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A cloud of uncertainty hangs over France’s most popular classical music festival, The Crazy Day of Nantes, as it prepares to launch its 2025 edition. The festival, scheduled for January 28 to february 1 in Nantes, faced its first press conference in nearly three decades – as 1995 – without its founder and artistic director, René Martin, following his resignation amidst accusations of inappropriate behavior.
A Resignation Shrouded in Controversy
René Martin, who also founded the CREA association (Center for artistic achievements and studies) in 1977, stepped down at the end of October. The move followed an internal investigation that uncovered allegations from collaborators regarding his conduct, claims Martin has vehemently denied. According to a statement released by the city of Nantes, the conclusions of an autonomous audit “clearly demonstrate that the principles of exemplarity, respect for the rights of employees and the fight against sexist and sexual violence have been violated.”
The investigation reportedly revealed that employees may have been exposed to pornographic content. “The City of Nantes does not compromise and will never compromise on these principles,” Mayor Johanna rolland emphasized, announcing the immediate cessation of all collaboration with Martin. The case has been referred to the public prosecutor for further review.
Festival Proceeds Despite Founder’s Absence
Despite the turmoil, organizers are pressing forward with the festival, dubbed the “rivers” edition.Some 140,000 tickets will go on sale December 13, both online and at the Cité des Congrès ticket offices. The theme,announced by Martin at last year’s event,draws inspiration from rivers across the globe – from the Danube and Rhine to the Mississippi and even the mythical Styx – and the music they have inspired over five centuries.
The absence of Martin was palpable at Tuesday’s press conference, described by attendees as “an elephant in the room.” Notably, his name was not mentioned during the presentation, with focus rather placed on the commitment of the festival’s partners.
A Trio Takes the Helm
Filling the void left by Martin is a female trio of programmers who rapidly assembled the festival’s enterprising 300-concert lineup. Organizers highlighted the speed of their work, noting it was completed in “three weeks, where it usually takes several months.” A senior official stated that this transition ensures a “continuity” and allows for the “revelation of their skills.”
the swiftness of the transition has raised questions about potential artist cancellations. Approximately 190 individuals have signed a platform in support of Martin, and organizers were asked if any of these artists might reconsider their participation. They responded by urging observers not to “go for complexity” and affirming that “all artists are welcome.”
Looking Ahead
CREA employees have been reassured that the association will continue its operations through at least 2027. Aymeric Seasseau, deputy for culture at Nantes town hall, expressed optimism, stating, “As long as we are all together, the Folle jour
