In a recent reflection on the fierce competition within the metal scene of the 1980s, Gary Holt of Exodus shared a striking anecdote about the band’s rivalry with glam metal acts. During their concerts, Holt revealed that Exodus would often take knives to glam metal shirts worn by fans, symbolizing their disdain for what they considered “poser” culture. This act of defiance not only highlighted the intense segregation among metal subgenres at the time but also underscored the passionate loyalty of thrash metal fans. As Holt noted, the landscape of metal has evolved considerably since than, with a more unified community emerging today, yet the memories of those electrifying and contentious performances remain vivid for both the band and their fans [1[1[1[1].
Q&A: The Clash of Metal Titans – Gary holt on Thrash vs. Glam Metal
Time.news Editor: Gary, thank you for joining us.You recently shared some intense stories about Exodus’s rivalry with glam metal bands in the 1980s. Can you elaborate on that?
Gary Holt: Absolutely! Back in the ’80s, there was a very distinct divide between thrash metal and glam metal. We believed that glam was all about image,not substance. During our shows,if we saw fans in glam shirts,some guys would even take knives and slice them up—purely out of disdain for what we saw as “poser” culture. It was an act of rebellion against what we viewed as inauthenticity in music.
Time.news Editor: that sounds pretty extreme! How did this rivalry shape the identity of thrash metal at that time?
Gary Holt: It defined us. Thrash metal was born from a raw, aggressive place. We wanted our music to be a powerful expression of angst and rebellion. The glam scene, with its flashy aesthetics and smooth sounds, felt like an affront to what we stood for. This division created a passionate loyalty among thrash fans, who were fiercely protective of the genre’s integrity. It wasn’t just about the music; it was about a lifestyle.
Time.news Editor: You mention a lifestyle. Can you explain how this rivalry influenced the community of metal fans back then?
Gary Holt: Sure! The metal community was heavily segregated. Glam fans typically gravitated towards MTV and radio-pleasant hits, while thrash was more underground, thriving on tape trading and word-of-mouth. This created a sense of exclusivity within the thrash scene and made the rivalry all the more intense. Fans frequently enough felt obligated to choose a side, which fostered a strong sense of identity and belonging.
Time.news Editor: It seems like metal has evolved since then. How would you describe the current state of the metal community compared to the 1980s?
Gary Holt: Today, we see a much more unified community. Genres that once seemed worlds apart are now blending together. Bands and fans alike appreciate music for its artistry rather than the labels attached to it. While there might still be some rivalry, it’s nowhere near the level it was back then. The focus is more on collaboration and celebrating diversity within metal.
Time.news editor: With such a vivid history, what insights or advice would you give to new bands entering the metal scene today?
Gary Holt: My advice would be to stay true to your roots, but don’t get caught up in genre wars.Focus on authenticity and create music that reflects who you are. The metal community is diverse and accepting if you bring genuine passion to your art. Collaborate with others, regardless of their style, and embrace the variety that exists within the scene. Always remember, it’s the music that binds us together.
Time.news Editor: Those are powerful words, Gary. Thank you for sharing your experiences and insights into the evolution of the metal scene. We look forward to seeing how the genre continues to develop.
Gary Holt: Thank you for having me. It’s always great to reflect on where we came from and where we’re headed in the world of metal.
This discussion sheds light on the fierce past rivalries in the metal community while highlighting the evolution towards a more inclusive and collaborative habitat today.Understanding this history is essential for appreciating the broader cultural shifts within music and society.