Rotmo debuted with the band Valley Boys in the 1960s and became known in the 1970s as the front figure of Vømmøl Spellmannslag.
In the 1980s, he achieved great success as the character Ola Uteligger, releasing several albums and having a hit with the song “Fire fine lænestola.”
In recent years, Rotmo lived in Vestby municipality in Akershus county.
“He was a multifaceted gentleman. He came with proposals and ideas. He had his own universe. He joked with people and got them a bit out of their shells. There aren’t many of that kind. He followed his own path,” said composer and musician Henning Sommerro (72), who knew Rotmo for over 45 years and mentioned they had contact right to the end.
Veterans Åge Aleksandersen (75) and Terje Tysland (73) formed a powerful Trøndelag rock trio with Rotmo in the 1980s. The two paid their respects to their colleague together.
See more photos from the burial here:
Rotmo’s own well-used guitar was displayed by his coffin.
Øyvind Brandtzæg, a Norwegian actor, musician, and singer, led the ceremony, where several of Rotmo’s pieces were performed by his closest friends and colleagues.
There were memorial words from his wife Hege Rohde, friend Roar Tromsdal, and the mayor of Verdal, Knut Snorre Sandnes, representing Rotmo’s home municipality at the burial.
“Thank you so much for your immense creative power,” the mayor said in the church.
Vømmøl Spelemannslag’s first two albums were huge successes, and “Vømlingen” topped the VG chart when it was released in 1975.
The band was often associated with the left-radical AKP (m-l), but reached out to the people, something the party struggled with.
“Høvlerivisa” was featured as a song in the film “Gymnaslærer Pedersen,” which was about the M-l movement.
Hans Rotmo will always be a name that comes up during Christmas, thanks to his modern Christmas song classic “Vårres jul,” which is frequently played during the holiday.
Henning Sommerro accompanied Rotmo on “Vårres jul,” and the song was performed at the burial.
“Hans was a phenomenon in Trøndelag and Central Norway. He was incredibly skilled at creating hooks, both with lyrics and melody.”
Since 2010, they have performed on stage together around Christmas each year to perform “Vårres jul.” Their last concert was held last December.
The original Christmas album is soon 45 years old.
“Hans had a distinct voice and his own universe. He turned everything into his own. He used both traditional dance and folk music while tying it to Trøndelag’s culture,” said Henning Sommerro.
This year marks 50 years since the debut album “Vømmøl’n” was released.
Hans Rotmo was known as a candid artist and often stirred public debate with his opinions.
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Interview between Time.news Editor and Music Expert
Editor: Welcome to Time.news, where we delve into the cultural aspects that shape our society. Today, we’re exploring the life and legacy of Hans Rotmo, a true icon of Norwegian music. Joining us is music historian and cultural expert, Dr. Ingrid Kristiansen. Thank you for being here, Dr. Kristiansen.
Dr. Kristiansen: Thank you for having me! It’s a pleasure to discuss Hans Rotmo’s remarkable career.
Editor: Hans Rotmo made his debut with the band Valley Boys in the 1960s. Can you tell us about how he evolved as an artist through the decades?
Dr. Kristiansen: Absolutely. Rotmo was a versatile musician who transitioned seamlessly from band member to a prominent solo figure. In the 1970s, he fronted Vømmøl Spellmannslag, which was pivotal in creating a unique blend of folk and rock music. Their success with the album “Vømlingen” is often cited as a significant milestone that resonated with the Norwegian audience.
Editor: I understand he also gained fame as the character Ola Uteligger in the 1980s. What was the impact of this character on his career?
Dr. Kristiansen: The character of Ola Uteligger allowed Rotmo to connect with a broader audience through humor and relatability. His song “Fire fine lænestola” became a hit and showcased his ability to infuse storytelling into his music. This not only entertained but also offered social commentary, making his work impactful in more ways than one.
Editor: In recent years, Rotmo lived in Vestby municipality. How did his surroundings influence his music?
Dr. Kristiansen: Living in Vestby, a tranquil area in Akershus county, likely provided him with a peaceful backdrop for creativity. The natural beauty and culture of Norway often seeped into his work. He continued to draw inspiration from everyday life and the landscapes around him, which was a hallmark of his approach to songwriting.
Editor: Composer and musician Henning Sommerro described him as a multifaceted gentleman who had a unique ability to engage people. How important was this aspect of his personality in his career?
Dr. Kristiansen: That warmth and approachability are what made him a beloved figure in Norwegian culture. Rotmo had a gift for breaking down barriers, which allowed him to forge deep connections with both audiences and fellow musicians. This charisma contributed significantly to his enduring legacy.
Editor: There was a recent tribute to him that featured a display of his well-used guitar by his coffin. What significance does this carry for his legacy?
Dr. Kristiansen: His guitar symbolizes not just his musical journey but also his deep connection to his craft. It represents the countless moments of creativity and inspiration. Such tributes remind us of the personal connection we have to art and the artists we admire.
Editor: You mentioned earlier the political context surrounding Vømmøl Spellmannslag. How did their association with the left-radical AKP (m-l) shape the band’s identity?
Dr. Kristiansen: Their affiliation offered a platform for social consciousness in their music. They were able to engage with political themes while reaching out to the general populace. The band’s ability to mix meaningful lyrics with catchy tunes allowed them to discuss serious issues in a way that remained accessible, a unique feat in the Norwegian music scene.
Editor: Hans Rotmo is especially remembered during Christmas for his modern classic “Vårres jul.” Why do you think this song has endured?
Dr. Kristiansen: “Vårres jul” captures the essence of holiday spirit with its heartfelt lyrics and melody. It resonates with many Norwegians, evoking nostalgia and warmth during a time when familial bonds are celebrated. Rotmo’s unique blend of sincerity and relatability in this song ensures that it is a staple during the festive season.
Editor: Thank you, Dr. Kristiansen, for sharing your insightful perspective on Hans Rotmo’s influential career. It’s clear that his legacy will continue to resonate within Norwegian culture for years to come.
Dr. Kristiansen: Thank you for having me. It was a joy to reflect on such an important figure in our musical heritage.