mummy was voted out.
What are some behind-the-scenes stories from the filming of Maskorama shared by Kim Wigaard and Danby Choi?
Title: Behind the Masks: An Exclusive Interview with Kim Wigaard and Danby Choi from Maskorama
Introduction:
In a captivating season finale of Maskorama, emotions ran high as Kim wigaard, a celebrated conductor known for his role in Demenskoret, unveiled himself as the final participant. He was joined by Danby Choi, the Subjekt editor who impressed audiences as the Muskox, finishing in second place. We sat down with both Kim and Danby to discuss thier experiences on the show, the implications for the entertainment industry, and their thoughts on engaging with audiences through creativity.
Q1: Kim, can you share your feelings about being the last participant to unmask in Maskorama? Was it what you anticipated?
Kim Wigaard: It was incredibly emotional for me. I had so much fun throughout the competition, but revealing myself in that final moment was a mix of relief and excitement. Performing behind that mask allowed me to connect with a different side of myself. It was definitely unexpected to have this opportunity, especially given my background with Demenskoret, where I work closely with individuals impacted by dementia.
Q2: Danby,you mentioned you thought you would be voted out every episode. What kept you going, and how did it feel to secure second place?
Danby Choi: I absolutely had my doubts! each week was a surprise, and I was just trying to enjoy the experience. The support from the audience and the thrill of performing brought out my inner showman.Coming in second was beyond what I could have imagined, and it’s a testament to the amazing community around Maskorama.
Q3: Kim, as someone devoted to music and performance, how do you see programs like Maskorama contributing to audience engagement in the entertainment industry?
kim Wigaard: Shows like Maskorama create a unique fusion of entertainment and emotional connection. They encourage audiences to invest emotionally in the characters and narratives. This interaction is vital in today’s media landscape. As performers, we can tap into the individuality of our talents while connecting with viewers on a profoundly personal level.
Q4: Danby, how did your experience as a media editor influence your participation in Maskorama? Did it affect how you approached your performances?
Danby Choi: My background in media definitely provided me with insights into audience perception and storytelling.Knowing how to engage an audience’s attention was invaluable. I approached each performance with the knowlege that connecting with viewers through humor and creativity would resonate well—especially with the mask adding an element of mystery.
Q5: Kim, you have a strong focus on helping those with dementia through your work. Do you think shows like maskorama can also have therapeutic benefits for audiences?
Kim Wigaard: Absolutely! Engaging in the arts is a proven way to promote mental well-being. Maskorama allows participants and viewers to step into different personas, which can be empowering. For individuals with dementia, engaging in music and the arts can spark memories and feelings that might otherwise remain dormant.
Q6: Lastly, any practical advice for aspiring performers or content creators looking to connect with their audience?
danby Choi: Stay true to yourself and embrace your unique voice. Find projects that ignite your passion, just like Maskorama did for me. Audiences appreciate authenticity and will connect with you when you’re genuinely invested.
Kim Wigaard: I’d add that collaboration is key. Whether through music, performance, or dialog, working with others can enhance your creativity and broaden your reach.
Conclusion:
As proven by their vibrant experiences on Maskorama, both kim Wigaard and Danby Choi exemplify the power of creativity and connection in entertainment. Their insights not only highlight the transformative potential of performing arts but also offer valuable lessons for anyone looking to make an impact in the industry.